For years after Cobain's death, the song was known only from a bootlegged live version, recorded in October 1993 at the Aragon Ballroom in Chicago, Illinois, and from a cover by American rock band Hole, fronted by Cobain's widow, Courtney Love.[2] Surviving Nirvana members Dave Grohl and Krist Novoselic had intended to release the studio version on a posthumous Nirvana box set, but Love blocked its release in 2001, asserting that a recording of such "extraordinary artistic and commercial value" belonged on a cheaper, single disc compilation instead.[3][4]

The full song was only performed once in concert, at the Aragon Ballroom on October 23, 1993. Contemporary reviews of the show did not mention the then-unknown song, but Chicago music journalist Jim DeRogatis later described hearing it at the concert in a 2002 Spin article, recalling that "it was classic Nirvana, hitting with the same impact as 'Smells Like Teen Spirit' and boasting a similar structure-a slow, creepy verse, suddenly exploding into a painfully cathartic but undeniably catchy chorus."[4]


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The band jammed for approximately 20 minutes, and then began working on the arrangement of "You Know You're Right", then known as "Kurt's Tune #1".[2] According to a May 2004 Mojo article by Gillian G. Gaar, the band rehearsed the song three times, with the structure "pretty well hashed out" on the first take, and the chiming intro featured in the final version, achieved by Cobain playing the guitar above the nut, first appearing on the third take.[6] Robert Lang, the studio's owner, recalled being "speechless" hearing the song while in the control room with Kasper.[7]

Six versions of "You Know You're Right" are known to exist: the final studio version along with three rehearsal takes from the same session,[6] the live version from the band's show at the Aragon Ballroom in October 1993, and the solo acoustic demo that appeared on With the Lights Out in November 2004.

Discussing "Your Mother Should Know" in his 1997 authorised biography, Many Years from Now, McCartney said he sought to address the issue of generation barriers. He lamented how an argument between a mother and her child could have enduring consequences for their relationship, and added: "So I was advocating peace between the generations ... I was basically trying to say, your mother might know more than you think she does. Give her credit."[3]

The text contrasts the "I know not" stanzas with the certainty of the "I know" refrain We cannot understand God's saving grace to us (st. 1); we cannot explain our spiritual birth (st. 2); we are unable to comprehend the work of God's Spirit (st. 3); and we do not perceive clearly the future of our earthly lives (st. 4). But we do know by faith that God is true to his word!

Thinking about the painful crash, the painful torment and the sorrow He had to carry on my behalf. He sacrificed Himself and gave me His all best. He died in my place. I want to know more about this selfless Saviour!

With the nostalgic sentiment and the overall tone of the song, I think Keane is attempting to express a Portuguese term known as 'saudade', which does not have a direct English translation but roughly means "that which we remember because it is gone."

this is a great song! i wonder why nobody posts... anyway, for me this song is about loneliness. it's like they've broken up for a long time already. but, he's at the point in his life where he doesn't know where to go, what to do. so, he turns to this girl, his ex, and still thinks they have a chance. it's pretty suttle though.

as a couple in love -- haven't you ever talked about where your spirits would meet after you die? that would be the "somewhere only we know". He's singing about reaching the end of his life, his "something to rely on" would be the promise they made to each other about where to meet.

After thinking about it, this person then asks their significant other whether or not they're going to let him/her in because they need to know that this relationship is worth it. They're tired of being alone but they need somewhere to start the relationship.

Finally, they decide to go talk about their feelings about the relationship. By admitting their real feelings for each other, it will be the end of the loneliness that was all they ever knew. Kind of like in P.S. I Love You where they're talking about the "end of life as you know it." Admitting their love for each other is the pivotal moment of their lives where nothing will ever be the same. And that "somewhere only we know," to me, is just the completely unique love that they share.

It seems like you are describing my life! I met this guys when I was about 8 We used to hang out by this river surrounded by trees (one tree had fallen!), and we made a tire swing attached to a tree. He asked me out when we were about 12, but I felt that the friendship was going to be ruined, especially because his friends always made fun of us. So I told him I just wanted to be friends. I think he was really upset and begged me to be with him but it didn't feel right (especially since I he would have been my first boyfriend). We were still friends but we didn't see each other as often after that. He grew up and started hanging around boys.


Then I realised the mistake I made but I didn't know how to get talking to him again. Then a couple of years later, my friend persuaded us to meet up. So we met up and he asked me out again. I said yes :)


THEN, 2 days later I was driving past in the car and I saw him with this blond girl. Later on I called him to ask if he wanted to meet up. He passed the phone to his friend and his friend said that he has met someone else (that pretty, skinny, blond girl, I presume).


I was heart broken :'( I never got over him. He was my only boyfriend and the bestest friend I had. Every time we see each other, its really awkward. I haven't spoken to him in over a year, and he has no idea how I feel. It know this sounds like a little schoolgirl thing, but out of all the boys I have liked, he is the one I need :'(


The point of this long story-- I wish we could go back to the river and the tree with the tire swing - somewhere only we know. Because this could be the end of everything between us. Those years between age 8 and 12 were the best in my life. And now its all gone :'(

I know, mami, I know (Know), it's 2 AM, don't stress (Stress)

At three, that bullshit kick in, in thirty, you'll feel your best

I turned my whole spot to crucial, it's crucial, the way I left (It's lit)

Upstairs is like a low, my new bitches be the best (Let's go)

I'm lookin' at her, when her startin' to turn into you (Her)

Now you startin' to fuck up my mind, is it you, is it her?

We brought Booby Trap to the 'burbs

F29 is my address, in case you ain't heard

It's floodin' upstairs, it's a leak

I don't make it squeak, make it squirt

I make this shit beat, bon apptit when I feast

Slippin' and slide through the streets

It takes a finesse, especially in this Cabriolet G

Engine make it hard to creep

Just leave the gate open, through the side door, I'ma creep (Ooh, ooh)

Are you by the Turrell? And are the kids downstairs asleep?

And are you upstairs by yourself? A minute from there

Is there some room for me? Baby, do tell, do tell

No, you didn't have to stoop so low

Have your friends collect your records and then change your number

I guess that I don't need that though

Now you're just somebody that I used to know

Now you're just somebody that I used to know

Now you're just somebody that I used to know

Now and then I think of all the times you screwed me over

But had me believing it was always something that I'd done

But I don't wanna live that way

Reading into every word you say

You said that you could let it go

And I wouldn't catch you hung up on somebody that you used to know ff782bc1db

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