Download Nothing To Do Song

This is every NBT song ranked from best to worst in my opinion. Remember music is subjective, so don't be offended if your favourite song is near the bottom, everyone's ranking will be compleetly different. It's rare that I get to say this and mean it, but I truly believe that Nothing But Thieves are a band with zero bad songs, so I still do love every song on this playlist, even the ones at the bottom.

"Nothing" is a song by English rock band A, released as the first single from their third album Hi-Fi Serious. It reached number nine on the UK Singles Chart; to date, A's highest charting single. During the promotion of the single, the band appeared on Top of the Pops and the Pepsi Chart Show.

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"Nothing" appears as the title music on the PlayStation 2 and Xbox versions of the 2002 Atari/Eden published racing game V-Rally 3. The song also appears on the "V-Rally 3" website and was featured in the soundtrack of the anime series Beyblade V-Force.

I have hidden songs in the same playlist and they continue to play. Maybe different sessions, maybe the same session, either way, they keep playing. I wouldn't understand the point of hiding a song in either situation because then I could just FF or skip the song when it comeplaying. Other words, hiding does nothing.

We really appreciate you keeping us in the loop. We understand where you're coming from and your comments on the matter. We understand this was not ideal, but clean reinstalling the app can help to fix some damaged processes that could interfere with the proper connection with the app. Just to confirm, are the hidden songs still playing?

Balthasar is a performance artist. His job is to ensure his patrons are entertained. When Don Pedro asks him for ''a good song,'' Balthasar responds that he is ''an ill singer.'' This is not a critique of his talent but a formality of courteous behavior. Balthasar then begins to sing, asking ''ladies, sigh no more.'' Based on this initial line, it would seem that something is bothering women. As Balthasar continues with, ''Men were deceivers ever,'' the meaning of his song becomes clear.

Men will deceive to get what they want. With women, that objective is intimacy. Once the moment has passed, all the words spoken beforehand hold little meaning. This is why the women in Balthasar's song are always sighing. They trusted a man when they shouldn't have. These first two lines seem to set the tone that this should be expected from men. Men have always behaved in this manner, so it should just be accepted.

The song continues with ''One foot in sea and one on shore,/To one thing constant never.'' Men are torn between staying at home on land, or going off by sea to explore the world. As a result, they have trouble showing any sign of commitment. Men only know what they want in the moment. They don't look much further beyond that. This particular line could also indicate that men will never be devoted to one woman. Based on the lyrics to this point, this is how men behave, and there is no sense in trying to change them.

The message of the song seems to be aimed at women. Before Balthasar begins to sing, men try to woo a woman, even if ''To her he thinks not worthy.'' Intimacy is the goal, but infidelity is the act. Sex between two people outside of marriage was considered very inappropriate during Shakespeare's time. Perhaps Balthasar uses the term ''woo'' to indicate a difference in interpretation. A woman might see it as a sign that a man is in love with her, while the man understands this term as a means to engage in intimacy. Nevertheless, the song establishes a double standard in regard to the behavior of men and women.

There is a problem with this double standard. If the infidelity of men is accepted, with whom can they be intimate? Women are expected to abstain from sex outside marriage. If men are excused, shouldn't women be afforded the same consideration? Unfortunately, no, at least not during the Puritanical period of Shakespeare and Queen Elizabeth I. Balthasar's song holds greater meaning when Hero is accused of ''pure impiety and impious purity.'' She lacks virtue and purity for supposedly being in the company of a strange man late at night. Her name is besmirched and her reputation ruined, and this accusation is a blight upon her family. But what would happen if a man were caught under similar circumstances?

Based on Balthasar's song, the man would be forgiven. It is in his nature to stray. He can't help himself, since ''The fraud of men was ever so.'' So men get all the pleasure and none of the blame or disgrace. Definitely a double standard, but there were certain expectations regarding behavior. Women were supposed to be chaste and their reputation beyond reproach. Balthasar's song reminds the audience of these expectations, while providing depth and irony to the play.

Balthasar's song comes at a convenient moment in the play. It reminds the audience that men are permitted their indiscretions, for it is in their nature to behave this way. Men have behaved this way since the beginning of time. There is no excuse and no chance of curbing their lack of commitment and deceptive nature. For this reason, women should not put up such a fuss, and come to accept that this is part of their character.

