The last two years or so, I have gotten back into dance to help further myself in musical theatre. Although I can do all the choreography I'm given in my dance programs, it never looks very clean. I enjoy learning K-pop dances on my own and I was wondering if anyone knows of any that can help teach sharpness, body control, and just the all-around fine details of a dance. If anyone knows of a K-pop dance YouTube channel or something with a good instructor that helps teach these kinds of things that they could recommend too, that'd be awesome!

If this body was non-ideal, I remember thinking, then what was mine? I had just turned twelve years old, and was about to finish sixth grade. I was starting junior high in the Fall. Somehow both bodysuits and massive, baggy flannels were popular. My body, like a lot of other girls at that age, was beginning to rearrange itself. I felt so alienated from it, so unmoored from any sort of solid sense of self.


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Reading these letters now, it\u2019s striking that they were all authored by groups of girls and/or women \u2014 suggesting that they came together, talked about the cover, came to a consensus, and decided to submit their feedback. But it\u2019s also striking that Seventeen chose these three letters as the ones, out of hundreds, maybe even thousands, to highlight. They represent the two postures that pervaded the pop culture of the \u201890s and 2000s: you should let go of old fashioned ideas of beauty and femininity, embracing your own understanding of what liberation and power looks like\u2026.while also conforming to new, often equally constrictive standards of girl and womanhood.

In their analysis, Ballentine and Ogle delineated two types of body-related articles. The clear majority were concerned with the \u201Cmaking\u201D of body problems, but they were often accompanied by articles \u201Cunmaking\u201D those same problems. In other words: there was an abundance of articles introducing something that the reader should be worried about (cellulite, wrinkles, blemishes, bacne, \u201Cflabby\u201D areas, stretch marks, \u201Cunwanted\u201D hair, body odor) and how to address it in order to achieve the \u201Cideal\u201D body\u2026.but also, often in the same issue, there were articles instructing the reader to let go of others\u2019 ideas about what beauty or perfection might look like. (See the cover of that June 1993 Seventeen: \u201CYou are so beautiful / Celebrate your heritage, celebrate yourself)

\u201CI finally managed to flirt \u2014 and have guys flirt back. My confidence grows every day, and now, a couple of years later, the hot girl I knew I was (but nobody else could see) is more and more evident.\u201D

There is no accounting for genetics, for race, for abilities, for access to time and capital, for even the existence of actual diverse body shapes. The ideal shifts slightly from decade to decade, but it never disappears; if anything, the sheer number of products and programs available to help it arrive in its ideal state proliferate. And if you can\u2019t arrive at the ideal body, it\u2019s not because your existing physical form cannot achieve it. It\u2019s an implicit or explicit failure of will.

I\u2019m starting to get into more recent territory here and could go on for some time, but I wanted to cover foundational, formative language. (Please, feel free to add your own memories in the comments). To be clear, I\u2019m in no way suggesting that young Gen-X/millenials are the first to internalize this sort of destructive body messaging. And I know there are different ideals and messages that have disciplined and damaged men and their relationships to their bodies.

But instead of shouting \u201CBUT TWIGGY!\u201D and \u201CMy grandmother survived on saltines and cigarettes!\u201D I think it\u2019s useful to return to the formation of the tweet referenced above: \u201CIf any Gen Z are wondering why every millennial woman has an eating disorder\u2026\u201D The author is trying to elucidate a norm (the desire to discipline and contain your body) that, over the course the last twenty years, has become slightly less of a norm. Her tweet, like this post, is a way to explain ourselves, but also to make the mechanics of the ideology not just visible but detectable \u2014 if in slightly different form \u2014 in their own lives.

