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This featured video highlights The Orrin G. Hatch-Bob Goodlatte Music Modernization Act (Music Modernization Act) the most significant piece of copyright legislation in decades and updates our current laws to reflect modern consumer preferences and technological developments in the music marketplace.
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The European AI Office will support the development and use of trustworthy AI, while protecting against AI risks. The AI Office was established within the European Commission as the centre of AI expertise and forms the foundation for a single European AI governance system.
The EU aims to ensure that AI is safe and trustworthy. For this purpose, the AI Act is the first-ever comprehensive legal framework on AI worldwide, guaranteeing the health, safety and fundamental rights of people, and providing legal certainty to businesses across the 27 Member States.
For a well-informed decision-making, the AI Office collaborates with Member States and the wider expert community through dedicated fora and expert groups. These combine knowledge from the scientific community, industry, think tanks, civil society, and the open-source ecosystem, ensuring that their views and expertise are taken into account. Grounded in comprehensive insights of the AI ecosystem, including advances in capabilities, deployment and other trends, the AI Office fosters a thorough understanding of potential benefits and risks.
DG CONNECT Directorate A is undergoing a reorganisation. From 16 June, the organisational set-up of the European AI office will consist of 5 units and 2 advisors, reflecting its mandate. These include:
The Commission aims to foster trustworthy AI across the internal market. The AI Office, in collaboration with relevant public and private actors and the startup community, contributes to this by:
To effectively carry out all tasks based on evidence and foresight, the AI Office continuously monitors the AI ecosystem, technological and market developments, but also the emergence of systemic risks and any other relevant trends.
At an institutional level, the AI Office works closely with the European Artificial Intelligence Board formed by Member State representatives and the European Centre for Algorithmic Transparency (ECAT) of the Commission.
The Scientific Panel of independent experts ensures a strong link with the scientific community. Further technical expertise is gathered in an Advisory Forum, representing a balanced selection of stakeholders, including industry, startups and SMEs, academia, think tanks and civil society. The AI Office may also partner up with individual experts and organisations. It will also create fora for cooperation of providers of AI models and systems, including general-purpose AI, and similarly for the open-source community, to share best practices and contribute to the development of codes of conduct and codes of practice.
The AI Office will also oversee the AI Pact, which allows businesses to engage with the Commission and other stakeholders such as sharing best practices and joining activities. This engagement will start before the AI Act becomes applicable and will allow businesses to plan ahead and prepare for the implementation of the AI Act. All this will be part of the European AI Alliance, a Commission initiative, to establish an open policy dialogue on AI.
You can get in touch with the European AI Office through the following contact details: CNECT-AIOFFICE@ec.europa.eu for general inquiries and CNECT-AIOFFICE-RECRUITMENT@ec.europa.eu for inquiries related to job opportunities.
Our website, www.ssa.gov, is the best way to get help. If you cannot use our website, please call our National 800 Number or your local Social Security office. We can often help by phone and save you a trip to an office.
Offices are busiest Mondays, the morning after a Federal holiday, and the first week of the month. If you come to an office, we may not be able to serve you that day. We may schedule an appointment or phone call for a different day.
If you do come to an office, masks are only required when the COVID-19 hospital admission level where the office is located is high. Signage will tell you if masks are required. We will provide a mask if you do not have one. Consider physically distancing and avoiding crowding if COVID-19 hospital admission levels are medium or high.
Some USPS services require identity verification. If you can't verify your identity online (or prefer not to), follow your instructions and bring acceptable ID and any required documents or barcodes.
Most collection boxes are freestanding mailboxes such as the familiar USPS Blue Box, special white mailboxes for prepaid Priority Mail Express items, lobby drop-off slots, or office building mail chutes. Pickup times are posted on the box label.
Contract Postal Units (CPUs) are located within existing businesses. While not freestanding Post Office locations, CPUs provide a full range of USPS retail products and services at regular USPS prices.
A few kiosks are in large shopping malls. Most kiosks are in Post Office lobbies and offer many of the services available at the full-service Post Office counter. You can buy stamps, weigh packages, and print Priority Mail and Priority Mail Express shipping labels at kiosks. Bring packing tape and you can ship your items in our free boxes.
