Download Jersey Club Drum Kit

Hey guys, I recently put this together to kinda organize all my jersey samples in one place, and added a bunch of original sounds too. Noticed nothing really compiled everything together very well so I thought I would share this one. Follow me on Soundcloud if you liked it :) Enjoy

EDM PEOPLE JERSEY CLUB & JUNGLE TEROR is inspired by such musicians as Valentino Khan, Wiwek, GTA, Skrillex and Major Lazer. Inspired by such labels as Mad Decent, Barong Family, La Clinica and others.Second pack: -club-sample-pack-inspired-by-diplo-dj-sliink-mad-decent-valentino-khan-cashmere-catJERSEY CLUB & JUNGLE TERROR contains:Basss LoopsConstruction KitsKicksVocalsPresetsSynth LoopsMidiFX'sDrum LoopsTop LoopsDrum FillsPercussionsSynth ShotsBuy -- supportify.ch/dl/?track=63599

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As the genre evolved, the standard tempo has increased from 125-128 BPM to 130 BPM. Since the mid-2000s, Baltimore club music has been getting even faster, and samples of gunshots as well as the rapper Lil Jon's famously exuberant "What" and a barrage of "Heys" have become popular sounds to repeat throughout tracks in a percussive manner. Some of the more extreme tracks in this style are referred to as "Battle," "What" or "Shakeoff, tracks, and are specific to a scene of dedicated teen club dancers.

In Philadelphia, the sounds honed in Baltimore have evolved and been made into the city's own. When Baltimore club experienced its peak popularity in the mid-2000s through radio DJ K-Swift, producer Blaqstarr and his more mainstream collaborators MIA and Diplo, young producers in Philly, namely DJ Dwizz and DJ Sega, picked up the Baltimore sound. Soon, Philly had its own genre called Philly club, or sometimes just "party music." Often faster (sometimes as fast as 150 BPM), manic, and full of sirens, Philly club now has tracks that include elements of hardstyle, and the EDM variant of trap, adding in gigantic detuned saw-waves to make the tracks even heavier. Philly also has its own teen dance scene where dancers "Tang" dance in ciphers.

New Jersey had DJs like Brick Bandits' DJ Tameil and DJ Tim Dolla picking up Baltimore club records anyway they could, often times taking runs to Baltimore to pick up the newest club records in order to bring them back to Newark to play at parties. In New Jersey, like Philly, the Baltimore Club sound began to mutate, according to what local DJs, and producers picked up on and added to the sound.

Originating from the 90's underground scene in Newark, Jersey club carries a distinct 'bounciness' and is often used to remix R&B and rap music. The defining breakbeat percussive rhythms and beat structures of Jersey club are heavily inspired by its club music predecessor known as Baltimore (or Bmore) club.

Other signature components of a Jersey club track include drum-break samples from Lyn Collins' 'Think (About It)' and a squeaky-bed sample from Trillville's 'Some Cut'. Jersey club is closely connected to pop culture references and music, which would explain the success it has enjoyed during the online era.

Because of the Internet and an ever-evolving electronic scene, a new wave of producers have lifted Jersey club to new heights, carrying club music from New Jersey dance floors to worldwide audiences. Dj Sliink and Dirty South Joe played together in Australia last April, making it clear that club music has stretched across the globe.

Popular Jersey club producers like Norway's Trippy Turtle and LA's Hoodboi, while not being from New Jersey, have brought their own unique brand of the genre to new destinations. With more producers being introduced to the sound, it has evolved beyond its early New Jersey roots.

While producers who are not from Jersey have carried the sound to the global scene and brought attention to otherwise unknown DJs from Newark, it has still raised questions about who has the right to produce Jersey club.

For others, however, personal identity and location is less of an issue, with Newark's Dj Sliink collaborated with Trippy Turtle and Hoodboi on a scorching club remix of August Alsina's 'Sucka' this year.

Ultimately, the worldwide demand for Jersey club has brought opportunities to previously niche producers. Dj Sliink has gone on an international tour including stops in London, Norway and the Czech Republic, while Trippy Turtle and Hoodboi will be traveling with Dillon Francis on his 'Friends Rule' tour this winter.

With new producers flocking to the club sound, you can expect Jersey club to continue to grow as its bouncy beats spread to new locations around the globe. While it's unlikely to reach the worldwide appeal of house or techno, its growth within the electronic scene has been one of 2014's biggest surprises.

Specifically, Newark, New Jersey might honestly be one of the coolest music cities in my eyes. It has served as a portal for incredible dance and music culture for decades now. The huge turning point of Jersey settling into their own style was the emergence of the New Jersey sound in the 1980s, a soulful interpretation of deep house music that is iconic, where clubs in Newark like the legendary Club Zanzibar acted as crucial hubs and popularity-boosters, even pushing the music out to the UK. Throughout the 80s and 90s, with heavily-important Jersey DJs like Tony Humphries and Kerri Chandler, the Jersey-Zanzibar sound gave the region a uniqueness, in a time where places nearby like New York were growing more and more into hip-hop-focused areas. Throughout that time, the New Jersey sound gave us notable stars like the queens of club at the time, Crystal Waters and Jomanda. It is just that smooth, instinctively-danceable feel to the New Jersey sound that makes it so addicting.

But again, what does this have to do with Jersey? Welcome the unfathomably influential Newark DJ, DJ Tameil. Tameil, when younger, used to make Chicago house-based tapes, but as the late 90s rolled around, the DJ often took a 3 hour drive down to Baltimore record stores, where he ultimately met Baltimore club legends, Rod Lee and DJ Technics. From there with their blessing, Tameil became known as the guy in Jersey who would play Baltimore tracks, somewhat straying away from the ever-present Jersey sound in Newark at the time. But of course, the unique Jersey culture was going to seep into the Baltimore sound sooner or later, as Tameil started make bassier renditions of these Bmore tracks to later on produce club tunes on his own exactly 20 years ago this month.

As Jersey club continues to permeate the mainstream and gain admirers across the world, it is important that New Jersey-based producers remain at the forefront. Local drill rappers such as Killa Kherk Cobain, Bandmanrill and MBM Franko continue to make a name for both Newark and Jersey club, even as artists from thousands of miles away co-opt the sound. ff782bc1db