It\u2019s one thing, after all, when you hear that your grandparents did something \u2014 that feels old-fashioned, foreign, and distant. It\u2019s quite another when it\u2019s the primary practice of people just five, ten, fifteen years ago \u2014 when the ideology is still thick in the air. Fat activism and the body positivity movement has done so much, and in a relatively short amount of time, to shift the conversations we have about our bodies. But there\u2019s so much work still to be done. I spent a lot of time thinking about this exquisite Sarah Miller essay:

When a message comes into the brain from anywhere in the body, the brain tells the body how to react. For example, if you touch a hot stove, the nerves in your skin shoot a message of pain to your brain. The brain then sends a message back telling the muscles in your hand to pull away. Luckily, this neurological relay race happens in an instant.

So when you're balancing your checkbook, you're using the left side. When you're listening to music, you're using the right side. It's believed that some people are more "right-brained" or "left-brained" while others are more "whole-brained," meaning they use both halves of their brain to the same degree.

Movement. Different parts of the cerebrum move different body parts. The left side of the brain controls the movements of the right side of the body, and the right side of the brain controls the movements of the left side of the body. When you press your car's accelerator with your right foot, for example, it's the left side of your brain that sends the message allowing you to do it.

In almost every cell of your body you have thirty thousand or more differentgenes, spread out on very long strands of DNA called "chromosomes." Most cellshave two versions of every gene on a total of 46 chromosomes. Exactly half ofthose, 23, came from your mom, and 23 came from your dad. They come in pairswhere the partners are very similar but not quite the same. The only time theyget together is during meiosis.

MELINDA TATE IRUEGAS: Well, you kind of wanted to know. We did a weddingring test, where you took a piece of your hair and the wedding band and youhold it over the belly and if it moves one way in a circle, then it's a girl;if it moves in a straight line it's a boy. And that said it was a girl.

Your body changes as you reach old age. You have increased body fat and decreased body water. This affects how your body processes alcohol. If you still drink the same amount of alcohol you drank in adulthood, you feel the effects more severely. Older people who drink too much alcohol are at greater risk of physical and mental health problems including:

Alcohol dulls the parts of your brain that control how your body works. This affects your actions and your ability to make decisions and stay in control. Alcohol influences your mood and can also make you feel down or aggressive.

And if, as Kelso apparently means to suggest, the preference for thin bodies in ballet is actually prejudicial and not just potentially harmful, and the aesthetic preference for white -- or at least lighter -- skin and body shape stemming from ballet's origins in overwhelmingly white societies is racist, she needs to argue that case, not simply note it as if no other conclusion is possible. One definition of freedom might include the option of simply enjoying what one likes aesthetically without needing to apologize for it. Is it prejudicial to only fall in love with people of your own race or body size?

"I don't want to feed this stereotype that all dancers starve themseleves and have eating disorders, though," [she] said. ... "It's sad and it's horrible, but it'd just be ignorant to try to deny the fact that body types are a huge part of the dance world. And it's be even more ignorant to say that this sort of weight-consciousness is more prevalent for dance students than it is for 'normal teenagers.' A lot of girls here at (X) are just as weight-conscious as my friends back at NBS. If anything, I'd say my friends at NBC have the upper hand. From my experience, generally speaking, NBS students have the advantage of nutritional classes, hours of daily dancing, and biweekly cardiovascular workouts that help them to lose weight in healthier ways."

4. Mind-body techniques. These techniques, which include meditation, mindfulness, and breathing exercises (among many others), help you restore a sense of control over your body and turn down the "fight or flight" response, which can worsen chronic muscle tension and pain.

6. Biofeedback. This technique involves learning relaxation and breathing exercises with the help of a biofeedback machine, which turns data on physiological functions (such as heart rate and blood pressure) into visual cues such as a graph, a blinking light, or even an animation. Watching and modifying the visualizations gives you a degree of control over your body's response to pain.

A study of adults 40 and older found that taking 8,000 steps or more per day, compared to only taking 4,000 steps, was associated with a 51% lower risk of death from all causes. You can increase the number of steps you get each day by doing activities that keep your body moving, such as gardening, walking the dog, and taking the stairs instead of the elevator. 17dc91bb1f

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