After splitting from long-time beau Joe Alwyn, briefly rekindling her fling with Matty Healy, and finding her own love story with NFL star Travis Kelce, it seems Taylor's dating history has once again acted as some top notch inspiration for the 31 songs that span over the double album.
They say 'write what you know,' and over her ten-year songwriting career, the star has done just that - mining her personal life for lyrical inspiration. Happily, it's a tactic that has brought us plenty of break-up anthems (as well as some sweet love songs).
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Taylor Swift's list of ex's include a roster of A-List names lucky enough to land themselves a date or two (or three, or four) with the Eras Tour star. That list includes names such as Harry Styles, Matty Healy, Taylor Lautner, Joe Jonas, Jake Gyllenhaal, Scottish DJ Calvin Harris, and John Mayer. From The Tortured Poets Department to Midnights, Fearless to Lover, the record-breaking singer's past flames flicker in almost every hit.
Rewind to 2010, and Taylor was pictured out on a wintery stroll with Jake Gyllenhaal, wrapped up in a black striped scarf and clutching Starbucks maple lattes. At the time, the popster was 19 to Jake's 28 years old. Fastforward to the release of the original Red in 2012, and that very scarf crops up again in All Too Well - a song which Swift has since described as being extremely difficult to write.
Fresh off Taylor's newest album, TTPD, many fans expected this title track would focus in on Joe Alwyn himself. After all, the title of the album appeared to be a dig - with Joe previously revealing he was in a group chat with Paul Mescal and Andrew Scott titled 'The Tortured Man Club'...
In the lyrics, Taylor hints that while she's 'seen this episode before' and knows Matty isn't right for her, she 'still loved the show.' Elsewhere, she sings, 'You smoked then ate seven bars of chocolate / We declared Charlie Puth should be a bigger artist.' In a 2018 tweet dug out my fans, Matty tweeted 'That Charlie Puth and Boyz II Men track is hard.'
The song compares a rebound to a getaway car whizzing her away from her heartbreak and straight into an escape. But evidently, the relationship was cursed from the beginning. A key piece of evidence: Taylor met both Tom and her future BF Joe Alwyn at the 2016 Met Gala. After calling it quits with Tom, Taylor swiftly found love with Joe - writing 'Don't pretend it's such a mystery / Think about the place where you first met me.'
Initially intended for release on Red, this single didn't find its way into pop culture until a decade later with Red (Taylor's Version.) The song takes a number of jabs at Jake, including 'You grew up in a silver-spoon gated community / Glamorous, shiny, bright Beverly Hills.' The nepo baby just so happens to be part of an industry family, with his dad being director Stephen Gyllenhaal. Case closed.
Taylor's songs often see her on the receiving end of apologies, but in Back To December, the tables are turned. Harking from her Speak Now era, this ballad is supposedly directed at Twilight actor Taylor Lautner. The two Taylor's dated from August through to December (yes, December) after meeting on the set of Valentine's Day. The actor joins the elite group of Swift's exes who actually walk away with a positive write-up. Top marks, Jacob.
And there's really no bad blood between these two. Taylor L appeared in the music video for 'I Can See You' last year, before backflipping his way to join Taylor S onstage at the Eras Tour. Talking in a podcast appearance on Call Her Daddy, Taylor L's wife, also called Taylor, shared that she was never threatened by the ex couple having a friendship.
One of the many, many takedowns of Jake is reserved for the first single from Red, in which she calls out the actor for his 'exhausting' changes of heart and pretentious musical tastes. This one's for those ex's that wouldn't dream of getting down to this. sick. beat...
The sweetest of all love songs from Taylor's latest album Midnights, Taylor shouts out her former lover for being the calm amidst the chaos - with Irish seaside town Wicklow also getting a mention, where Joe was based whilst filming Conversations With Friends.
No prizes for guessing who this one's about. Taylor didn't hold back in the take of her brief relationship with fellow musician/ serial dater John Mayer, deploying classic Swifty imagery in the line 'I'm shining like fireworks / All over your sad empty town.' John later claimed that the song made him feel 'really humiliated' and branded the song 'cheap songwriting.'
Once again, the clue's in the name. While the lyrics to 1989's standout track refer to a 'James Dean'-style bad boy, the video lays the Harry allusions on thick, with the appearance of the paper aeroplane necklaces that Swift and Styles reportedly swapped. Remember those, they'll prove important next...
