The papermaking process developed in east Asia, probably China, at least as early as 105 CE,[1] by the Han court eunuch Cai Lun, although the earliest archaeological fragments of paper derive from the 2nd century BCE in China.[2] The modern pulp and paper industry is global, with China leading its production and the United States following.

The oldest known archaeological fragments of the immediate precursor to modern paper date to the 2nd century BCE in China. The pulp papermaking process is ascribed to Cai Lun, a 2nd-century CE Han court eunuch.[2]


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It has been said that knowledge of papermaking was passed to the Islamic world after the Battle of Talas in 751 CE when two Chinese papermakers were captured as prisoners. Although the veracity of this story is uncertain, paper started to be made in Samarkand soon after.[3] In the 13th century, the knowledge and uses of paper spread from the Middle East to medieval Europe, where the first water-powered paper mills were built.[4] Because paper was introduced to the West through the city of Baghdad, it was first called bagdatikos.[5] In the 19th century, industrialization greatly reduced the cost of manufacturing paper. In 1844, the Canadian inventor Charles Fenerty and the German inventor Friedrich Gottlob Keller independently developed processes for pulping wood fibres.[6]

Before the industrialisation of paper production the most common fibre source was recycled fibres from used textiles, called rags. The rags were from hemp, linen and cotton.[7] A process for removing printing inks from recycled paper was invented by German jurist Justus Claproth in 1774.[7] Today this method is called deinking. It was not until the introduction of wood pulp in 1843 that paper production was not dependent on recycled materials from ragpickers.[7]

To make pulp from wood, a chemical pulping process separates lignin from cellulose fibre. A cooking liquor is used to dissolve the lignin, which is then washed from the cellulose; this preserves the length of the cellulose fibres. Paper made from chemical pulps are also known as wood-free papers (not to be confused with tree-free paper); this is because they do not contain lignin, which deteriorates over time. The pulp can also be bleached to produce white paper, but this consumes 5% of the fibres. Chemical pulping processes are not used to make paper made from cotton, which is already 90% cellulose.

There are three main chemical pulping processes: the sulfite process dates back to the 1840s and was the dominant method before the second world war. The kraft process, invented in the 1870s and first used in the 1890s, is now the most commonly practised strategy; one of its advantages is the chemical reaction with lignin produces heat, which can be used to run a generator. Most pulping operations using the kraft process are net contributors to the electricity grid or use the electricity to run an adjacent paper mill. Another advantage is that this process recovers and reuses all inorganic chemical reagents. Soda pulping is another specialty process used to pulp straws, bagasse and hardwoods with high silicate content.

There are two major mechanical pulps: thermomechanical pulp (TMP) and groundwood pulp (GW). In the TMP process, wood is chipped and then fed into steam-heated refiners, where the chips are squeezed and converted to fibres between two steel discs. In the groundwood process, debarked logs are fed into grinders where they are pressed against rotating stones to be made into fibres. Mechanical pulping does not remove the lignin, so the yield is very high, > 95%; however, lignin causes the paper thus produced to turn yellow and become brittle over time. Mechanical pulps have rather short fibres, thus producing weak paper. Although large amounts of electrical energy are required to produce mechanical pulp, it costs less than the chemical kind.

Paper recycling processes can use either chemically or mechanically produced pulp; by mixing it with water and applying mechanical action the hydrogen bonds in the paper can be broken and fibres separated again. Most recycled paper contains a proportion of virgin fibre for the sake of quality; generally speaking, de-inked pulp is of the same quality or lower than the collected paper it was made from.

Besides the fibres, pulps may contain fillers such as chalk or china clay,[12] which improve its characteristics for printing or writing.[13] Additives for sizing purposes may be mixed with it or applied to the paper web later in the manufacturing process; the purpose of such sizing is to establish the correct level of surface absorbency to suit ink or paint.

Pressing the sheet removes the water by force. Once the water is forced from the sheet, a special kind of felt, which is not to be confused with the traditional one, is used to collect the water. When making paper by hand, a blotter sheet is used instead.

Drying involves using air or heat to remove water from the paper sheets. In the earliest days of papermaking, this was done by hanging the sheets like laundry; in more modern times, various forms of heated drying mechanisms are used. On the paper machine, the most common is the steam-heated can dryer. These can reach temperatures above 200 F (93 C) and are used in long sequences of more than forty cans where the heat produced by these can easily dry the paper to less than six percent moisture.

