Universal Music Group, the world leader in music-based entertainment, leverages proprietary access and insights to develop innovative integrated brand opportunities globally with the potential to reach billions of engaged fans across digital media, events, name and likeness, sync & more.
Universal Music Latin Entertainment, a division of Universal Music Group, is a record company specialized in producing and distributing Latin music in Mexico, the United States, and Puerto Rico. UMLE includes famous Latin music labels such as Universal Music Latino, Fonovisa Records, Universal Music Mexico, Capitol Latin, Machete Music and Disa Records.[1]
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Launched mid 2001, Univision Records already had an impressive artist roster: [citation needed] Anasol, Pilar Montenegro, Anas, Jennifer Pea, Graciela Beltrn, Iman, Los Forasteros, Daniel Ren, and most recently Mexican Ranchero music icon, Pepe Aguilar.
Acquired in 2002 back then by Univision Music Group, Fonovisa is the largest Regional Mexican label in the music industry [citation needed] and since 1984 has launched major Latin stars into international markets and mainstream America.
Disa Records is the second largest Regional-Mexican label after Fonovisa. [citation needed] It was owned by the Chvez family of Monterrey until June 2001, when Univision acquired 50% of Disa from the Chvez family. In November 2006 Univision acquired the other 50% of the label making it a subsidiary of Univision Music Group.
Machete Music includes the top reggaeton artists from Puerto Rico and Latin artists from all over the world. Artists like Akwid, Wisin & Yandel, Ivy Queen, Daddy Yankee, Don Omar, Molotov, and others.
Formed in 1997,[3] Universal Music Latino includes top artists from the Latin music genre, including Lucero, Tono Rosario, music group Belanova, music artists Belinda, Luis Fonsi, Enrique Iglesias, Juanes, Olga Tan, David Bisbal, Paulina Rubio, and recently Dulce Mara. PolyGram Latino merged with Universal Music Latino after Universal Music Group's acquisition of PolyGram.[4] In 2006 UML with Vene Music started Siente Music. Canadian born artist Nelly Furtado and Miami rapper Pitbull have also joined Universal to release a Spanish album.
A label which focuses mainly on the electronic music Latin audience. Launched in 2014, musical acts that have signed on to the label include Cher Lloyd, 3Ball MTY, Juan Magan, Atellagali, Marcelo Cic, and Buraka Som Sistema.[6]
Founded in 1961 by the Rockefeller Foundation under the direction of distinguished composer and musicologist Juan Orrego-Salas, the Latin American Music Center is the oldest center of its kind in the United States.
To facilitate research at Indiana University and beyond, we help manage one of the largest archives of twentieth-century Latin American art music in the world, in conjunction with the Cook Music Library.
Our goal is to promote the broad diversity of Latin American music at the Jacobs School of Music, as well as the exchange of music, ideas and individuals between Latin America, the Caribbean, and the United States.
The Latin American Music Center collection is comprised of thousands of items and includes rare manuscripts, published scores, colonial music anthologies, sound recordings, books, dissertations, periodicals, microfilms, and miscellaneous documents such as letters and photographs. Important private collections have also been donated to the LAMC.
If you are interested in viewing items not available through the William and Gayle Cook Music Library, we invite you to visit the collection by appointment. To inquire about such materials or schedule a visit, please email lamc@indiana.edu.
These performances highlight a variety of Latin American music styles from around the globe. Our performances feature artists from a variety of backgrounds, ranging from Jacobs students to renowned international guest artists.
Don't worry - it's quick and painless! Just click below, and once you're logged in we'll bring you right back here and post your question. We'll remember what you've already typed in so you won't have to do it again.
For starters, to make sure everything is in order and no one else is accessing your account without your consent, we recommend securing your account by following the recommendations in this article. Make sure you also go to your Account Overview page and scroll down to Sign out everywhere.
Bear in mind that personalized playlists (e. g. Daily Mixes, Release Radar, Discover Weekly) are based on your recent listening activity. You can make sure Private Session is off so the algorithm can gather enough info for your next personalized playlists. Also, make sure you're listening to music not only from other recommended playlists like Discover Weekly or Daily Mix but through the Search option as well.
You've mentioned that this has happened in the past. Have you noticed anything else out of the ordinary during this time like unknown titles/playlists in your Recently played section or your password getting reset?
