Anne Rice died in late 2021, leaving behind a legacy that few modern horror authors can match. Her Vampire Chronicles spans over a dozen novels, with numerous offshoots. Everyone has their favorite, but Interview is where the intricate, baroque tapestry of her alternative vampiric history begins. The interview in question is with Louis, an 1800s plantation owner turned into a creature of the night by the vampire Lestat. Over the course of the novel, Louis relates the history of their immortal companionship, including the perverse family they form with child vampire Claudia. The later series develops in outlandish directions (Atlantis!), but Interview anchors itself in the romantic tragedy of eternal life.

Have you delved deeply into the fascinating, fun and mind-blowing Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction by Grady Hendrix? If so, it's time to take the next courageous step and read the full-length novels found IN our favorite history of the horror genre. Our Barnes & Noble Exclusive editions of these iconic horror novels feature unique cover details and an introduction from Grady Hendrix.


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Browse the best horror books of all time from classic authors like Edgar Allan Poe and Shirley Jackson, to modern masters like Stephen King and Anne Rice. Discover some of the scariest books ever written including The Exorcist, The Silence of the Lambs, Pet Sematary, and The Haunting of Hill House. From classics like Lord of the Flies and Ring to newer releases like Gwendy's Final Task, What Moves the Dead, and The Final Girl Support Group, there are a variety of spooky stories to add to your list.

Without further ado, here are all the new horror books coming in 2024, featuring an array of slashers, ghosts, vampires, cults, monsters both human and otherwise, and all manner of nebulous eldritch terrors.

I used to read all the time then few years ago stuff came up got to busy with life and in my own head. And I've read just a smattering of books since. But in that time I've gotten into horror, mostly movies, and want to expand to horror books. Only horror books I've read are Lovecraft and the John Cleaver books.

Apologies if someone has asked this on this sub before, but I couldn't find a post on this topic. I've been looking for a new book for ages, but every horror rec that seems appealing to me ends up having sexual assault in it. I'm not sensitive to most other things, but SA is a deal breaker for me, unfortunately. Any suggestions?

Joe Hill (Stephen and Tabitha King's son) is also a notable modern horror writer in his own right. One of his best-known books is the vampire novel NOS4A2, which had a brief television adaptation starring Zachary Quinto. The story follows a vampire who abducts children and takes him to a place he calls "Christmasland".

Mona Awad's Bunny is a Mean Girls-esque horror story about a graduate student who loses herself in a mysterious clique. The book has various twists, so much that it's hard to say much about the book without spoiling it. It's perfect for dark academia fans.

This horror novel is a mediation on the genre, while also creating a new scary story at the same time. A true crime writer decides to purchase the house where two grisly murders occurred. As he explores the town and learns more about the house's background, he also examines his own life and career.

Anyone who enjoys Guillermo del Toro's Crimson Peak will love Mexican Gothic, which follows a young woman who visits a mansion where her married cousin lives and tries to get to the bottom of the strange family who owns the property. There's horror, romance, and intrigue. It's an exciting book from an incredible voice.

A book which needs little introduction, Dracula has forever impacted the way we view undead cannibals who can turn into bats. The gothic novel helped craft the image of vampires as mysterious yet fascinating creatures, a precursor to the seductive interpretation books, films, and television shows would present vampires as years later. Part of the reason Dracula has persisted all these years (beyond his prevalence in just about everything) really is because of just how good the book is. We promise it's worth the read.

H. G. Wells is one of the major science fiction/horror writers of the 19th century. Truth be told, we could probably put most if not all of his work on this list and call it horror. The Island of Dr. Moreau is just one notable work out of many. When a shipwrecked man is saved, he discovers he's landed on an island owned by a mad scientist who creates humanoid beings through cruel experimentation on animals.

Horror is a genre of fiction that is intended to disturb, frighten or scare.[1] Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing".[2] Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.

