"Jimmy" is a song recorded by British artist M.I.A. for her second studio album, Kala (2007). The song was written by Maya "M.I.A." Arulpragasam, Dave "Switch" Taylor and Bappi Lahiri and produced by Switch and M.I.A..

A cover of "Jimmy Jimmy Jimmy Aaja" from the film Disco Dancer (1982), the song was re-arranged as an uptempo pop-electro tune with disco influences by modifying the orchestration, instrumentation and beats and the addition of original English lyrics for the single. During the recording and production sessions, M.I.A. and Switch wanted to create a dance-pop disco record using a song that the singer was familiar with from her childhood; the song's lyrics portray M.I.A. being invited by British journalist Ben Anderson on a date while covering a genocide tour across nations in Africa, and both eventually pursuing a romantic relationship.


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Following the moderate chart performance of "Boyz", "Jimmy" was released in Japan in July 2007 as the album's lead single, and the second single in other countries. XL Recordings distributed "Jimmy" in CD single, 7" and 12" formats in the UK on 10 November 2007, however the song leaked in the country prior to release while the singer was on tour.[1] Despite this, the song topped the UK Indie Chart and charted in Greece and Japan where it was a major commercial success. The single began to gain traction on the US Billboard Hot Dance Club Songs chart, peaking at number twenty eight following nine weeks on the chart. "Jimmy" was well received by contemporary music critics, who cited its distinct 1970s style pop sound compared with most songs featured on the album, and complimented its hook and lyrical themes. The bassline has similarities with the hook of Blur's hit single "Girls & Boys".

M.I.A. explained that "Jimmy Jimmy Aaja" was a track she used to dance to when she was a child. "My mum used to hire me out when I was a kid...as a party buffer.... 'Jimmy' was my track that I used to do my routine to. I had a little tape recorder, and a cloak and a cardboard cut out guitar, and that was my joint."[2] Describing the recording and writing processes, she revealed that she had already recorded the strings and other parts of the song in India, but initially didn't attempt to do "Jimmy" when she was with co-producer Switch, explaining "I had to be drunk enough to be that disco. It all came together that week."[3]The 1970s disco-pop style of the song stands in marked contrast with other songs on Kala. Stylus magazine placed "Jimmy" at number 5 on their list of the "Top 50 Songs of 2007".[4]

Following the moderate chart performance of "Boyz", "Jimmy" was released in Japan in July 2007 as the album's lead single, and the second single in other countries. XL Recordings distributed "Jimmy" in CD single, 7" and 12" formats in the UK on 10 November 2007, however the song leaked in the country prior to release while the singer was on tour.[1] The song topped the UK Indie Chart and reached number sixty six on the UK Singles Chart. The song and music video became huge mainstream successes in Japan, reaching number four in the country. On 10 November 2007 the single reached number 49 in Greece, a position it maintained for two weeks. In February 2008, the single began to gain traction on the US Billboard Hot Dance Club Songs chart, peaking at number twenty eight following five weeks on the chart.[5]

Continuing the Passchendaele journey that began with the adoption of Calling Doon The Line as the fund-raising anthem for the Scottish Memorial and led to the joint composition of On The Road To Passchendaele for the 90th anniversary. Fast forward to 2017 and the 100-year commemoration of Passchendaele I was asked to compose a new song to mark the occasion and to perform it at a special ceremony to unveil silhouettes of soldiers. Simultaneously I was also involved with the fund raising of the silhouettes.

I have great memories of playing this song in the Buccluech Centre Langholm with Langholm Pipe band and at Bonchester for the great Henry Douglas with the Drums and Fife. A great night in Belfast also stands out in my mind where it was played with pipes and flute band, complete with goosebumps

I thought it might be a good idea to compile all of Jimmy's song references to (ta && ta.queueForLoad ? ta.queueForLoad : function(f, g){document.addEventListener('DOMContentLoaded', f);})(function(){ta.trackEventOnPage('postLinkInline', 'impression', 'postLinks-13577324', '');}, 'log_autolink_impression');Key West in one place instead of all through many many thread on this forum. So list as much/many as you know, showing the album, song and reference.