At the same time, though, Bathasar's song demonstrates a strong double standard regarding the behavior of men and women. Women are held to a much higher standard in regard to virtue and chastity. Any indication of impropriety or infidelity on the part of a woman, and she is forever disgraced. Perhaps the song serves as a warning for women to remain on their best behavior while providing a better understanding of Much Ado About Nothing, especially as it pertains to the fate of the female character, Hero.

This is the final song in the New Directions' Regionals Setlist, as well as the final song of the episode and the season. It is one of Marley's original songs, led by Blaine and Marley with the New Directions as back-up singers. Just as the song begins, the dramatic tension between Unique and Ryder can be felt. Santana wipes a tear from her eye and passes the tissue to Kurt who is seated behind her, as he uses it to wipe his eyes too. As the song ends, the audience's cheers roar through the auditorium. The New Directions stand in a line, holding hands as they bow to finish the performance.

"Eh, Eh (Nothing Else I Can Say)" is a song written by Lady Gaga and Martin Kierszenbaum from The Fame. The song served as the album's third single in Australia, New Zealand and Sweden, and the fourth single in France.

The song was written sometime in late 2007/early 2008 after Gaga and Kierszenbaum's first song together, "The Fame". One of the working titles used was "Nothing I Can Say (Eh, Eh)", while an alternative name registered on Gaga's BMI is "Eh Eh Nothing Else Left To Say". During one of her concerts in 2009 before performing the song, Gaga said the inspiration for the song came when two guys she was dating met and all she had to say was "eh eh." Although the lyrics of the song seem to confirm this, there's a strong possibility this was meant to be a joke.

The single was officially released on January 31, 2009 in Australian music retail stores and online music outlets on February 2, 2009. "Eh, Eh (Nothing Else I Can Say)" was the second most added song on Australian radio at the beginning of the week (December 15, 2008). It first began to receive airplay on all Today Network stations. This song was confirmed as an Australian single on Lady Gaga's official website on January 15, 2009. An official remix was also posted on her website that day. The official remix (Random Soul Synthetic Mix) is listed on Australian and French iTunes as released on March 3, 2009. It also features a brand new cover. On March 5, 2009 a remix made by Pet Shop Boys was made available for free download on Lady Gaga's Australian website. It is the only single from The Fame (except "Just Dance") to have an image from a photo shoot as the single cover instead of a photograph taken on set, except for the French single cover and remix cover.

The single and the video were released on February 28, 2009 in France and Switzerland on iTunes and was released physically on March 30, 2009. Unfortunately, it didn't chart on the Billboard Hot 100 because it wasn't released as a single in the United States.

The music video for "Eh, Eh (Nothing Else I Can Say)" premiered on PerezHilton.com on February 3, 2009.

The video is described as 1950's, futuristic, and Italian-American themed. The video was directed by Joseph Kahn. The video was shot, back to back, with the video for "LoveGame", on the weekend of January 9, 2009, in Los Angeles. It still received TV airplay even where the song was not released as a single.

The video starts with Gaga riding a Vespa S. The first 20 seconds are largely camera shots of different men, Lady Gaga, and the city. The first main scene depicts Gaga with some friends laughing and joking in a restaurant while she stands on the seat. Gaga then comes from around the block walking with her friends in pace and singing in the camera. She is shown in a bed asleep, and pulling the cover off to reveal pink high-heeled shoes. Gaga sings and cooks for a man (portrayed by Daniel Mays) in a house while dancing. She is also shown ironing clothes while the man is on the phone screaming at someone. The two harlequin Haus dogs that also appear in many of her other music videos also make an appearance here. Later, she lies on a sofa with her legs up on the man. She is seen kissing a man (portrayed by Johnny Markoudakis) passionately with her "Beats by Dr. Dre headphones" on. One of the last scene shows her in a yellow dress made of flowers and wearing a yellow watch (Baby-G BG5602-9) while singing to the song with a unique hairstyle which shows her hair pulled up and folded over. The scene then quickly switches back to her in bed.

When asked about the video, Lady Gaga responded she wanted to show a side of her people weren't familiar with. e24fc04721