Like its British counterpart, the series was filmed in a single-camera setup without a studio audience or a laugh track, to mirror the look of an actual documentary. It debuted on NBC as a mid-season replacement and ended its nine-season run on May 16, 2013, with a two-part series finale. Its original main cast was Steve Carell, Rainn Wilson, John Krasinski, Jenna Fischer and B. J. Novak. It experienced numerous changes to its ensemble cast during its run. Notable stars outside the original main cast include Ed Helms, Rashida Jones, Amy Ryan, Mindy Kaling, Craig Robinson, James Spader, Ellie Kemper and Catherine Tate.
The Office received moderately positive reviews from critics (except for the pilot episode which received mixed reviews) during its short first season, but the following seasons, particularly Carell's performance, received significant acclaim from television critics as the show's characters, content, structure, and tone diverged considerably from the original British series. These seasons were included on several critics' year-end top TV series lists, winning several awards including a Peabody Award in 2006, two Screen Actors Guild Awards, a Golden Globe Award for Carell's performance, and four Primetime Emmy Awards, including one for Outstanding Comedy Series, in 2006. The eighth season was criticized for a decline in quality, with Carell's departure in season seven seen as a contributing factor. However, the ninth and final season ended the series with a generally positive response. The series finale, which originally aired on May 16, 2013, was viewed by an estimated 5.7 million viewers and garnered critical acclaim.[2] In 2016, Rolling Stone named The Office one of the 100 greatest television shows of all time.[3]
Greg Daniels developed the British Office series for American television and served as the showrunner for the first four seasons of the series. He then left the position when he co-created the comedy series Parks and Recreation with fellow Office writer Michael Schur and divided his time between both series.[4] Paul Lieberstein and Jennifer Celotta were named the showrunners for the fifth season.[5] Celotta left the series after the sixth season and Lieberstein stayed on as showrunner for the following two seasons. He left the showrunner spot after the eighth season for the potential Dwight Schrute spin-off, The Farm, which was eventually passed on by NBC.[6][7] Daniels returned to the showrunner position for the ninth and final season.[8] Other executive producers include cast members B. J. Novak and Mindy Kaling.[9][10] Kaling, Novak, Daniels, Lieberstein and Schur made up the original team of writers.[11] Kaling, Novak, and Lieberstein also served multiple roles on the series, as they played regular characters on the show, as well as wrote, directed, and produced episodes.[12] Credited with twenty-four episodes, Kaling is the most prolific writer among the staff.[12] Ricky Gervais and Stephen Merchant, who created the original British series, are credited as executive producers and wrote both pilot and the third-season episode "The Convict".[13] Merchant later directed the episode "Customer Survey", while Gervais appeared in the episodes "The Seminar" and "Search Committee", reprising his role as David Brent from the British series.[14][15]
Randall Einhorn is the most frequent director of the series, with 15 credited episodes.[12] The series also had several guest directors, including Lost co-creator J. J. Abrams, Buffy the Vampire Slayer creator Joss Whedon,[16][17] both of whom are fans of the series,[18][19] and filmmakers Jon Favreau, Harold Ramis, Jason Reitman, and Marc Webb.[12] Episodes have been directed by several of the actors on the show including Steve Carell, Rainn Wilson, John Krasinski, B. J. Novak, Ed Helms, Brian Baumgartner, Mindy Kaling and Paul Lieberstein.[12]
Prior to the second episode airing, the writers spent time conducting research in offices.[20] This process was used for Daniels' other series King of the Hill and Parks and Recreation.[20] The pilot is a direct adaptation of the first episode of the original British series.[21] Daniels chose to go this route because "completely starting from scratch would be a very risky thing to do" owing to the show being an adaptation.[21] He had briefly considered using the idea for "The Dundies" as the pilot episode.[22] After the writers knew who the cast was, they were allowed to write for the actors, which allowed the show to be more original for the following episode, "Diversity Day".[21] Following the mixed reaction toward the first season, the writers attempted to make the series more "optimistic" and to make Michael Scott more likable.[23] They also established the supporting characters of the series more, giving them relatable personalities. They also made the lights in the office brighter, which allowed the series to differentiate itself from the British series.[23] 152ee80cbc
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