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"Maybe I've got to be more upbeat and be a voice and be a little bit more loud -- let my emotions show a little bit more," Allen said. "Whether I do that Thursday or not I guess will come with the execution of it, because obviously everybody is having more fun when you're winning football games and performing well. That's first and foremost. We've got to go out there and execute. I think execution breeds energy."

"Your energy is not super high and you're allowing your mind to think and be free and just stay on top of everything," Allen said. "Because obviously as the quarterback, there is a lot of things going through our mind, so if I can limit myself and my energy and my heart rate, I felt like I can maybe think a little bit more, but who knows, maybe I need to think a little bit less and just play football."

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"I don't think majoring in QB runs is something that is long lasting or is viable every game but I'm sure there's going to be opportunities where it's going to be called upon me," Allen said. "On a short week, that's going to be tough. But moving forward if that's what's asked of me, I'm willing to do it."

"I'd rather [Allen] staying where he is, like standing in a little like area of execution and kind of like not getting too high or getting too low," wide receiver Stefon Diggs said. "I'd rather him being locked in and playing at a high level than getting too high at one point and then being too low. So, him avoiding riding a roller coaster is hard as a QB because there's so many ups and downs that happen throughout a game. But I appreciate his onus on taking it upon himself to really take those steps forward."

Alright so I have been running multiple tests to determine how the cash out system actually works in this app. Day one I reached the goal of 1500 and did nothing else I played 6 different games and got to cash out 2 bucks Day 2 I surpassed the goal of 1750 and achieved 7000 points but did this with only 3 games and cashed out 2.12 Day 3 I reached the goal of 2000 only playing one game and only got to cash out .43 cents Day 4 I did not make the goal and only had about 440 points but still was allowed to cash out 40 cents Day 5 I made the goal of 2000 points playing every game available and got to cash out 2.77 cents Today is day 6 I will be aiming to hit 10000 points using every game available I will report back my findings but I'm pretty sure you have to play as many different games as possible for the best cash out

It's really weird. When I turn my brain off and stop thinking a ton my hands just do things and I am able to pull off good combos and reads. I don't know how to get into that state of mind though. If I try to think back to those matches I can't remember them well. Does this happen with anyone else? How can I get back into that headspace?

You cannot do any of these things unless you have developed a sense of self-awareness, but doing an internal audit is often one of the last things a team will do. Coaches and players often prefer to focus on external factors during a game: What kind of D should we play? How can we improve our endzone offense? How can we stop getting broken?

Answer A represents the players who think they have nothing to worry about. They may be already calculating their margin of victory or how long a bye they can get if they finish quickly. Their warm-up, if they even do one, is brief and half-hearted. No line is called; the first seven out there can play.

B is the correct answer. This is where everyone wants to be at the beginning of every game, every time. If you are in good nervous, you are excited to play and ready to go. Your team has had a strong warm-up, with lots of noise. Everyone has broken a sweat during drills and you are energized to do your best as a team.

I'm a beginner guitar player with a passion for the blues, jazz and funk. When I say beginner I mean that I just know a few chords, have some basic technique on how to handle the guitar (I had classes when I was younger) and have been practicing tabs for some of my favourite songs for years now.

Recently I decided to get serious about learning some important stuff such as theory and scales, etc. But I'm not really sure that it's what I want... From the music I've heard all my life I've started to think up songs/solos/riffs, just the sounds in my head and, through a lot of patience (finding the notes, the chords, etc) I've drawn some cool stuff (cool to me) on some tabs of my own.

The thing is, considering what I've said, are there any books on this subject of learning the ability to get to that note, that chord, that scale you're thinking about?Or should I take the time to learn the theory, learn to read scores, learn scales and chords, modes and all those things? Because I have a few books and DVDs on this type of music knowledge.

