The Basketball Diaries is a 1995 American biographical crime drama film[2] directed by Scott Kalvert,[3]in his feature directorial debut,[4] and based on an autobiographical novel by the same name written by Jim Carroll. It tells the story of Carroll's teenage years as a promising high school basketball player and writer who develops an addiction to heroin.[5] Distributed by New Line Cinema,[6] The Basketball Diaries stars Leonardo DiCaprio as Carroll, along with Bruno Kirby, Lorraine Bracco, Ernie Hudson, Patrick McGaw, James Madio, Michael Imperioli, and Mark Wahlberg in supporting roles.[7]

Teenager Jim Carroll is a drug-addicted high school basketball player who regularly gets into mischief with his friends Pedro, Mickey, and Neutron on the streets of New York City and at school. Outside of basketball, Jim shows an artistic interest in writing; keeping his work in his journal while expressing his thoughts and creating poetry.


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Jim's best friend, Bobby, is dying of leukemia. Jim frequently visits him in the hospital. Later, after a trip to a strip show cut short by an annoyed Bobby, he dies, and Jim and his friends attend his funeral days later. Following the funeral, Jim and his friends go to the basketball court and reminisce about Bobby's life. Depressed over Bobby's death, Jim begins to use heroin.

At basketball practice, Jim's coach Swifty sees Jim in the bathroom showers when he takes a short break to get high, where he then gropes him, and offers to pay him for sex. Jim refuses and pushes Swifty headfirst into a wall. As Jim's frustrations with school and life grow over time, he imagines shooting his classmates. The next day, before a game, Jim, Pedro, and Mickey take pills from Pedro's hat, hoping they are uppers. Neutron refuses the pills and confronts Jim about his growing habit. The pills are downers, and they cause the boys to perform disastrously during the game. Father McNulty, who notices the boys engaging in drug use, tells Jim and Mickey that they are suspended for a week, while Swifty tells Jim that he is now banned from playing basketball for his school again. Jim and Mickey, in response, resign from the team and drop out of school, while Neutron stays on.

The Suns could still pressure Duncan by having KJ double and McCloud shift slightly to Vinny Del Negro. But then the Spurs would just stand still, point at McCloud, and shout at the refs to make the illegal defense call. That\u2019s a point and the ball, all for a non-basketball move. It was worse than Hack-A-Shaq. The best thing the league ever did was to do away with that rule.

Jim Carroll's cult book The Basketball Diaries, published in 1978, describes in grungy detail how the author passed in a few short months from being a Catholic high school basketball star to being a strung-out heroin addict who turned tricks for drugs. Like many such stories, it lingers lovingly over the horrors, and ends with unseemly haste after happiness is regained.

Of course the Carroll book was more than this; he struck a personal note, of a kid who despite his suffering tried to turn his experience into poetry. The problem with Scott Kalvert's film is that the camera tends to make the experiences too literal: Jim, the hero of the story, is so desperately sick and unhappy that the romanticism seems unconvincing. He plays basketball at night in the rain after his best friend dies of leukemia, and it just looks wet, not touching.

As the movie opens, Jim (Leonardo DiCaprio) is on the basketball team at St. Vitus High School in New York, where a perverted priest salivates while spanking naughty students with a big paddle and the rest of the class watches. This scene owes more to Victorian pornography than to any actual parochial school in 20th century America, but no matter: The message, I guess, is that the teachers are such hypocrites you might as well go out and destroy yourself.

Jim and his friends are not good Catholic lads. The student manager of the basketball team steals from the lockers of the opposing team, and the favorite off-court pastime is experimenting with inhalants and pills. The coach, named Swifty and played by Bruno Kirby, is a closet homosexual who spends great effort making unlikely passes at Jim ("Do we understand each other?" he asks in the shower room, offering money). And Jim's mother, played by Lorraine Bracco, is a one-dimensional character who exists in the movie solely to exercise Tough Love by throwing him out.

I was watching the basketball diaries scene where Reggie throws Jim's drugs away and I'm confused. Reggie throws the drugs away and says "I'm gonna make you an incredible offer" and then starts unzipping his pants then Jim says "I'm not gonna suck your dick out that away". Then Reggie said"who the hell wants you to suck their dick".

G.T.: The Program is a startup I\u2019m working on. It ties together my two passions - New York City and basketball. We are planning to build a basketball facility that will feature regulation courts, turf training, cryotherapy, weights, cardio, classrooms, locker rooms, a juice bar and retail.

