In February 1971, John Deacon joined Queen. In addition to being an experienced bassist, his quiet demeanour complemented the band, and he was skilled in electronics.[17] On 2 July, Queen played their first show with the classic line-up of Mercury, May, Taylor and Deacon at a Surrey college outside London.[18] May called Terry Yeadon, an engineer at Pye Studios where Smile had recorded, to see if he knew anywhere where Queen could go. Yeadon had since moved to De Lane Lea Studios' new premises in Wembley, and they needed a group to test out the equipment and recording rooms. He tried asking the Kinks but couldn't get hold of them. Therefore, he told Queen they could record some demos in exchange for the studio's acoustic tests.[19] They recorded five of their own songs, "Liar", "Keep Yourself Alive", "Great King Rat", "The Night Comes Down" and "Jesus". During the recording, producers John Anthony and Roy Thomas Baker visited the band. The two were taken with "Keep Yourself Alive" and began promoting the band to several record companies.[20]

In May 1974, a month into the band's first US tour opening for Mott the Hoople, May collapsed and was diagnosed with hepatitis, forcing the cancellation of their remaining dates.[45] While recuperating, May was initially absent when the band started work on their third album, but he returned midway through the recording process.[52] Released in 1974, Sheer Heart Attack reached number two in the UK,[53] sold well throughout Europe, and went gold in the US.[34] It gave the band their first real experience of international success, and was a hit on both sides of the Atlantic.[54] The album experimented with a variety of musical genres, including British music hall, heavy metal, ballads, ragtime, and Caribbean. May's "Now I'm Here" documented the group's curtailed American tour, and "Brighton Rock" served as a vehicle for his regular on-stage solo guitar spot. Deacon wrote his first song for the group, "Misfire", while the live favourite "Stone Cold Crazy" was credited to the whole band. Mercury wrote the closing number, "In the Lap of the Gods", with the intention that the audience could sing along to the chorus when played live. This would be repeated later on, more successfully, in songs such as "We Are the Champions.[55]


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By 1976, Queen were back in the studio recording A Day at the Races, which is often regarded as a sequel album to A Night at the Opera.[96][97] It again borrowed the name of a Marx Brothers movie, and its cover was similar to that of A Night at the Opera, a variation on the same Queen logo.[98] The most recognisable of the Marx Brothers, Groucho Marx, invited Queen to visit him in his Los Angeles home in March 1977; there the band thanked him in person, and performed "'39" a cappella.[99] Baker did not return to produce the album; instead the band self-produced with assistance from Mike Stone, who performed several of the backing vocals.[100] The major hit on the album was "Somebody to Love", a gospel-inspired song in which Mercury, May, and Taylor multi-tracked their voices to create a gospel choir.[101] The song went to number two in the UK,[33] and number thirteen in the US.[58] The album also featured one of the band's heaviest songs, May's "Tie Your Mother Down", which became a staple of their live shows.[102][103] Musically, A Day at the Races was by both fans' and critics' standards a strong effort, reaching number one in the UK and Japan, and number five in the US.[33][98]

The band's sixth studio album News of the World was released in 1977, which has gone four times platinum in the US, and twice in the UK.[34] The album contained many songs tailor-made for live performance, including two of rock's most recognisable anthems, "We Will Rock You" and the rock ballad "We Are the Champions", both of which became enduring international sports anthems, and the latter reached number four in the US.[58][113] Queen commenced the News of the World Tour in November 1977, and Robert Hilburn of the Los Angeles Times called this concert tour the band's "most spectacularly staged and finely honed show".[114] During the tour they sold out another two shows at MSG, and in 1978 they received the Madison Square Garden Gold Ticket Award for passing more than 100,000 unit ticket sales at the venue.[115]

Queen ended 1985 by releasing the single "One Vision" and a limited-edition boxed set of Queen albums, The Complete Works. The package included the 1984 Christmas single "Thank God It's Christmas" and previously unreleased material.[197] In early 1986, Queen recorded the album A Kind of Magic, containing several reworkings of songs written for the fantasy action film Highlander.[198] The album was successful in the UK, Germany and several other countries, producing a string of hits including "A Kind of Magic", "Friends Will Be Friends", "Princes of the Universe" and "Who Wants to Live Forever"; the latter featuring an orchestra conducted by Michael Kamen. The album was less successful in North America, reaching 46 in the US, and was described by biographer Mark Blake as "a so-so album" and "a somewhat uneven listening experience".[199] In 2007, Classic Rock ranked it the 28th greatest soundtrack album of all time.[200]