I'm extremely receptive to ideas, be them from any side of the "fence". Oh and I forgot to mention, I'm a huge SRV fan, so if I'd have to set a "finish line" for this music learning journey I'm about to embark, it would be SRV himself playing Lenny live at the El Mocambo.

Caleb already gave some great tips, but I have some more specific advice that might help. In my opinion the single best thing you can do to get better at translating what is in your head to what comes out of your guitar is playing along with records and learning songs by ear. This is a form of ear training in a way, but it is more about being able to hear something (in this case a recorded song) and then being able to reproduce that on your own guitar. The better you get at hearing a song and translating it to notes on the fretboard, the easier it will be for you to do the same thing with the notes you hear in your head. I am of the opinion the two skills are closely related.

Of course, theory and technical skill come into play, but they can also be improved by learning songs, especially ones that challenge you. Currently I spend 1/4 of my practice time on theory, 1/4 on technical ability, another 1/4 on songwriting, then the last bit I just play along with songs that I like. In my opinion this last part is pretty important, because I improve my ear, see how theory is used in real songs, and increase my technical skill, all at the same time. Of course this means you shouldn't rely on tabs or sheet music to learn songs, just your ear and your guitar. You'd be surprised how far it can take you.

Music, like language, is a mental construct. Music theory provides a framework for discussing that construct, much like grammar provides a framework for discussing language. The goal with music theory isn't to get to the point where you are constantly consciously analyzing music, but to become so familiar with it, that you don't need to do it consciously because its become intuitive (just as you can construct proper grammatical sentences without constantly diagramming them). To be clear, by 'theory', I don't necessarily mean music notation (though that's useful too), but concepts like scales, modes, keys, intervals, chords, chord progressions, chord extensions and substitutions. You could throw in voice leading too, but that's less important to guitar.

Ear training goes hand-in-hand with theory, because it provides the concrete auditory feedback that enforces the theoretical concepts. So you can learn conceptually what intervals are, but you can also learn what they sound like. Or you don't just learn which intervals comprise a dominant seventh chord, but you know what a dominant seventh chord sounds like.

Like the other answers, focus on theory and ear training. SRV learned a vocabulary of blues licks that helped him express himself. With that vocabulary he had options to choose from and found originality in his playing.

It is important to be able to use music as a language. Master the common phrases from the blues that the players use. Listen to the old blues and understand the history. All of this will come in time and it is very rewarding.

I can only speak from my own experience as someone who has been learning guitar (acoustic mainly) for just over two years. The single biggest leap for me has been learning the fretboard and the five basic shapes of the CAGED system. To be able to find notes anywhere on the fretboard and then to play scales based on these shapes has made a huge difference for me in terms of basic literacy and stepping out from the first three frets of the guitar. There are lots of very useful sources on both of these, but my go-to has been the 'Practical Music Theory' handbook published by Justin Sandercove and the Fretboard Workbook from the Hal Leonard series. I'm still a ways off full literacy and the ear training recommended above is my next big step, so by no stretch claiming to be an expert. Lots of other light-bulb moments, and they have a kind of cumulative effect, but for me unlocking the fretboard seems a major advance, and one that I can build on. Best of luck.

I'm a bass player and I totally get your pain. It is a trite answer that it takes time to play what you can hear in your head, but it just does. As someone mentioned above, learning your way around the fretboard, and knowing you can find that same note in many places is a huge liberator (you can get really good phone apps like FretTester so you can practice in your downtime away from the instrument). You think that some theory will help and it probably will ... a little. I tried this and found it a huge blocker as I started worrying about chord choices not being strictly correct and so on. If it were me, I would learn theory second and use it to explain why; learn (some) fluency first.

Currently, the Playlist option Play After Open governs both because due to a technical issue Shotcut needs to open the first item if nothing is opened yet in the Source player, and that is an open action.

I know what you suggested, but I am still not sure you fully understand the implications and the original problem reported. I am not talking about whether double-click opens a playlist item. I am talking about the two user interaction contexts of Play After Open. 2351a5e196