This is very interesting. I am a freshman Recording Arts major/Music Minor at Loyola Marymount University. I am very interested in becoming a music editor. I wanted to know your advice if I did want to pursue that. I looked at your body of work and it is incredible.
Music editors are responsible for all the music in a film or TV production, including the soundtrack and any music created by the composer. The extent of their role varies considerably depending on the type of production concerned.
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On a medium-budget film, they usually start work while the film is being edited. They work with the director to decide on the purpose of the music, find a style to suit the story and mark the points in the film where music is required (spotting). Then they develop the temp (temporary) score.
Music editors then work closely with a composer, who is usually appointed by the director, and who composes the music using the temp score as a template. The temp score is also used by the film editors to achieve the right tempo with the cut. Music editors often act as a bridge between the sound and picture teams.
They attend all recording sessions, helping with any revisions and design a 'click track' which is used to help the musicians achieve synchronisation with the movie. Working with a specialist music mixer, they create different mixes, lay down the tracks and fit them exactly to the picture, ready for the final mix or dub.
One of the final tasks for music editors on films is preparing the cue sheet - a detailed breakdown of all the music featured on soundtracks. This is sent to the Performing Rights Society and all exhibitors so that royalties can be paid every time the film is screened.
Composers write original music. They write themes to pictures and deal with any revisions, collaborating with the editor. Composers prepare the score, usually on midi files, for the orchestrator and copyist. They also prepare the score's electronic aspects for the recording sessions and deliver the score to the producer, together with all recordable media.
Music editors are usually graduates in sound technology or music. After graduating, they may work their way up the post-production sound department, starting as runners, training as assistants and progressing to re-recording mixers or sound editors. See the post-production runner job profile for details of how to get in.
At school or college:
If you want to go to university, A-levels or Highers music, film studies, media studies or English are useful. Or you might want to take a Level 3 OCR Cambridge Technical Diploma/Extended Diploma in Performing Arts.
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Is there any way to make a pattern stop short of 32 notes? (like famitracker has a Bxx effect for jumping to another pattern/frame) I have some music with a repeating section but it won't fit in 32 notes. if I could make it stop at say note 24 (or whatever it ends up being) I could repeat this section in a pattern and not have to waste an extra sfx.
Jim Harrison is an award-winning music editor, whose credits comprise The Greatest Showman, The Jungle Book, Houdini, Ice Age: Collision Course, Harry Potter and the Chamber of Secrets, Purple Rain and many more.
In this interview Jim talks to us about the music editing process between pop and classical music for The Greatest Showman, as well as the challenges he and his team faced to make the soundtrack fluid and cohesive. Furthermore, and in great detail, he shares with us his experience with both the business and the artistic sides of music editing.
Once the film is completed, we create the final print master for the film, in addition to an M&E (music and effects) pass that is utilized in foreign territories so they can create various versions of the movie in different languages.
DS: The music of The Greatest Showman gathers both classical and pop music. Could you comment on the complexity of editing both genres as a means of building a cohesive support to the narrative?
The final dubbing / mixing process began the beginning of November 2017. We had only 3 weeks to mix the film. During this time, Jen Monnar was continuing to update the final song mixes, in addition was music editor Peter Myles, who worked with editorial on the final lip-sync for the on-camera performances. On the score front, we continued to have orchestral sessions on the Twentieth Century Fox scoring stage, which conveniently was in the next building close to the dubbing stage. As a music editor, I attended both the final dub and additional recording sessions to ensure that all of the latest versions of music cues were being addressed, mixed down, and prepared for the dubbing stage.
DS: The director envisions how the story is going to be, and the film editor assembles it. Is this relationship similar to that of the composer and the music editor, in this case John Debney and yourself?
I would say that the difference between a musical and regular film, with just underscore for instance, is the amount of session maintenance in the tracking of sessions involved for each recording event, so it does amp up the workload. But, technically, the work is the same.
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Guitar Pro is a software program available on Windows and Mac OS that allows all musicians to read, write and share their tablatures. The world leader in tablature editing, Guitar Pro has been downloaded over 15 million times worldwide since 1997.
The software is compatible with many instruments such as guitar, drums, bass, piano, ukulele and many others! You can make tablatures for each instrument, scroll the music score, write your music and use many pedagogical tools such as a chord dictionary or a scale library. Transposition features are also available to easily transcribe your songs from one instrument to another.
Whether you're a music teacher, a transcriber, a composer, a songwriter, a tablature book editor, a solo musician or in a band, Guitar Pro adapts to all your needs, and saves you precious time in making progress on the guitar or any other instrument.
"Mesfin is a dynamic reporter who has done wonderful work for the AP and has helped lead its music coverage," Moody said. "He is a news breaker with impressive sources within the industry and an innovator within the entertainment department. I am confident he will take the department to even greater heights."
He has interviewed countless performers, from Beyonce to Rihanna to the Rolling Stones, written key trend stories and scored major exclusives. He has had a role in the coverage of major news events, including the deaths of Amy Winehouse and Whitney Houston. He was appointed music writer in 2012.
Rachel, who has overseen our dance coverage since 2015, is adding classical music to her portfolio as our new classical music and dance editor. Read more in this note from Gilbert Cruz, Sia Michel, Michael Cooper and Alicia DeSantis.
I want to accept more pitches and publish more stories, though. I want to publish so much good music writing that we are bathing in a digital ocean of perfect word choices and beautifully crafted metaphors about songs. So in my small effort to combat this bad pitching epidemic, here are a few tips that might help you not blow it with editors.
This disk contains a simple music editor that creates resources that can be used directly by the Macintosh Sound Driver. The MFS formatted disk contains both the runnable program and the Lisa Object Pascal/MacApp Sources.
Is there any way in the new automation script editor to call a YouTube music playlist, shuffle it and then play it on the speaker that the automation was started from? I would like to create a bedtime routine that is triggered when I turn off my bedroom light switch. It would dim lights and play a playlist but Unfortunately with the basic google home routine I can't use the light switch as a starter
Hey mate, thank you so much for this. I was really stuck on the part of getting a playlist to play and then shuffle it. I didn't realise that you could put basically any ok google command in there so this should solve the music side of things.
While the new automation script editor doesn't have native YouTube playlist integration, you can achieve your bedtime routine by using CapCut video editor for Chromebook. First, create a video with a dark screen or soothing visuals. Then, set it to play when the bedroom light switch is turned off, along with your desired music playlist on your speaker. This way, you can create a custom bedtime experience that suits your needs.
I'm not sure if it's what you're looking for because you can't control which song is playing or when it starts/stops unless you add some triggers through the F10 Radio menu, but I sometimes add music to missions by having a unit Transmit Message (I think, I don't remember exactly what the action is called). Tuning to a frequency is slightly more immersive than going through F10. 17dc91bb1f