This sounds a lot like the aftereffects of someone accessing your account, but not to worry - if that's the case, all you need to do is make sure that your account is now secure (using the steps provided above), hiding the unwanted tracks from your Discover Weekly playlist and playing your favorite tunes with Private Session disabled in your settings.
Thanks for keeping us in the loop @Roky_Acid!
To be on the safe side, you can also check for any 3rd party apps that might affect Your Library. You can check this on the account page > Manage Apps. You can remove access to all apps that you don't recognize. If you'd like to reconnect them at a later occasion, you only need to log back in to that service and relink Spotify.
It's also worth giving a few more weeks for algorithm to re-adjust to your music taste. The best way to do this is by adding music to Your Library and by add songs to your Liked songs playlist. The playlist should update with time, as long as you're frequently adding content.
Let us know if you have any questions!
ok, also checked for 3rd party apps, but there are none. I keep an eye on the playlist. Yesterday it renewed and it's still exclusievly Indish songs in it. I hoped that it was again a one-time-only issue like the first time. So now I wait what the next weeks will bring up. Pretty unsatisfying, since we cannot figure out what went wrong and what the reason for this issue is
so now it is the 3rd week in a row when my discover weekly shows me exclusivly indish music. No other music I heard and I do use spotify a lot. I did not hear any indish music in the last 6-12 month and I do not have the impression that the algorithm adjusts. Is there any way that you can reset it for me or is there another solution?
In 2004, Hispanics were the largest minority group and the fastest-growing segment of the U.S. population,having more than doubled since 1980 and accounting for half the total population growth since 2001. In thepreceding decade, the highest rates of Hispanic growth had been not in California, Texas, New York, Miami,Chicago, and other long-time Latino strongholds, but in states such as Arkansas, Indiana, Michigan, NorthCarolina, Virginia, and Wisconsin. Hand in hand with the burgeoning Latino population came an infusion ofLatino music, usually called msica latina in the windows and bins of record stores or entertainment venues.
In the United States, a "parallel universe" of Latino performance exists alongside the English-dominantmainstream. The Latin music and media industries are a powerful presence in American life, and their influenceis increasing. The sounds of msica latina and the voices of musicians themselves help us understand thestruggles, aspirations, and joys of Latinos in the process of making the United States their home.
As with other cultural minority groups in the multicultural United States, Latino communities have often usedmusic to express themselves in the public commons - civic celebrations, ethnic festivals, cultural educationprograms, and political events, for example. Many kinds of music that were historically intended for privateoccasions - such as for social dancing or for religious devotion - take on new meaning as they are moved intothe public realm in order to send a message of identity: "We are Dominican" (or Mexican, or Cuban, or PuertoRican, and so forth). Some musical styles, forms , and repertoires have deep, "coreculture" associations and/or"stage performance value" to please broad audiences with a strong stamp of cultural identity. These becomesymbols, aimed either at a new, broader audience or at the same community audience but with the new purpose ofdefining group identity.
At the same time that forms of music (and dance) have become vehicles for creating social identity, they havealso become means for creating a new sense of community. Music in any society is a social magnet, a way ofbringing people together, the major attraction at a myriad of social events. But among Latinos in the UnitedStates, this role has been expanded and its importance heightened. Music has become a primary vehicle forreuniting people who share a similar background and recreating their lost sense of community - especially for adispersed immigrant Latino community, or for a Latino minority culture living among people of other culturalbackgrounds who speak languages other than Spanish.
The 2004 Festival program was a signature component of a larger Latino Music Project conceived by theSmithsonian's Center for Folklife and Cultural Heritage. In 2001, the non-profit record label, SmithsonianFolkways Recordings, a division of the Center, launched its Latino Music Recording Initiative, entitledTradiciones/Traditions, to expand Latino music holdings, to publish and disseminate new recordings, and tocreate a Web site offering bilingual educational materials. It was planned that the Festival component of theLatino Music Project would be sustained over an unprecedented four consecutive years, with each year's programshaped by a special theme highlighting a coherent constellation of issues in Latino music and culture.Theprogram aimed to explore the historical roots and development of Latino cultures in the United States,contemporary social issues articulated in music and dance, and the role the music industry plays in thecontinuity and transformation of Latino musical tradition. The 2004 program laid out those themes and previewedwhat would follow in subsequent years (see also the 2005 2006 and 2009 programs). 152ee80cbc
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