G.T.: The goal of the project is to restore New York City as \u201Cthe Mecca\u201D for basketball at the youth and grassroots level. By supporting the talent of NYC in-house and providing rigorous instruction and resources, we are aiming to start getting back to higher levels than what has been achieved in NYC the past couple of decades.

G.T.: My co-founder on The Program, Jared Effron, is a lifelong childhood friend and former basketball rival of mine - our playing careers peaked in the tenth grade. The support he\u2019s garnered for this project from his network has been unreal. I am really lucky to have Jared as a co-founder.

2. The 1960s time frame is crucial in Carroll's real-life experience. Some events he records in his diaries are the Cold War, Vietnam, the Cuban Missile Crisis, the assassination of Malcolm X, the Harlem Riots, protest marches, etc. He is terrified by the threat of the bomb, and his fearthat the bomb could get him at any time gives him a sense of urgency:"will I have time to finish the poems breaking loose in my head? Time tofind out if I'm the writer I know I can be? How about these diaries? Orwill Vietnam beat me to the button? Because it's poetry now . . . and thebutton is still there, waiting . . ." But since the film is set in thepresent, ALL of this is erased. Instead, we get Leonardo DiCaprio muttering something about being afraid of getting shot by a rooftop terrorist. (I will have to devote a new page to that alone!)

4. Jim Carroll DID NOT drop out of high school. He graduated right onschedule, in 1968, from Trinity High School, a posh private Catholic school, which he attended on a combination academic/athletic scholarship. The film keeps him in the poorer grammar school he attended, ignores the scholarship, and has him drop out after gettingcaught taking downers during a basketball game. He did take the downers,but he didn't quit school.

8. If Jim Carroll ever was Mister Sweet and Innocent as portrayed by DiCaprio, he never let onto it in his diaries. The Winkie and Blinkie scene is ridiculous in this respect. In the diary, Jim shows up whacked on cough syrup, which he throws up "in order to get it up a lot." He writes: "I was pretty straight within an hour or so and hip on getting to gether with a scene or two. The it was about an hour or more of smoking the hash with my head on Blinkie's lap with an occasional grab for one of her titty treats. I was feeling pretty bored by then and anxious to fuck her . . ." So, tell me if this sounds anything like the scene depicted in the movie by the angelic DiCaprio, who hesitates to snort a line and is attacked by the aggressive Blinkie. BLAH!

Kabul is at the same latitude as Los Angeles, but at 6,000 feet above sea level it is much colder. In Jalalabad it had been a dry 70 degrees and we played basketball outdoors; here winter was in full swing, the weather wet, sleeting, and chilling to the bone. None of the Nangarhar Stars owned cold-weather gear. We hurried inside, drenched and shivering in their traditional cotton clothing. Even our thin laughter condensed in the air.

The Taliban would not have approved of either our music or our card playing. Najib cheated, but came up with increasingly evasive justifications that grew into elaborate stories, instigating a whole group storytelling session. The Kandaharis continued dribbling basketballs upstairs. It was amazing we ever got to sleep.

The prospect of actually playing made me tense to the point of needing to use the bathroom, but the single one at the stadium was closed. Sudir did me the favor of asking around and returned with the explanation that the maintenance staff feared it would get too much use. I tracked down some toilet paper and did what it turned out everyone else did, as evidenced by the treacherous terrain behind the basketball stadium. As I squatted, I saw the uncanny sight of the Omar Land Mine Museum just across the fence.

Playing basketball was one of the last things I thought I would do in Afghanistan. Yet, there I was, in a foreign land, in a barely comprehensible cultural landscape, in a stinky hotel, mediating an inter-ethnic conflict in the guise of a skirmish on the court.

I recently had the urge to read about New York. More specifically, I wished to delve into the New York of yesteryear, that of the 60s and thus a decrepit city lacking the grandeur it once possessed. So I picked up The Basketball Diaries, a piece compiled from the journals kept by poet/musician Jim Carroll during his youth. Growing up in New York in the 1960s, he lived the punk lifestyle before the movement even began. Smoking pot in old apartment buildings and shooting up drugs in central park, tales of robbery, skipping school, and sexual experiences dot the narrative along with many games of basketball.

Hosted by U of T Vice-President, International (and basketball fan) Joseph Wong, the series features guests from within and outside the university. It is part of an ongoing effort to demonstrate how the university brings forward bold, innovative ideas and addresses complex global issues. e24fc04721

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