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The Nokia tune is a phrase from a composition for solo guitar, Gran Vals, composed in 1902 by the Spanish classical guitarist and composer Francisco Trrega.[1] It has been associated with Finnish corporation Nokia since the 1990s, becoming the first identifiable musical ringtone on a mobile phone; Nokia selected an excerpt to be used as its default ringtone.[2]

The Nokia tune first appeared on the Nokia 2110 released in 1994, under the name ringtone Type 7, showing that it was just one of the normal ringtones. The tune's original name varied in the ringtone list, listed as Type 13 on some phones, or Type 5 on others. In December 1997 with the introduction of the Nokia 6110, ringtones were each given a specific name, and the tune received the name "Grande valse". Some later Nokia phones (e.g. some 3310s) still used Type 7 as the name of the Nokia tune.[6] In 1998, "Grande valse" was renamed to "Nokia tune" and effectively became Nokia's flagship ringtone.

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The Nokia tune has been updated several times, either to take advantage of advancing technology or to reflect musical trends at the time. The first polyphonic MIDI version of the Nokia tune, created by composer Ian Livingstone[7] (often mistaken as being Thomas Dolby's work),[8] was introduced in 2001 with the release of two South Korea-exclusive devices, the Nokia 8877 and the Nokia 8887. The Nokia 3510, released in 2002, was the first globally released phone to include this version, using Beatnik's miniBAE technology. The Nokia 9500 Communicator in 2004 introduced a realtone recorded piano version. A guitar-based version was introduced with the Nokia N78 in 2008, reflecting the popularity of nu-folk at the time.[3]

The Nokia N9 in late 2011 introduced a new version, which was created by in-house composer Henry Daw. This version uses a marimba for its melody, and was intended to be genre-neutral.[9] The same year, a contest titled Nokia Tune Remake was held on the crowdsourcing website Audiodraft.[10] The winning entry was a dubstep version, which was shipped on many Nokia phones from 2012 to 2013 alongside the regular Nokia tune. Another updated version of the Nokia tune was introduced in 2013, built on the same principles as the 2011 version. In 2018, a new version was introduced on HMD Global's Nokia 1 and 7 Plus, and remains in use. This was also created by Henry Daw; it was intended to be an evolution of the 2013 version while retaining similar instrumentation.[11]

The Indonesian rock band The Changcuters included the segment of the Nokia tune on their song "Parampampam". The song was included on their 2011 album Tugas Akhir and was also featured on the Nokia X2-01 for the Indonesian market.[22]

Though I recently gave into the iPhone, I was for many years a Nokia man. And for most of those years I contented myself with the default ring tone, known simply as the "Nokia tune." This tune, which you have heard nineteen times this week, goes something like: yada da da, yada da da, yada da da daah. This link will remind you what it sounds like if you need reminding: -content/uploads/2008/05/nokia-tune.mp3

For a long time I assumed this simple melody was Nokia's invention, but a curious musical incident made me question this assumption. I had bought a collection of (sheet) music by Francisco Trrega, the late-nineteenth-century Spanish guitar composer, and was playing through some of the pieces while a friend made dinner. At a certain cadence in a less-familiar piece titled Gran Vals, my friend came out from the kitchen and said, Isn't that a ring tone? I thought this was very clever of her to notice but passed off the similarity as a coincidence.

But as I heard the tune more and more often--especially during a year in Europe, where Nokias are popular--I really started to wonder. The tone also underwent some changes that made it sound more like the Trrega piece. Whereas the melody once was rendered as if by a rather unmusical robot, in later versions it acquired rubato (a more flexible approach to the meter), harmonization, and new instrumentations, piano on some phones ( -tune-piano-ringtone/), guitar on others. It was when I heard the guitar version--coming, appropriately, from the pocket of a Spanish tourist on Fifth Avenue, that I suspected my friend must have been right.

The somewhat uneventful denouement to this part of the story is that, on Googling "Nokia tune" a few weeks ago, I was easily able to confirm the Trrega hypothesis--something which

I am probably the last guitarist in the world to have done. Indeed, simply hearing the piece makes the source fairly obvious (the excellent recording here is inexplicably accompanied by video footage of a Swiss hotel): =1-0fn8t5AMI

Nokia hardly makes the tune's provenance a secret, devoting a paragraph to it on the company's website (chosen in 1994, used on tens of millions of phones, etc.). Older Nokia phones in fact listed the piece as Grande Valse (Frenchifying the original Spanish). Nokia has since trademarked the melody--something no one would have dared to do with, say, Beethoven's Fifth, or even with a Chopin waltz, but which the company must have justified by saying that the ring tone made Trrega famous and not the other way around.

