His beat tape stuff is not at all well organized on that site, and if you search for something like "j dilla look of love" you'll only get a 3 or 4 hits, and only about 2 unique beats, so I figured this was worth putting together.

In Bent, that transition is depicted in a scene that still disturbs today. As the play begins, Max (Patrick Heusinger) tries to piece together the events of the night before with his live-in lover, Rudy (Andy Mientus): He brought home a man, as he frequently does. But quite suddenly the S.S. storm in and slaughter the guest. Kaufman directs this moment with a sensitive hand that shocks without feeling gratuitous.


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The second act takes place almost entirely in a rock quarry in Dachau, where Max and Horst have to carry rocks back and forth from one pile to another. There is no purpose to the activity but to drive them crazy. Instead they stave off insanity by getting to know each other, sharing humor, sexual contact of a sort, and finally a sort of love.

In his treatment of the ad, Fast Company's Jeff Beer cites a moment in Spike Lee's 1989 film Do the Right Thing when a racist pizza guy called Pino tries to rationalize the difference between his love of Black celebrities and his disdain for Black people. "They're Black, but they're not really Black," he says of his icons. "They're more than Black. It's different."

It is hard to watch the work without dealing with the question Pino himself can't face: There is an inherent, cruel and violent hypocrisy to being able to love and consume Black culture, while sitting out the Black community's oppression. 17dc91bb1f

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