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Antonio, an antisemitic merchant, takes a loan from the Jew Shylock to help his friend to court Portia. Antonio can't repay the loan, and without mercy, Shylock demands a pound of his flesh. The heiress Portia, now the wife of Antonio's friend, dresses as a lawyer and saves Antonio.

The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598. A merchant in Venice named Antonio defaults on a large loan on behalf of Bassanio, his dear friend, provided by a Jewish moneylender, Shylock.

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At Venice, Antonio's ships are reported lost at sea, so the merchant cannot repay the bond. Shylock has become more determined to exact revenge from Christians because his daughter Jessica eloped with the Christian Lorenzo and converted. She took a substantial amount of Shylock's wealth with her, as well as a turquoise ring which Shylock had been given by his late wife, Leah. Shylock has Antonio brought before court.

The forfeit of a merchant's deadly bond after standing surety for a friend's loan was a common tale in England in the late 16th century.[3] In addition, the test of the suitors at Belmont, the merchant's rescue from the "pound of flesh" penalty by his friend's new wife disguised as a lawyer, and her demand for the betrothal ring in payment are all elements present in the 14th-century tale Il Pecorone by Giovanni Fiorentino, which was published in Milan in 1558.[4] Elements of the trial scene are also found in The Orator by Alexandre Sylvane, published in translation in 1596.[3] The story of the three caskets can be found in Gesta Romanorum, a collection of tales probably compiled at the end of the 13th century.[5]

The Star Trek franchise sometimes quote and paraphrase Shakespeare, including The Merchant of Venice. One example is the Shakespeare-aficionado Chang in Star Trek VI: The Undiscovered Country (1991), a Klingon, who quotes Shylock.[65]

Your mind is focused on the ocean where your merchantships are sailing like rich, important men parading on thesea. They tower over the little trade boats that they pass by,sailing along, and it's as if the little boatsbow before thegreatness of your ships.

In the beginning of Shakespeare's play, The Merchant of Venice, we are introduced to Antonio, really the play's namesake, a merchant in the city of Venice, Italy. Antonio is generous, kind, and has a good reputation. He is close friends with Bassanio, a worthy gentleman who is short on cash at the moment. Word has reached Bassanio of an unusual test that he must pass in order to win the hand of the girl he loves, Portia. Bassanio feels sure of Portia's love because he 'sometimes from her eyes . . . did receive fair speechless messages.'

Bassanio needs cash to travel to Portia's home and try to win her hand, so he asks Antonio for a loan. Antonio owns several merchant ships that are away in various locations at the time, so he doesn't have the money on hand that Bassanio needs. However, Antonio tells Bassanio to ask Shylock, a scrupulous Jewish merchant, for the loan instead, and to use his name as collateral.

Shylock doesn't do much to change the negative stereotype and perception of Jews, however. In fact, he perpetuates these misconceptions. He is a very stingy merchant, who charges high interest rates on his loans. Antonio, his foil, charges no interest rates at all, which irritates Shylock even more. He has developed an intense hatred for Antonio. Everyone loves Antonio, and everyone dislikes Shylock. This pound-of-flesh penalty is no joke to Shylock. As we see later in the play, he has every intention of forcing Antonio to pay his debt.

In Venice, a merchant called Antonio and his friend Bassanio discuss their problems. Bassanio wants money to be able to visit Portia, a wealthy heiress who lives in BelmontcloseBelmontA fictional city not too far away from the real city of Venice.. He has met her once before and hopes to marry her.

This introductory module offers students the opportunity to study up to nine of Shakespeare's plays in their original theatrical and historical contexts. Plays currently on the syllabus are A Midsummer Night's Dream, The Merchant of Venice, Richard III, Twelfth Night, Romeo and Juliet, Hamlet, Henry IV and Othello (although this is subject to change year on year). You will be given a standing ticket for at least one production of one of the set plays at Shakespeare's Globe on Bankside, London in the first few weeks of the module, at no extra cost. The teaching is delivered as large one-hour lectures, followed by one hour small-group seminars. The lectures are prepared and delivered in the lecture hall by two lecturers who interact with one another and the audience, They combine close reading of the texts with use of video clips from productions put on at Shakespeare's Globe and other filmed productions in order to encourage the students to read them not just as words on the page but as live events in the theatre. The small-group seminars encourage preparation and discussion online during the week and concentrate on close reading the plays. There will be three coursework assessments followed by an end of year examination. The assessments will ask you to paraphrase and contextualise selected passages from the plays and to write essays based on analysis of particular scenes. e24fc04721