The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person.[3] These manifested in stories of beings such as demons, witches, vampires, werewolves and ghosts. European horror-fiction became established through works of the Ancient Greeks and Ancient Romans.[4] Mary Shelley's well-known 1818 novel about Frankenstein was greatly influenced by the story of Hippolytus, whom Asclepius revives from death.[5] Euripides wrote plays based on the story, Hippolytos Kalyptomenos and Hippolytus.[6] In Plutarch's The Lives of the Noble Grecians and Romans in the account of Cimon, the author describes the spirit of a murderer, Damon, who himself was murdered in a bathhouse in Chaeronea.[7]

The Witch of Berkeley by William of Malmesbury has been viewed as an early horror story.[11] Werewolf stories were popular in medieval French literature. One of Marie de France's twelve lais is a werewolf story titled "Bisclavret".

Much horror fiction derives from the cruellest personages of the 15th century. Dracula can be traced to the Prince of Wallachia Vlad III, whose alleged war crimes were published in German pamphlets. A 1499 pamphlet was published by Markus Ayrer, which is most notable for its woodcut imagery.[12] The alleged serial-killer sprees of Gilles de Rais have been seen as the inspiration for "Bluebeard".[13] The motif of the vampiress is most notably derived from the real-life noblewoman and murderer, Elizabeth Bathory, and helped usher in the emergence of horror fiction in the 18th century, such as through Lszl Turczi's 1729 book Tragica Historia.[14]

The 18th century saw the gradual development of Romanticism and the Gothic horror genre. It drew on the written and material heritage of the Late Middle Ages, finding its form with Horace Walpole's seminal and controversial 1764 novel, The Castle of Otranto. In fact, the first edition was published disguised as an actual medieval romance from Italy, discovered and republished by a fictitious translator.[15] Once revealed as modern, many found it anachronistic, reactionary, or simply in poor taste but it proved immediately popular.[15] Otranto inspired Vathek (1786) by William Beckford, A Sicilian Romance (1790), The Mysteries of Udolpho (1794), The Italian (1796) by Ann Radcliffe, and The Monk (1797) by Matthew Lewis.[15] A significant amount of horror fiction of this era was written by women and marketed towards a female audience, a typical scenario of the novels being a resourceful female menaced in a gloomy castle.[16]

The Gothic tradition blossomed into the genre that modern readers today call horror literature in the 19th century. Influential works and characters that continue resonating in fiction and film today saw their genesis in the Brothers Grimm's "Hnsel und Gretel" (1812), Mary Shelley's Frankenstein (1818), John Polidori's "The Vampyre" (1819), Charles Maturin's Melmoth the Wanderer (1820), Washington Irving's "The Legend of Sleepy Hollow" (1820), Jane C. Loudon's The Mummy!: Or a Tale of the Twenty-Second Century (1827), Victor Hugo's The Hunchback of Notre Dame (1831), Thomas Peckett Prest's Varney the Vampire (1847), the works of Edgar Allan Poe, the works of Sheridan Le Fanu, Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde's The Picture of Dorian Gray (1890), H. G. Wells' The Invisible Man (1897), and Bram Stoker's Dracula (1897). Each of these works created an enduring icon of horror seen in later re-imaginings on the page, stage, and screen.[17]

A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For example, Gaston Leroux serialized his Le Fantme de l'Opra before it became a novel in 1910. One writer who specialized in horror fiction for mainstream pulps, such as All-Story Magazine, was Tod Robbins, whose fiction deals with themes of madness and cruelty.[18][19] In Russia, the writer Alexander Belyaev popularized these themes in his story Professor Dowell's Head (1925), in which a mad doctor performs experimental head transplants and reanimations on bodies stolen from the morgue, and which was first published as a magazine serial before being turned into a novel. Later, specialist publications emerged to give horror writers an outlet, prominent among them was Weird Tales[20] and Unknown Worlds.[21] 006ab0faaa

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