I am the sound of revival, the world is waiting for me to be heard

I am the bible they read, they will read me and they will be changed

I am the sound of many waters, flowing from east to the west

Yes, Abba made me, a wonder to my world

While the song is nice the lyrics is biblically unsound and misleading. We need to really understand who we are, our frailty, our inadequacy and our limitations to understand how God (by his Spirit) works in and through us to make the fragrance of his word abound in every place.

We are NOT revival. We are NOT the sound of many waters (an expression which often alludes to the Holy Spirit). We are NOT the bible they read to be changed. These expressions need to be really understood and explained to Christians who are still growing in their faith. Unfortunately, many church goers are fed with stuff that just triggers their emotions and not sound doctrine.


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The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp, The Story of the Trapp Family Singers. Set in Austria on the eve of the Anschluss in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become a nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp. He is ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, including "Do-Re-Mi", "My Favorite Things", "Edelweiss", "Climb Ev'ry Mountain", and the title song "The Sound of Music".

The original Broadway production, starring Mary Martin and Theodore Bikel, opened in 1959[1] and won five Tony Awards, including Best Musical, out of nine nominations. The first London production opened at the Palace Theatre in 1961. The show has enjoyed numerous productions and revivals since then. It was adapted as a 1965 film musical starring Julie Andrews and Christopher Plummer, which won five Academy Awards, including Best Picture. The Sound of Music was the last musical written by Rodgers and Hammerstein, as Oscar Hammerstein died of stomach cancer nine months after the Broadway premiere.

Director Susan H. Schulman staged the first Broadway revival of The Sound of Music, with Rebecca Luker as Maria and Michael Siberry as Captain von Trapp. It also featured Patti Cohenour as Mother Abbess, Jan Maxwell as Elsa Schrader, Fred Applegate as Max Detweiler, Dashiell Eaves as Rolf, Patricia Conolly as Frau Schmidt and Laura Benanti, in her Broadway debut, as Luker's understudy. Later, Luker and Siberry were replaced by Richard Chamberlain as the Captain and Benanti as Maria. Lou Taylor Pucci made his Broadway debut as the understudy for Kurt von Trapp. The production opened on March 12, 1998, at the Martin Beck Theatre, and closed on June 20, 1999, after 533 performances. This production was nominated for a Tony Award for Best Revival of a Musical.[20] It then toured in North America.

The revival received enthusiastic reviews, especially for Fisher, Preece, Bould and Garrett. A cast recording of the London Palladium cast was released.[24] The production closed on February 21, 2009, after a run of over two years[25] and was followed by a UK national tour, described below.

An Australian revival played in the Lyric Theatre, Sydney, New South Wales, from November 1999 to February 2000. Lisa McCune played Maria, John Waters was Captain von Trapp, Bert Newton was Max, Eilene Hannan was Mother Abbess and Rachel Marley was Marta. This production was based on the 1998 Broadway revival staging.[30] The production then toured until February 2001, in Melbourne, Brisbane, Perth and Adelaide. Rachael Beck took over as Maria in Perth and Adelaide, and Rob Guest took over as Captain von Trapp in Perth.[31][32][33][34]

Andrew Lloyd Webber, David Ian and David Mirvish presented The Sound of Music at the Princess of Wales Theatre in Toronto from 2008 to 2010. The role of Maria was chosen by the public through a television show, How Do You Solve a Problem Like Maria?, which was produced by Lloyd Webber and Ian and aired in mid-2008. Elicia MacKenzie won[45] and played the role six times a week, while the runner-up in the TV show, Janna Polzin, played Maria twice a week.[46] Captain von Trapp was played by Burke Moses. The show ran for more than 500 performances. It was Toronto's longest running revival ever.[47]

Brooks Atkinson of The New York Times gave a mixed assessment. He praised Mary Martin's performance, saying "she still has the same common touch ... same sharp features, goodwill, and glowing personality that makes music sound intimate and familiar" and stated that "the best of the Sound of Music is Rodgers and Hammerstein in good form". However, he said, the libretto "has the hackneyed look of the musical theatre replaced with Oklahoma! in 1943. It is disappointing to see the American musical stage succumbing to the clichs of operetta."[71] Walter Kerr's review in the New York Herald Tribune was unfavorable: "Before The Sound of Music is halfway through its promising chores it becomes not only too sweet for words but almost too sweet for music", stating that the "evening suffer[s] from little children".[71]

