Never mind former Sen. Phil Gramm's "mental recession." Rapper Young Jeezy is titling his next album Recession -- and he does mean the economic variety. He got out in the streets for this one, posting a YouTube report looking at families on the lower rungs (warning: plenty of profanity).

Economists continue to debate whether the U.S. is a recession, but Young Jeezy says he has never seen the economy this bad. In an interview with XXL, Jeezy acknowledges his own change of heart about the financial scene. "When money was plentiful, I was the first one who told you to stack it. Live your life with it," he says. "Now that money slowed up, I'ma be the one telling you to save it like they ain't gon' make it no more."


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ReporterAfter a two-year absence, Southern rapper Young Jeezy is back with a vengeance with his new album "The Recession." The 18-track, politically-charged album is full of upbeat anthems that are sure to get heads nodding and toes tapping, not to mention a handful of tracks that take shots at the government and President Bush. This is reinforced on the album cover, which shows an angry Jeezy wearing the American flag as a hood. The album is full of synthesizers and quick beats. The hit single "Put On" features Kanye West and is only one of four tracks featuring guest artists. Others include Anthony Hamilton, Lil Boosie, Nas, and Trey Songz. The title track, "The Recession (Intro)," opens the album with audio clips of news reporters talking about the economic recession in America then explodes with a triumphant fanfare in which Jeezy sounds off on the economic situation himself. The tracks that follow all keep the same basic formula, incorporating grandiose fanfares and catchy hooks. On the second track, "Welcome Back," Jeezy proclaims his return with a series of clever lines to remind everyone that in the two years since his last album, he is still on top. "Crazy World" is just one of many tracks in which there are clever jabs at the government with lines like, "I think is trying to punish us," and, "You get more time for selling dope than murder in this crazy world." On "Amazin'" Jeezy makes yet another reference to how he represents those who don't have a voice with which to speak out. The track "My President" is one of the most interesting tracks on the album. Besides the fact that this is by far the most politically-inspired track on the album, the lyrics are not those of Jeezy at all. He opens the track with the words, "This is the realest s*** I never wrote." The entire track disses the government as a whole and talks about how "hysterical" the country has become. The album, although a bit repetitive at times, is very easy to get drawn into. With its catchy hooks and sharp lyrics, it doesn't take much to grab one's attention. Just about every line makes you want to see what will be said next. And with a wide array of subject matter all tied together with the down with the Bush theme, it speaks to a wide audience among the hip-hop world. The only downside to this album is that after listening to it for the better part of 90 minutes, many of the tracks start to blend together simply because of a lack of dynamics in the music. Many songs have very similar rhythms and tempos. Other than that, "The Recession" is one of the better hip-hop albums this year.

Franco: tag_hash_107____________ (Sterns Africa)As monumental as, and meatier than, Stern's Rochereau retrospectiveThe Voice of Lightness, this overview of the big man's firstthree decades plays less smoothly because smooth was never theidea--he was John to Rochereau's Paul. The two of them ruled Kinshasabecause they were bandleaders on a par with James Brown: shrewdbusinessmen, charismatic bosses and unrelenting musicalconceptualizers. But though Franco helped create theonwards-and-upwards rumba lift that turned their city into the musicalcapital of pan-Africa, he remained rough and local. His lyricseschewed romance, his singing favored a declarative midrange, hisfamed guitar was loud and plangent rather than nimbly lyrical. Wherecompiler Ken Braun gives us a Rochereau who sheds idiosyncrasy as hedefines a genre and masters a personal style, his Franco is alwaysthinking. Even on the later disc, he's masterminding a transcendentcommercial and then mourning his younger brother, teasing out abuildup on one song and delivering nonstop climax on the next. Rhythmsand tempos shift: here a cha-cha, there a torch song, there some eerie3/4 time. But he never stints on melody. You may need Braun's notes toget your mind around songs your body has already internalized. Or youmay decide to just enjoy how it sounds.A PLUS be457b7860

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