Download Mp3 Speedy Song

"Speedy Gonzales" is a 1961 song by David Hess (RCA 8056),[1] who recorded it under the name David Dante, about Speedy Gonzales, "the fastest mouse in all Mexico". It was written by Buddy Kaye, Ethel Lee and Dante/Hess. The David Dante original version briefly entered the U.S. Music Vendor chart in April 1961.

The song was popularized in the United States as a 1962 single by Pat Boone.[2] The Boone version peaked at the No. 6 Billboard Hot 100 position in 1962 during a total chart run of 13 weeks, doing better in many national charts in Europe, where it sold a million copies.[3] The female voice ("La-la-la...") on this song was of Robin Ward.[3] It also incorporated Mel Blanc voicing Speedy Gonzales as he did in the Warner Brothers cartoons.

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Dante's version details a demand from a girl named Consuela to Speedy to stop roving about and take care of his neglected household. Boone's song adds a spoken introduction stating that he was wandering between some old adobe haciendas on a moonlit night in Mexico, where he heard the voice of a Mexican girl calling to Speedy, and Mel Blanc's inserts replace a recurring line from Dante's lyrics.

I found a version of the song in another old cartoon depicting the same characters but portrayed as crows, where the lyrics seem to be kinda like this:Te habla muchacho casa maana grandeHasta la vista poco ms agua ardiente...Oye loco feliz escondido con esoCucaracha mi casa es su casa y vyase con Dios.

On this week's All Songs Considered, I'm joined by NPR Music's Marissa Lorusso and Hazel Cills to share some thrilling new music, beginning with Indigo De Souza's "You Can Be Mean." The song's inspiration stems from a mean and harmful relationship and the acute realization of her need to protect her body and spirit. Indigo De Souza's next album, All of This Will End, is out on April 28.

After that, we hear new music from two beloved rock bands: Speedy Ortiz has released "Scabs," its first new song in five years, which sounds like it may have been influenced by bandleader Sadie Dupuis' solo recordings. In a statement, Dupuis said the tart, wiry track was inspired by a desire for stronger political convictions in others. And next we hear Bully's Alicia Bognanno sing about the death of her dog and the unconditional love and support that her pet brought her. The song "Days Move Slow" is from Bully's fourth album Lucky for You, which is out June 2.

We end the show with a couple of new artists. Charlotte Cornfield's song "Cut and Dry" reflects on the idea of leaving things behind as part of moving on and the difficulty of severing ties with the past. And our final song comes from Laura Wolf, a classical musician also in love with sound manipulation. I'll play the creative-sounding tune "Calligraphy and Calculations" from her upcoming album Shelf Life.

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I think that they spent a few years just playing songs other people had arranged and written on, [but it] gave us a lot of time to get really close to one another as friends before we had to figure out the [next record]. Playing together for a show is different than the collaborative relationship for arranging and recording.

Starting to play drums unlocked some different part of playing music for me. It really feels like an emotionally evocative instrument to me, or it has a lot of potential for that. I tried to use this song to talk about that.

Metastasis is the principal event leading to breast cancer death. Discovery of novel therapeutic approaches that are specific in targeting tumor metastasis factors while at the same time are an effective treatment of the tumor is urgently required. S100A4 protein is a key player in promoting metastasis and sequestrating the effect of tumor-suppressor protein p53. Here, a tumor microenvironment activated membrane fusogenic liposome was prepared to deliver rapidly anti-S100A4 antibody and doxorubicin into the cytoplasm directly in a fusion-dependent manner in order to bypass the cellular endocytosis to avoid the inefficient escape and degradation in the acidic endosome. After intracellular S100A4 blockage with anti-S100A4 antibody, the cytoskeleton of breast cancer 4T1 cells was rearranged and cell motility was suppressed. In the meantime, the antitumor effect of doxorubicin was enormously enhanced by reversing the effect of S100A4 on the sequestration of tumor-suppressor protein p53. Importantly, both local growth and metastasis of 4T1 cells were inhibited in a xenograft mouse model. Together, the speedy delivery of antibody and doxorubicin into cytoplasm based on a new membrane fusogenic liposome was an innovative approach for metastatic breast cancer treatment.