The 1965 film soundtrack was released by RCA Victor and is one of the most successful soundtrack albums in history, having sold over 20 million copies worldwide.[76][77] RCA Victor also released an album of the 1998 Broadway revival produced by Hallmark Entertainment and featuring the full revival cast, including Rebecca Luker, Michael Siberry, Jan Maxwell and Fred Applegate.[78] The Telarc label made a studio cast recording of The Sound of Music, with the Cincinnati Pops Orchestra conducted by Erich Kunzel (1987). The lead roles went to opera stars: Frederica von Stade as Maria, Hkan Hagegrd as Captain von Trapp, and Eileen Farrell as the Mother Abbess.[19] The recording "includes both the two new songs written for the film version and the three Broadway songs they replace, as well as a previously unrecorded verse of "An Ordinary Couple"".[79] The 2006 London revival was recorded and has been released on the Decca Broadway label.[80] There have been numerous studio cast albums and foreign cast albums issued, though many have only received regional distribution. According to the cast album database, there are 62 recordings of the score that have been issued over the years.[81]

The soundtrack from the 2013 NBC television production starring Carrie Underwood and Stephen Moyer was released on CD and digital download in December 2013 on the Sony Masterworks label. Also featured on the album are Audra McDonald, Laura Benanti and Christian Borle.[82]

According to many sources, Rodgers and Hart were temperamentally very different. Rodgers kept a disciplined schedule and Hart was unpredictable in his habits. As songwriters, Rodgers would generally produce the music first and Hart would supply the lyrics after he heard the meter and melody. The music inspired his imagination and the chemistry was productive with many projects underway in close succession.

Sheldon Harnick, well-known for his career with Jerry Bock, provided lyrics for Rex, a musical about Henry VIII, in 1976. Martin Charnin collaborated with Rodgers on Two by Two (1971) and his final production, I Remember Mama in 1979.

Got out of dodge fore the sun had gone down Winding my way through these small empty towns Found an old CD and I played it real loud As I passed lonely ghosts on the interstate Mile after mile and my eyes got so tired Around 9 o'clock smelled the smoke from a fire Opened the window and let in the wild and Wonderful sounds of east Tennessee

After the main part of the chapel was done, people stayed back. I was in the sound booth mixing the sound and was surprised to see 30 to 40 people staying back in the chapel even though our service was technically over.

good lord awesome song, has that great almost ramones punk/pop vibe with a more recent atlas sound lyrical theme. Very cryptic but seems like its a strong friendship/love affair with someone that really gives him peace until...

okay, so a couple of things.... first off, this song is seriously just so ridiculously good... and, i've altered the lyrics a bit as i hear them (though, by no means am i even remotely sure that they are correct):

Sorry I don't remember where I read this, but I'm about 90% sure that Bradford Cox said that this is a sincere song about his faith in Jesus, as he was raised as a Southern Baptist or something like that. In the lyrics, he writes that freedom and silence forever don't make much sense, and that God fills the void for him.

I actually think, based on the lyrics it is a song about death. If you think about him lying in coffin or something it makes complete sense. I think he's shocked that God has forgiven him and that in death he finds freedom, silence ...

I am the sound of revival

The world is waiting for me to be heard

I am the Bible they read now

They will read me and they will be changed

I am the sound of many waters

Flowing from east to the west

Yes Abba made me, a wonder to my world

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The music maintains its roots in American and Celtic songcraft, but on Petals, the band achieves a compositional maturity that, in moments, can evoke the modern classical ensemble. Eclecticism, though a key feature of their sound, has never been the point. For these multi-instrumentalists, these singers and writers, sound and song serve one another: the play between instrumentation, composition, emotion and restraint is an organic unfolding. ff782bc1db

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