On 20 April 1992, The Freddie Mercury Tribute Concert was held at London's Wembley Stadium to a crowd of 72,000.[238] Performers, including Def Leppard, Robert Plant, Tony Iommi, Roger Daltrey, Guns N' Roses, Elton John, David Bowie, George Michael, Annie Lennox, Seal, Extreme, and Metallica performed various Queen songs along with the three remaining Queen members (and Spike Edney.) The concert is listed in the Guinness Book of Records as "The largest rock star benefit concert",[239] as it was televised to over 1.2 billion viewers worldwide,[177] and raised over 20,000,000 for AIDS charities.[234]

Queen drew artistic influence from British rock acts of the 1960s and early 1970s, such as the Beatles, the Kinks, Cream, Led Zeppelin, Pink Floyd, the Who, Black Sabbath, Slade, Deep Purple, David Bowie, Genesis, and Yes,[330] with Mercury also inspired by the rock and roll singers Little Richard,[331] Elvis Presley[332] and the gospel singer Aretha Franklin.[333] On the Beatles, Brian May stated they "built our bible as far as musical composition, arrangement and production went. The White Album is a complete catalogue of how you should use a studio to build songs."[334] Mercury said, "John Lennon was larger than life, and an absolute genius. Even at a very early stage when they were the Beatles, I always preferred John Lennon's things. I don't know why. He just had that magic."[332] May and Mercury were influenced by Jimi Hendrix, with Mercury saying "he really had everything any rock 'n' roll star should have",[335] and May saying "Jimi is, of course, my number one. And I've always said that [...] I never stop learning from Jimi."[336] Mercury's thesis for his Ealing College degree was on Hendrix, and Mercury and Taylor closed their Kensington Market stall on 18 September 1970 to commemorate his death.[337]

In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feedback.[358][359] May has used Vox AC30 amplifiers almost exclusively since a meeting with his long-time hero Rory Gallagher at a gig in London during the late 1960s/early 1970s.[360] He also uses a sixpence as a plectrum to get the sound he wants.[361] Sonic experimentation figured heavily in Queen's songs. A distinctive characteristic of Queen's music are the vocal harmonies which are usually composed of the voices of May, Mercury, and Taylor best heard on the studio albums A Night at the Opera and A Day at the Races. Some of the ground work for the development of this sound is attributed to the producer Roy Thomas Baker and engineer Mike Stone.[362][363] Besides vocal harmonies, Queen were also known for multi-tracking voices to imitate the sound of a large choir through overdubs. For instance, according to Brian May, there are over 180 vocal overdubs in "Bohemian Rhapsody".[364] The band's vocal structures have been compared with the Beach Boys.[344][365]

In May 2002, a musical or "rock theatrical" based on the songs of Queen, titled We Will Rock You, opened at the Dominion Theatre in London's West End.[376] The musical was written by British comedian and author Ben Elton in collaboration with Brian May and Roger Taylor, and produced by Robert De Niro. It has since been staged in many cities around the world.[376] The launch of the musical coincided with Queen Elizabeth II's Golden Jubilee. As part of the Jubilee celebrations, Brian May performed a guitar solo of "God Save the Queen",[377] as featured on Queen's A Night at the Opera, from the roof of Buckingham Palace. The recording of this performance was used as video for the song on the 30th Anniversary DVD edition of A Night at the Opera.[378][379] Following the Las Vegas premiere on 8 September 2004, Queen were inducted into the Hollywood RockWalk in Sunset Boulevard, Los Angeles.[380]

Queen have also been featured multiple times in the Rock Band franchise: a track pack of 10 songs which are compatible with Rock Band, Rock Band 2, and Rock Band 3 (three of those are also compatible with Lego Rock Band). Their hit "Bohemian Rhapsody" was featured in Rock Band 3 with full harmony and keys support.The band also appeared in the video game Lego Rock Band as playable Lego avatars.[398] In March 2009, Sony Computer Entertainment released a Queen branded version of the company's karaoke franchise, SingStar. The game, which is available on PlayStation 2 and PlayStation 3, is titled SingStar Queen and has 25 songs on the PS3 and 20 on the PS2.[399] "We Will Rock You" and other songs by Queen also appear in DJ Hero.[400] 2351a5e196

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