It's no secret that Jimmy Fallon has a history of recording fun holiday tunes with A-list musicians, such as "Almost Too Early For Christmas" with Dolly Parton in 2022. One year later, The Tonight Show Starring Jimmy Fallon Host kept up the tradition with the November 17 release of his Christmas song, "Wrap Me Up," with pop star Meghan Trainor.

"If you know me, you know that I love the holidays. I love holiday music, and if it were up to me, I would listen to 'Jingle Bells' in August," Fallon said. "I've always wanted to do something with Meghan Trainor. She's a friend of the show, she's an amazing performer, songwriter, and she said, 'Yeah, I'd be down to do something with you. What ideas do you have, for like a holiday song?'"

Fallon loved the idea instantly, saying, "She played me this song, and let me tell you something, she can sing. This song is a bop. This song is a banger. This song eats. This song slaps. This song's a Christmas banger!"

So, which guitar did he use for the song in 1980 when it was played between In The Evening (Strat) and Hot Dog (black/brown tele). Did he use the double neck like he did in 1979? And if so why do you think he used the double neck when only six strings were needed? Best sound for the song?

To further elaborate why Jimmy used the double-neck guitar for "Rain Song" in 1979 and 1980 even though he only used the six-string part and the song was no longer immediately following "The Song Remains the Same" in the setlist...

"Jimmy passed away peacefully on the night of September 1st surrounded by his family, friends, music and dogs," a statement posted to Buffett's official website and social media pages said late Friday. "He lived his life like a song till the very last breath and will be missed beyond measure by so many."

The song is the unhurried portrait of a loafer on his front porch, watching tourists sunbathe while a pot of shrimp is beginning to boil. The singer has a new tattoo, a likely hangover and regrets over a lost love. Somewhere there is a misplaced salt shaker.

The song soon inspired restaurants and resorts, turning Buffett's alleged desire for the simplicity of island life into a multimillion brand. He landed at No. 13 in Forbes' America's Richest Celebrities in 2016 with a net worth of $550 million.

Music critics were never very kind to Buffett or his catalogue, including the sandy beach-side snack bar songs like "Fins," "Come Monday" and "Cheeseburgers in Paradise." But his legions of fans, called "Parrotheads," regularly turned up for his concerts wearing toy parrots, cheeseburgers, sharks and flamingos on their heads, leis around their necks and loud Hawaiian shirts.

He released his first record, "Down To Earth," in 1970 and issued seven more on a regular yearly clip, with his 1974 song "Come Monday" from his fourth studio album "Living and Dying in  Time," peaking at No. 30. Then came "Margaritaville."

He wrote some on the plane and finished it while driving down the Keys. "There was a wreck on the bridge," he said. "And we got stopped for about an hour so I finished the song on the Seven Mile Bridge, which I thought was apropos."

Rosalynn Carter died on Sunday. The former first lady was 96. Amid a wave of tributes and stories this week, Jason Carter posted about Isbell's song "Flagship" on X, the social media platform formerly known as Twitter: "Hey @JasonIsbell you may not have known it, but you wrote this about my grandparents. Jimmy and Rosalynn. From a small town in Georgia. They were the flagship of the fleet for sure."

"Guys, I don't know if you saw this, but this week, a lot of Travis Kelce's old tweets went viral, for a good reason," Fallon said. "They're just really wholesome and fun. And people are loving them. So, we thought we'd share some of them with you now. It's a little song called 'The Ballad of Travis Kelce.'"

Throughout the song, Fallon rapped several of Kelce's past tweets, including the second part of Kelce's 2011 post that reads, "I just gave a squirle a peice of bread and it straight smashed all of it!!!! I had no idea they ate bread like that!! Haha #crazy."

For the purposes of NHSMTA, a Qualifying Role in an Approved Musical is a role in which the character has a name, provides a vehicle for the actor or actress to demonstrate the ability to deliver the exceptional performance of a solo song and the ability to interact with other leading and featured performers in scenes and / or songs.

"Margaritaville" stands out as the bestselling song in America this week, and it wins by several thousand copies. Buffett's most memorable hit returns to the tally at No. 1, having previously made it onto the list a few years back. According to data shared by Luminate, the tune sold 16,265 copies. e24fc04721

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