Meghan Trainor and her producer Kevin Kadish originally wrote "All About That Bass" for another artist to record. However, after Epic Records boss LA Reid heard Meghan play a demo of the song on a ukulele, he signed the young songwriter to his label and told her she should sing it.

Will.I.am, literally dreamt up "I Gotta Feelin'." Said the Black Eyed Pea: "Have you ever had a dream where there's a melody in your dream? I'll wake up out of my sleep and record that! 'I Gotta Feelin' was one of those songs."

Speedy Gonzales is a popular song originally recorded by Pat Boone in 1962. The song became an instant hit and topped the charts in both the United States and the United Kingdom. While the catchy tune and lively rhythm captivated listeners, the song also holds a deeper meaning that resonates with many.

The lyrics of Speedy Gonzales tell the story of a fictional Mexican character named Speedy Gonzales, who is portrayed as a mischievous and resourceful mouse. The song reflects on the adventures of Speedy as he outsmarts his enemies and triumphs over adversity. However, beyond the lighthearted depiction of the character, the song symbolizes the resilience and determination of the Mexican people.

Pat Boone, known for his wholesome image and clean-cut style, was initially apprehensive about recording Speedy Gonzales due to concerns about potential cultural stereotypes. However, he ultimately decided to sing the song as a way to celebrate the Mexican culture and pay homage to the beloved character.

The song Speedy Gonzales not only became a hit for Pat Boone but also contributed to the enduring popularity of the character himself. Speedy Gonzales went on to appear in various animated cartoons and became an iconic figure in popular culture.

The song resonated with Mexican audiences as it presented a character who was relatable and represented their resilience and resourcefulness. Mexicans embraced Speedy Gonzales as a symbol of triumph over adversity and continue to fondly remember the character and the song.

Yes, the song has been covered by numerous artists over the years, including Mexican singer Luis Miguel. Additionally, the character Speedy Gonzales has appeared in other forms of media, such as comic strips and video games.

Speedy Gonzales became a cultural icon due to his popularity and the relatability of his character. The song played a significant role in introducing Speedy Gonzales to a wider audience, leading to his enduring status as an emblem of Mexican resilience and ingenuity.

Speedy Gonzales holds cultural significance as a character that represents the Mexican spirit of resilience and adaptability. The song and the character have become part of the Mexican cultural fabric, embodying the values of determination and cleverness.

Speedy Gonzales continues to be a beloved character and a symbol of Mexican pride. The song, along with the character, remains an important part of popular culture and has left a lasting impact on representations of Mexican culture in media.

Speedy Gonzales is a 1961 David Dante alias David Hess song (RCA 8056) about Speedy Gonzales, "the fastest mouse in all Mexico". The 1962 version of the song by Pat Boone features Mel Blanc voicing Speedy Gonzales just like he did in the Warner Brothers cartoons.

The Flim Flam Brothers[3] (or Flim Flam Cider Song[4][5][6]) is a musical number featured in the beginning of The Super Speedy Cider Squeezy 6000. Flim and Flam roll into town on their cider-making contraption and introduce themselves and their machine through song and dance. It is the longest musical number in the series, surpassed only by Welcome to the Show in My Little Pony Equestria Girls: Rainbow Rocks.

From when the song begins, the Super Speedy Cider Squeezy 6000's mechanical sounds match the beat of the music, which was accomplished by the sound design team providing Daniel Ingram and Steffan Andrews with samples of the sound effects of the cider machine, which they then implemented into the song's composition.

The number shares many similarities to the number "Ya Got Trouble" from The Music Man. Both songs share the same fast-talking vocal style, and both are sung by people wearing straw boater hats who are addressing the inhabitants of a small town. In both songs, the lyrics take the form of a speech which the singer uses to convince the townsfolk into falling for his scheme. By the end of both songs, the crowd is so fully convinced that it joins in to sing the final chorus, with particular emphasis on the chanting of one key word: "trouble" in the original and "cider" in this song.

On Twerp Verse, released in April, the band really hits its sweet spot. Its sound is simultaneously fine-tuned yet grunge-bent, and Dupuis flourishes as a sharp songwriter. Each song becomes its own living, breathing entity, but the album is tied together as a symbol of resistance against the hostile political climate. ff782bc1db