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By comparison, the Interstellar Overdriver's name is relatively tame by DBA standards, but sonically, it occupies the same space as its brethren. Don't expect any The Piper at the Gates of Dawn sounds from it. Offered as both a single overdrive box, and as a dual unit in the Interstellar Overdriver Deluxe, these boxes offer a unique type of thick overdrive. My tester unit was the latter, which combines into one housing an Interstellar Overdriver on the right side, with another variable overdrive unit on the left. Each has its own bypass switch, and both can be used at once. The right side is pretty straightforward, with just Drive and Master controls. You'll either like what it does or you won't. Personally, I find it to have a very good sound. "Good", however, doesn't always translate to "right for everyone", and I think DBA could bring a lot more players to this pedal by adding a tone knob. I absolutely loved it with the Jazzmaster, but the only way I could get it right for me with the SG was with an outboard EQ pedal, which I normally don't use. The left side of the unit also has Drive and Master controls, plus a switch that offers six different modes: Thin Drive, Matched Interstellar Overdrive, Bass Overdrive (or "Stonerdrive", as I like to call it), Octafuzz, Oscillating Fuzz, and Voltage Controlled Tremolo/Fuzz. With the absence of a tone control, I found dumping the right side overdrive into the Thin Drive created a great rhythm sound. So good, in fact, that I took this unit on the road with me. Just having the Thin Drive and the Thin/Interstellar combination as options made the pedal seem well worth the price, even more so when you consider five other modes were available. Regarding those, you get quite a lot to play with on this box. In fact, much of what I liked about the Fuzz Gun can be essentially achieved with this unit. I wasn't sure what to make of the controlled tremolo/fuzz though. Rate isn't really settable and the effect is only useful if you don't mind randomness. I did strike gold, though, when I engaged both sides of the unit, thereby dumping the right side overdrive into the Tremolo Fuzz. During the natural attack and decay of the note that occurs while playing, the rate sped up and slowed down somewhat uncontrollably. My guess is one could learn to "play" this effectively, given time. Once again, I'm not sure what the live application would be, except during improvisational moments, but in the studio this could be a lot of fun. My overall impression with the Interstellar Overdriver Deluxe is it's a great bang for your boutique buck. Live or in the studio, you get a lot of tonal flexibility while still being able to recall your favorite sounds quickly - a damn good, usable overdrive, and like the rest of DBA's products, build quality that is, well, stellar. I found both it and the Fuzz Gun to be excellent with bass guitar as well.

All of these pedals respond to your guitar's controls, have true bypass, are all analog, look great, have rugged components, and should be used with no worries regarding reliability. Should that ever be an issue, the word around town is DBA stands behind their products and aims to please, which is worth a lot. Each box comes with a no questions asked, lifetime warranty. The price point on all DBA products is high, but the quality speaks for itself. The product names may be violent, but they are clearly built with love, and who can put a price on that? (Supersonic Fuzz Gun $270 street, Octave Clang $270, Interstellar Overdriver Deluxe $320; www.deathbyaudio.net)

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