Paper at this point is uncoated. Coated paper has a thin layer of material such as calcium carbonate or china clay applied to one or both sides in order to create a surface more suitable for high-resolution halftone screens. (Uncoated papers are rarely suitable for screens above 150 lpi.) Coated or uncoated papers may have their surfaces polished by calendering. Coated papers are divided into matte, semi-matte or silk, and gloss. Gloss papers give the highest optical density in the printed image.

The paper is then fed onto reels if it is to be used on web printing presses, or cut into sheets for other printing processes or other purposes. The fibres in the paper basically run in the machine direction. Sheets are usually cut "long-grain", i.e. with the grain parallel to the longer dimension of the sheet. Continuous form paper (or continuous stationery) is cut to width with holes punched at the edges, and folded into stacks.

All paper produced by paper machines such as the Fourdrinier Machine are wove paper, i.e. the wire mesh that transports the web leaves a pattern that has the same density along the paper grain and across the grain. Textured finishes, watermarks and wire patterns imitating hand-made laid paper can be created by the use of appropriate rollers in the later stages of the machine.

Wove paper does not exhibit "laidlines", which are small regular lines left behind on paper when it was handmade in a mould made from rows of metal wires or bamboo. Laidlines are very close together. They run perpendicular to the "chainlines", which are further apart. Handmade paper similarly exhibits "deckle edges", or rough and feathery borders.[14]

It is estimated that paper-based storage solutions captured 0.33% of the total in 1986 and only 0.007% in 2007, even though in absolute terms the world's capacity to store information on paper increased from 8.7 to 19.4 petabytes.[15] It is estimated that in 1986 paper-based postal letters represented less than 0.05% of the world's telecommunication capacity, with sharply decreasing tendency after the massive introduction of digital technologies.[15]

Paper has a major role in the visual arts. It is used by itself to form two- and three-dimensional shapes and collages.[16][17] It has also evolved to being a structural material used in furniture design.[18] Watercolor paper has a long history of production and use.

The thickness of paper is often measured by caliper, which is typically given in thousandths of an inch in the United States and in micrometres (m) in the rest of the world.[19] Paper may be between 0.07 and 0.18 millimetres (0.0028 and 0.0071 in) thick.[20]

Paper is often characterized by weight. In the United States, the weight is the weight of a ream (bundle of 500 sheets) of varying "basic sizes" before the paper is cut into the size it is sold to end customers. For example, a ream of 20 lb, 8.5 in  11 in (216 mm  279 mm) paper weighs 5 pounds because it has been cut from larger sheets into four pieces.[21] In the United States, printing paper is generally 20 lb, 24 lb, 28 lb, or 32 lb at most. Cover stock is generally 68 lb, and 110 lb or more is considered card stock.

In Europe and other regions using the ISO 216 paper-sizing system, the weight is expressed in grams per square metre (g/m2 or usually gsm) of the paper. Printing paper is generally between 60 gsm and 120 gsm. Anything heavier than 160 gsm is considered card. The weight of a ream therefore depends on the dimensions of the paper and its thickness.

The ISO 216 system used in most other countries is based on the surface area of a sheet of paper, not on a sheet's width and length. It was first adopted in Germany in 1922 and generally spread as nations adopted the metric system. The largest standard size paper is A0 (A zero), measuring one square metre (approx. 1189  841 mm). A1 is half the size of a sheet of A0 (i.e., 594 mm  841 mm), such that two sheets of A1 placed side by side are equal to one sheet of A0. A2 is half the size of a sheet of A1, and so forth. Common sizes used in the office and the home are A4 and A3 (A3 is the size of two A4 sheets).

Much of the early paper made from wood pulp contained significant amounts of alum, a variety of aluminium sulfate salt that is significantly acidic. Alum was added to paper to assist in sizing,[24] making it somewhat water resistant so that inks did not "run" or spread uncontrollably. Early papermakers did not realize that the alum they added liberally to cure almost every problem encountered in making their product would be eventually detrimental.[25] The cellulose fibres that make up paper are hydrolyzed by acid, and the presence of alum eventually degrades the fibres until the acidic paper disintegrates in a process known as "slow fire". Documents written on rag paper are significantly more stable. The use of non-acidic additives to make paper is becoming more prevalent, and the stability of these papers is less of an issue. e24fc04721

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