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I really like creature horror movies. Some of my favorites are the Ritual, Antlers, the Cursed, The Relic, the Tank, Jaws, and Black Water. I also enjoyed the Cave, the Grey, Creature, 47 meters down, Alien, Predator, and the sequels.

Looking for recommendations and to get the discussion going on your top five monster moves or creature features. This would be where some unidentified entity is causing havoc everywhere and hopefully we will find some that are terrifying.

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Taking notice of the beautiful Kay, the creature follows the Rita all the way downriver to the Black Lagoon. Once the expedition arrives, David and Mark go diving to collect rock samples from the lagoon floor. After they return, Kay goes swimming and is stalked underwater by the Gill-man, who then gets briefly caught in one of the ship's drag lines. Although it escapes, the Creature leaves a claw behind in the net, revealing its existence.

Producer William Alland was attending a 1941 dinner party during the filming of Citizen Kane (in which he played the reporter Thompson) when Mexican cinematographer Gabriel Figueroa told him about the myth of a race of half-fish, half-human creatures in the Amazon River. Alland wrote story notes titled "The Sea Monster" 10 years later, using Beauty and the Beast as inspiration. In December 1952, Maurice Zimm expanded this into a treatment, which Harry Essex and Arthur Ross rewrote as The Black Lagoon. Following the success of the 3D film House of Wax in 1953, Jack Arnold was hired to direct the film in the same format.[2]

The designer of the approved Gill-man was Disney animator Milicent Patrick, though her role was deliberately downplayed by make-up artist Bud Westmore, who for half a century received sole credit for the creature's conception.[3] Jack Kevan, who worked on The Wizard of Oz (1939) and made prosthetics for amputees during World War II, created the bodysuit, while Chris Mueller Jr. sculpted the head.[citation needed]

Leonard Maltin awarded the film three out of four stars, writing: "Archetypal '50s monster movie has been copied so often that some of the edge is gone, but ... is still entertaining, with juicy atmosphere and luminous underwater photography sequences".[6] Film review aggregator website Rotten Tomatoes reports an approval rating of 80%, based on 44 reviews, with an overall rating average of 7.10/10. The consensus calls it "a solid, atmospheric creature feature that entertains without attempting to be deeper than it needs".[7] The film is recognized by American Film Institute in these lists:

In 1982, John Landis wanted Jack Arnold to direct a remake of the film, and Nigel Kneale was commissioned to write the screenplay. Kneale completed the script, which involved a pair of creatures, one destructive and the other calm and sensitive, being persecuted by the United States Navy.[10] A decision to make the film in 3D led to the remake being canceled by producers at Universal, both for budgetary concerns and to avoid a clash with Jaws 3-D.[10]

A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.

The first feature-length films to include what are regarded as monsters were often classed as horror or science fiction films. The 1915 German silent film The Golem, directed by Paul Wegener, is one of the earliest examples of film to include a creature. The German Expressionist Nosferatu in 1922, and the depiction of a dragon in Fritz Lang's Die Nibelungen in 1924, followed tradition. In the 1930s, American film studios began to produce more successful films of this type, usually based on Gothic tales such as Dracula and Frankenstein in 1931, both heavily influenced by German Expressionism, followed by The Mummy (1932) and The Invisible Man (1933). Classified as horror films, they included iconic monsters.

Special effects animator Willis O'Brien worked on the 1925 fantasy adventure The Lost World, based on the novel of the same name. The book and film featured dinosaurs, the basis for many future movies. He began work on a similar film known as Creation in 1931, but the project was never completed.[1] Two years later, O'Brien produced special effects for the 1933 RKO film King Kong, directed by Merian C. Cooper. Since then, King Kong has not only become one of the most famous examples of a monster movie, but also is considered a landmark film in the history of cinema. The monster King Kong became a cultural icon, being featured in many other films and media since then.[2]

Godzilla, King of the Monsters! (1956), a re-edited Americanized version of Godzilla for the North American market, notably inspired Steven Spielberg when he was a youth. He described Godzilla as "the most masterful of all the dinosaur movies" because "it made you believe it was really happening."[7]

A parallel development during this era was the rise of the Z movie, films made outside the organized motion picture industry with ultra-low budgets. Grade-Z monster movies such as Plan 9 from Outer Space (1959) and The Creeping Terror (1964) are often listed among the worst films ever made because of their inept acting and amateurish special effects.

