Download Recent Nigerian Music

The Nigerian music scene continues churning out hits that resonate across the West African region, the continent, and the entire world. This year has been no different for the thriving musical output of the country, with major releases from the likes of Burna Boy and Rema, as well as notable alternative drops.

Mr Eazi has officially landed a new title -- certified lover boy. The love song and accompanying visuals for "Legalize" capture the intimacy of Eazi proposing to his longtime girlfriend, Nigerian actress Temi Otedola. The heartwarming single is a hit, and it had no choice as a powerhouse team of international producers gathered to add their flair and expertise. Producers Michael Brun,E Kelly, and Nonso Amadi, all helped Eazi channel his love into it. The music video is set in Venice, Italy, where the couple got engaged back in April.

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Davido connected with Kanye West's Sunday Service Choir for "Stand Strong," a soulful and gospel leaning single built on afro-fusion percussion. "It was just a different feeling, a different kind of record," Davido told Apple Music, "I don't think I've ever released a record like that. But funny enough, my earlier records, before afrobeats and stuff, that's the kind of music I was geared to, like R&B, slow, soulful type stuff."

Omah Lay, who we saw collaborate with Justin Bieber earlier this year, shared the new single and music video for "Woman." The song follows the Nigerian star singing about how everything he does is for his woman. It's a bouncy, dance floor-ready affair paired with some sleek visuals.

Nigerian star L.A.X dropped his single Waist Drop'' last week, just in time for the summer. He also shared the music video for the track, directed by Adam KG. In it, L.A.X dances and rides around the streets of California in a Mustang convertible with plenty of good company.

Nigerian musician Victony plays on unique sonic turf. His songs are lined with influences which stretch beyond Afropop and, on his latest release Outlaw, those qualities merge into fully realized bops. "Kolomental," off that tape, establishes his grasp of masterful lyrical arrangement and an astute ear for great beats.

Nigerian star Adekunle Goldtag_hash_123dropped the futuristic visuals for "Mercy," one of the highlights from his recent album Catch Me If You Can. The new DK-directed music video pairs sci-fi cinematography with classic Nollywood aesthetics, and features a cameo from Baba Fryo whose '90s song "Dem Go Dey Pose" is sampled on the track.

Kizz Daniel and Tekno share the music video for their massive hit "Buga." It's as bright and lively of an affair as their supremely addictive earworm of a tune. Check it out above.

It's a Nigeria-meets-South Africa concoction in CKay's latest single and music video for "Watawi." The "Emo-Afrobeat" singer enlists the star power of Davido, Focalistic and Abidoza for this sleek new jam.

The exact cause of his sudden death in a Lagos hospital is unknown and allegations of harassment he reported suffering from politically connected figures at his former music label have sparked outrage and an outpouring of emotional tributes. The hashtag #justiceformohbad has been trending on X, formerly known as Twitter, since his death.

Outrage across the country has been largely directed at Naira Marley, the boss of Mohbad's former label, himself one of Nigeria's biggest music stars. He is an ambassador for the country's anti-drug agency and a vocal supporter of the governor of Lagos, for whom he campaigned in elections in February.

Nevertheless, it represented another chapter in the relationship between crime and music; the Italian-American mafia bankrolled many acts in its heyday, just as South American drug lords had ballads written for them and gangster exploits have been extolled in hip-hop.

The music business is capital-intensive, and in Nigeria, where the industry still lacks adequate funding and infrastructure, upcoming artists, especially from inner-city areas, find it hard to access funds to boost their careers.

But it is to the credit of Yahooze, the song that lit up the scene nearly two decades ago and Olu Maintain, no longer an in-demand act, that extravagance first became an accompanying export to Nigerian music.

Nigerian music sales revenues were estimated at $56 million in 2014, according to PricewaterhouseCoopers (PwC), an international accounting and auditing firm. The firm projects sales revenues to reach $88 million by 2019.