Another post-Styles song, another reference to aeroplane-based statement jewellery. The accompanying video once again ramps up the references to ex-Directioner Harry: Taylor wears a princessy blue dress that harks back to the one she was pictured in straight after their breakup.
Trouble, trouble, trouble. Taylor's 2013 single refers to the first time she crossed paths with One Direction singer Harry, and was written during one of the pair's (multiple) break ups. 'It's not hard to access that emotion when the person the song is directed at is standing by the side of the stage watching,' she later said of her performance at the BRIT Awards in 2013.
Who could ever forget this one. After Jonas Brother No. 2 dumped Taylor in a 27 second (yep, less than half a minute) phone call, the singer hit back with one of her most emotionally raw tracks to date. And Joe does not come out of it well.
Like most of Taylor's early material, 'Teardrops' takes inspiration from her high school days - and in this case, her unrequited crush on classmate Drew Hardwick. According to Swift, Drew showed up at her house two years after she wrote the song. Her response? 'Wow, you're late!'
A tale of picking yourself back up after a horrible break-up and dragging yourself out on a date - or as Taylor told Ryan Seacrest, 'when you've gotten through a really bad relationship and you finally dust yourself off.' At the time of writing, the singer was dating Conor Kennedy (as in, the Kennedys). Bonus points for the sideswipe at 5' 11 Jake Gyllenhaal in the line 'He didn't like it when I wore high heels, but I do.'
Ahh, to be young and in love. From a process of elimination, the ever-so-emotional 'Fifteen' gets pinned on Swift's high-school boyfriend Brandon Borello - mainly because she was indeed dating him at 15 years old! It's thought Brandon is also the love behind some of Taylor's earlier hits, including 'Our Song' and 'Tim McGraw.'
While Joe was often the subject of Taylor's sweetest of songs, this is one of the very few breakup tunes fans think could be about the British actor. Neither party has publicly commented on the split, but rumours swirled that it was around Joe's extremely private approach to fame - and Taylor's tendency to share her life with the world.
Appearing on Midnights 3AM Edition, 'You're Losing Me' is about a couple with fundamentally different opinions of where their relationship is headed. Taylor sings her heart out as a woman who has put her everything into making the relationship work, only to have the bare minimum back.
And there's also a hint that the point of no return was an argument over marriage - with Taylor singing 'And I wouldn't marry me either/ A pathological people pleaser/ Who only wanted you to see her.'
We've all heard of Lover's gushing 'London Boy,' the most glaringly obvious declaration of love for British actor Joe. Well, on TTPD, Taylor hits back with the most heartbreaking track five song of all, 'So Long, London.'
In the song, which seems to be the sister of 'You're Losing Me', Taylor talks of her relationship slowly coming to an end. Hinting at a relationship full of promises that never came true, she sings, 'You swore that you loved me but where were the clues/ I died on the alter waiting for proof / You sacrificed us to the God of your bluest days.'
Although not directly about Joe, this is one of the rare Taylor songs where the singer directs her anger towards her ex-BF's new beau. Lyrics hint towards an 'actress' with a lover of 'vintage dresses' - all of which points to Camilla Belle.
The original lyrics threw some serious shade, with TayTay singing 'She's better known/ For the things that she does on the mattress.' In her Taylor's Version re-recording, the singer finally responded to the slut-shaming allegations by changing the lyrics. Insisting she was too young and naive at 18 to realise that the lyrics were so uncool, she switched it to the much friendlier 'He was a moth to the flame / She was holding the matches'
One of TayTay's most scathing song, 'Picture To Burn' details a lover finally cutting her cheating other half off. Released in 2008, it's still a firm favourite among Swifties worldwide, screamed at the top of lungs at every opportunity.
While she didn't namedrop the former flame who inspired the song, many who knew teenage Taylor insist the song has some similarities towards her relationship with her high school boyfriend, Jordan Alford. Allegedly, Jordan left Taylor for one of her friends - who later became his wife! All's well that ends well.
This hymn beautifully expresses the immeasurable and enduring love of God, emphasizing its vastness that surpasses human comprehension. The imagery of God's love reaching from the highest star to the lowest hell and enduring through the passage of time is both powerful and comforting. The repetition of the refrain underscores the richness, purity, and strength of God's love, making it a timeless theme celebrated by both saints and angels.
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