After 1960, American monster movies were less popular, yet were still produced. However, Japanese kaiju films were popular during this decade. In 1962, King Kong vs. Godzilla was a kaiju film produced by Toho featuring both Godzilla and King Kong. In 1965, Japanese studio Kadokawa Pictures started their own kaiju franchise to rival that of Godzilla, in the form of Gamera.

In 1975, Steven Spielberg directed Jaws, which while labeled as a "thriller", features a large, animatronic great white shark. Jaws was an aquatic monster movie influenced by earlier monster films such as King Kong and Godzilla.[9] Jaws is one of the few monster movies based on a real incident: the New Jersey shark-attacks of 1916 (from which Peter Benchley got the idea for the story). Director John Guillermin remade King Kong in 1976. The xenomorph alien had its first appearance in the 1979 science-fiction/horror film Alien, directed by Ridley Scott. That was the same year when magazine Fangoria started being published, in response to the popularity of this genre.

Since the mid-1970s, with Mel Brooks' Young Frankenstein, and into the 1980s, monster movies like Larry Cohen's Q, the Winged Serpent (1982), Tom Holland's Fright Night (1985), George Romero's Creepshow (1982) and Ron Underwood's Tremors (1990) used comedy as a scaring device. Just before the technological revolution that made possible to create digital special effects thanks to CGI, the last generation of SFX artists impressed many with the quality and realism of their creations: Rick Baker, Stan Winston and Rob Bottin are among the most remarkable names in the industry.

The success of Jurassic Park and its five sequels, The Lost World: Jurassic Park (1997), Jurassic Park III (2001), Jurassic World (2015), Jurassic World: Fallen Kingdom (2018) and Jurassic World Dominion (2022), made sure that dinosaurs like Tyrannosaurus rex and the Velociraptor established themselves in the public psyche. The movies also helped generate renewed interest in paleontology. While the films showed allegedly authentic dinosaurs which had been recreated by genetic engineering and could be understood as science fiction, advanced contemporary animation technology made it also possible to revive medieval legends about dragons. The successful feature film Dragonheart (1996) showed a friendly dragon voiced by Sean Connery.

Traditional monster movies re-emerged to a wider audience during the late 1990s. An American remake of Godzilla was made in 1998. The Godzilla featured in that film was considerably different from the original and many Godzilla fans disliked it, but it was a box office success. In 2002, a French monster film Brotherhood of the Wolf (2001) became the second-highest-grossing French-language film in the United States in the last two decades.[10] In 2004, Godzilla was temporarily retired following Godzilla: Final Wars. Director Peter Jackson, inspired by the original King Kong and Ray Harryhausen films,[3] remade King Kong in 2005, which was both a critical and commercial success. In 2006, a South Korean monster film, The Host, involved more political overtones than most of its genre.[11]

The 2008 monster movie, Cloverfield, a story in the vein of classic monster movies, focuses entirely on the perspective and reactions of the human cast and is regarded by some as a look at terrorism and the September 11 attacks metaphorically.[12] The following year The Water Horse: Legend of the Deep (2007) was released, in which the legendary Loch Ness Monster is portrayed as a playful creature menaced by overly aggressive humans. The British Independent Film Award-winning film Monsters, in a manner similar to Cloverfield, presented the story of a monster epidemic from the perspective of the humans affected by it. Although not entirely focused on monsters, blockbusters such as The Avengers and Prometheus included scenes that featured monsters posing threats to the protagonists.

The horror genre is not only known for its human killers but also for the incredible monsters that have been created for this specific genre. For the last several decades, classic villains have been making their way across the big screen and streaming apps, enticing viewers to peer into the world of the unknown. The horror genre is a popular one, but it also goes well with other genres such as comedy, drama, sci-fi, and adventure. Even if some viewers aren't too keen on being scared, there are several movies to watch first to ease into the horror genre. be457b7860