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But with an increased profile, the stakes are a bit higher for Childish Prodigy, his first Matador release and a record that offers some noticeable differences in sound and approach from his previous two. About half of the songs here are recorded in the same manner as before-- Vile on his own-- but for the remaining tracks he's brought in his touring band, the Violators, to flesh them out with additional instrumentation, creating some more depth and balance. The other key distinction is that Vile has opted for a much cleaner sound this time around, mostly doing away with the scuzz coating of past jams (though traces of distortion still remain here and there) and, as a result, Childish Prodigy feels more straightforward, perhaps even more professional in certain ways.

While I wouldn't criticize anyone for wanting to work outside the confines of lo-fi, it's not always the best look for Vile, as the added sheen draws away some of the charm of his earlier work. Regardless, he displays the same unique ability to tap into the feeling of classic rock-- the familar, comforting quality of that music embedded in anyone who grew up with a radio-- and the best songs here, most of which come during the record's stronger front half, play off that with a punk spirit. Opener "Hunchback" invites the full band in for some swampy stoner-rock boogie while the janglier, almost country-western "Overnite Religion" locks down a solid, melodic groove. Others, like "Blackberry Song", succeed with simple strumminess, but eventually the record begins to veer off course around the midway point.

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One gets the sense that Vile is a prolific songwriter, able to knock out a bunch of tracks in one sitting, and almost all of Childish Prodigy has an on-the-fly nature to it, almost as if he's making the tracks up as he goes along. Sometimes that's impressive, like on the repetitive krautrock-arranged "Freak Train", but there's an amorphous quality to these songs that can also make for a difficult listen. Vile lets his guitar and vocals ramble throughout tracks, usually without breaking for a chorus or momentum shift, and lesser material like "Heart Attack" and "Amplifier" suffers, feeling meandering and structureless. This imbalance feels even more evident when he offers up a song like "He's Alright", with its acoustic guitar and pedal steel flourishes, that works great for its directness. Vile certainly has the talent and ability to churn out tunes, and with a little focus and editing his best batch is most likely ahead of him.

In celebration of his life and his brilliance as a wordsmith, XXL highlights 20 of our favorite solo songs from Prodigy on which he kicks the "thun language." R.I.P. Prodigy, one of the illest rappers of all-time.

As the hip-hop community continues to mourn over the unexpected death of Prodigy, one-half of seminal rap group Mobb Deep, we at HYPEBEAST want to take this moment to pay respect to legacy with a curated playlist of some of the greatest Prodigy/Mobb Deep songs ever recorded. No one can ever replace Prodigy or Mobb Deep, but we can continue to honor his life by celebrating the brilliance of his work. Check out our list below and feel free share with us some of your favorite Prodigy/Mobb Deep cuts in the comment section.

While the relationship between electronic music and franchise superhero movies doesn't always lead to cringe-worthy collaborations, Hollywood's obsession with cross-genre soundtracks has resulted in some weird one-offs. From Batman to The Matrix, here are five songs that showcase the good, the bad, and the ugly.

List of the best songs by The Prodigy, ranked by fans like you. Their single "Smack My Bitch Up" made the group famous, but the song came with a lot of controversy and complaints from women's rights groups. This list includes every The Prodigy single, but true fans know there are other great songs to vote on besides the radio hits. Music videos and audio videos are included next to each song name, so if you haven't heard it you can listen to it right here on this page.

Prodigy began his career as one half of New York hardcore duo Mobb Deep more than 20 years ago. He and rapper-producer Havoc made classic songs like "Shook Ones Part II," "Survival of the Fittest" and "Quiet Storm." Since then Prodigy has worked with other producers, and often with The Alchemist, who produced all of Albert Einstein, released in June. Prodigy has also written two books and now runs an independent record company.

PRODIGY: Yeah, definitely we made a lot of songs and some of them we didn't put on the album. But I think we picked the right ones that had that all, you know, gelled together. It sounded like the same feel, that same vibe.

PRODIGY: Nah, you definitely won't get that. But you know what? You will get that if you listen to some, but you have to listen to all of my music in order to find it, you know what I'm saying? It's in there somewhere, out of the millions of songs.

Keith Flint, vocalist with The Prodigy, has died aged 49. He was found at his home in Essex on Monday. The band released a statement saying he was 'a true pioneer, innovator and legend'. Here's a look back at five performances of one of The Prodigy's most notable songs 006ab0faaa