But the irony of the situation seems greater in Trrega's case, for Trrega, a composer greatly loved by guitarists but hardly famous in the way of a Mozart or a Chopin, was known to be a tremblingly shy man who could bear playing in front of only very small audiences, ideally composed of people he knew. To think that one of his pieces, and not even his most famous piece, would achieve this kind of ubiquity would have given this delicate man a very great shock. It is hard to know whether to see this second life for his little waltz (Gran is hardly the word) as a tribute to a charming composer, or as another sad little story of an artist receiving too little credit for his work. But if the latter seems to be the case, there is a simple solution. Next time that familiar chirp arises on a city street, or, God forbid, in a concert hall, we must simply think: Ah, the Trrega tune.

During the TikTok video, Alexandra tells viewers she is about to show them where the original ringtone came from before playing it on the guitar. Whittingham is a professional guitarist who studied at the Royal Academy of Music in London, and regularly posts videos of her playing music to her followers.

The mass usage of cell phones changed many things, so new companies emerged, and the old ones became widely popular. Many logos and slogans became recognizable, shaping the world as we know it today. The importance of marketing became most significant, and the biggest cell phone producers aimed to create valuable and lifelong assets. One of the most successful examples is the Nokia tune, a sound known by almost anyone.

The melody appeared for only 3 seconds, and one year later, the company decided to use it as their trademark sound and include it in all of their models. Nokia 2110, released in 1994, was the first model that had the tune among the other ringtones. In the following models, the name of the melody varied, and in 1997 the tune was given the name Grande Valse. In 1999, the name Nokia Tune was introduced, and the short theme became the Nokia authentic ringtone.

The original tune originates from 1902 composition. It was composed by the Spanish guitarist Francisco Tarrega, who is considered to be one of the greatest guitar players of all times. Born on 21st November 1852 in Villareal, Francisco became the founder of the 20th-century classic guitar style.

The technological era and its gadgets creates new idols and symbols of advancement.The mass usage of cell phones has changed many things, as new companies emerge and the old ones become ever more popular. Many logos and slogans have become recognizable, shaping the world as we know it today. The importance of marketing comes to the fore, and the biggest cell phone producers aim to create valuable and lifelong assets. One of the most successful examples is the Nokia tune, a sound known by almost everyone.

The melody appeared for only three seconds, and one year later the company decided to use it as their trademark sound and include it in all of their models. Nokia 2110, released in 1994, was the first model that had the tune among the other ringtones. In the following models, the name of the melody varied, and in 1997 the tune was given the name Grande Valse. In 1999, the name Nokia Tune was introduced, and the short theme became the Nokia authentic ringtone.

The original tune comes from a 1902 composition by the Spanish guitarist Francisco Trrega, who is considered to be one of the greatest guitar players of all times. Born in Villareal on November 21, 1852, Trrega became the founder of the 20th-century classic guitar style.

Known for his distinct technique, Francisco Trrega is said to have inspired some of the greatest guitarists of the 20th century. He studied both classical guitar and the piano since his childhood years and became proficient on both instruments. His love for the guitar would, however, shape the rest of his life and would eventually transform him into a true musical icon.

This is perhaps, the most famous Nokia tune. It was first included on the Nokia 2110 as "Type 7". From this phase until late 1997, ringtones were not given names, and this tone was often "Type 13" or "Type 5", depending on phone. On the Nokia 8110, it is "Type 8". When the Nokia 6110 came out in 1997, ringtones were named, this specific one being called "Grande valse". The next year, the ringtone's name was changed to "Nokia tune" on the Nokia 5190. This ringtone comes in the .nrt format. The last phone to include this type was the Nokia 1100 in 2003.

This version of the Nokia tune was first included on the Nokia 3510, which was also the first phone with polyphonic ringtones. The key remains in A major. This one is in the MIDI format (.mid), and was also included on phones such as the Nokia 3510i, Nokia 6060, etc. The last phone to use this type was the Nokia 7070 Prism (2008). 2351a5e196