The growth may be attributed to a reversal in music consumption patterns, according to local media reports. Up to the early 2000s, the music in clubs and on the radio in Nigeria was dominated by British and American hit songs. Not anymore. Reportedly, most Nigerians now prefer songs by their local artists to those by foreigners, even the big ones in the West.

Despite such raids, the business of pirated music and movie CDs continues unabated, turning enforcement efforts into a game of Whack-A-Mole. With minimal returns from CD sales, Nigerian artists rely on ringtone sales, corporate sponsorship contracts and paid performances to make ends meet. Most Nigerian artists now prefer online releases of their songs.

The music of Nigeria includes many kinds of folk and popular music. Little of the country's music history prior to European contact has been preserved, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments.[1] The country's most internationally renowned genres are Indigenous, Apala, Aurrebbe music, Rara music, Were music, Ogene, Fuji, Jj, Afrobeat, Afrobeats, Igbo highlife, Afro-juju, Waka, Igbo rap, Gospel,[2] and Yo-pop. Styles of folk music are related to the over 250 ethnic groups in the country, each with their own techniques, instruments, and songs. The largest ethnic groups are the Igbo, Hausa and Yoruba.[3] Traditional music from Nigeria and throughout Africa is often functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals.[4] Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the planting season.

Work songs are a common type of traditional Nigerian music.[5] They help to keep the rhythm of workers in fields, river canoes and other fields. Women use complex rhythms in housekeeping tasks, such as pounding yams to highly ornamented music. In the northern regions, farmers work together on each other's farms and the host is expected to supply musicians for his neighbours.

The issue of musical composition is also highly variable. The Hwana, for example, believe that all songs are taught by the peoples' ancestors, while the Tiv give credit to named composers for almost all songs, and the Efik name individual composers only for secular songs. In many parts of Nigeria, musicians are allowed to say things in their lyrics that would otherwise be perceived as offensive.

The most common format for music in Nigeria is the call-and-response choir, in which a lead singer and a chorus interchange verses, sometimes accompanied by instruments that either shadow the lead text or repeat and ostinato vocal phrase. The southern area features complex rhythms and solo players using melody instruments, while the north more typically features polyphonic wind ensembles. The extreme north region is associated with monodic (i.e., single-line) music with an emphasis on drums, and tends to be more influenced by Islamic music.

The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition. Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai. Traditional Hausa music is used to celebrate births, marriages, circumcisions, and other important life events. Hausa ceremonial music is well known in the area and is dominated by families of praise singers. The Hausa play percussion instruments such as the tambora drum and the talking drum. The most impressive of the Hausa state instruments, however, is the elongated state trumpet called Kakaki, which was originally used by the Songhai cavalry and was taken by the rising Hausa states as a symbol of military power. Kakaki trumpets can be more than two metres long, and can be easily broken down into three portable parts for easy transportation.

The Igbo people live in the south-east of Nigeria, and play a wide variety of folk instruments. They are known for their ready adoption of foreign styles, and were an important part of Nigerian highlife.[6] The most widespread instrument is the 13-stringed zither, called an obo. The Igbo also play slit drums, xylophones, flutes, lyres, udus and lutes, and more recently, imported European brass instruments.

Courtly music is played among the more traditional Igbo, maintaining their royal traditions. The ufie (slit drum) is used to wake the chief and communicate meal times and other important information to him. Bell and drum ensembles are used to announce when the chief departs and returns to his village. Meal times may include pie, and other dessert foods for the holidays.[7]

The Yoruba have a drumming tradition, with a characteristic use of the dundun hourglass tension drums. Ensembles using the dundun play a type of music that is also called dundun.[8] These ensembles consist of various sizes of tension drums, along with kettledrums (gudugudu). The leader of a dundun ensemble is the iyalu, who uses the drum to "talk" by imitating the tonality of Yoruba[7] Much of Yoruba music is spiritual in nature, and is devoted to their God. 006ab0faaa