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Big Machine, which was founded by Nashville music industry veteran Scott Borchetta, signed Swift in 2006; Swift, then just a teenager, was Big Machine's staple artist, and her first six albums were released on that label.

She just finished the first U.S. leg of her tour, which could become the highest grossing tour of all time with a possible $2.2 billion in revenue, according to CNN. She's the first woman to chart four albums in the Billboard top 10 and holds the record for the most No. 1 albums by a female artist in history.

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Streaming services pay artists on a "pay per stream" basis, meaning Swift will earn $0.008 in royalties per streamed song, according to KingCasinoBonus.uk. The three albums have a combined streaming total of 6,872,886,786.

Taylor Swift states she was not given the opportunity to purchase her master recordings when they were sold in 2019, sparking her mission to re-record her albums released prior to 2019 and reclaim her work.

"It's something that I'm very excited about doing because my contract says that starting November 2020, so next year, I can record albums one through five all over again, so I'm very excited about it," she told Robin Roberts. "I just think that artists deserve to own their work. I just feel very passionately about that."

You don't sell 40 million albums without a little bit of black magic on your side. Swift is particularly obsessed with the number 13: It's her birthday (December 13), her Twitter handle (@taylorswift13), her merchandise (Swift was once sued for using the phrase "Lucky 13" on her own line of shirts). In 2009, she explained: "Every time I've won an award I've been seated in either the 13th seat, the 13th row, the 13th section or row M, which is the 13th letter."

Listen, If Taylor Swift were to rank her own albums this one would be obviously low. It's not that she hates it, because she even sang a few surprise songs on the Eras Tour from this album. I bet it gives her a little bit of nostalgia, but she's changed so much since the released that it makes sense why it's usually not mentioned. Also, this was the first time she signed the contract with Big Machine Records, and we all know that situation and the bad blood, so...

Folklore is a really special album to Taylor. Not just because she made it in quarantine, but also because it's her first "indie/alternative" album. She really got to express herself in the album. To make the album more interesting to fans, she made a love triangle with characters named August, James, and Betty. Folklore Long Studios was also made that gave the already somber songs a softer, artistic feel. Unlike Lover, which was more upbeat and pop-like, this was a huge genre shift to moody, relaxing, and lyrical music. The fact she added seven songs from Folklore on the Eras Tour is beautiful. Folklore and Evermore never got a chance to be performed live before the release of Midnights, so now albums BOTH are getting their moment.

Since 2021, Taylor Swift has been taking fans on a stroll down memory lane by re-releasing a so-called "Taylor's Version" of all of her past albums. The reason involves a contentious feud with a music manager, but it's more broadly about the singer's desire to have control over her catalog of songs.

Though she later changed into a sparkling leotard and pink cape, Swift's initial sentiment was echoed throughout her performance. For example, she moved to a gold piano covered in the names of her albums at the end of her performance.

Swift is free to re-record songs from her first five BMLG-issued albums as of this month. While most contemporary recording contracts have provisions prohibiting the artist from recutting material for a period of years, Swift likely had favorable terms in her contract that would make her songs eligible for re-recording at a certain point after the end of each album cycle, not the end of her overall contract.

Back in a 2005 agreement, 15-year-old Taylor Swift signed a deal which conveyed the ownership rights for the recordings of her first six albums to Big Machine Records, the record label who signed her on. At the time, the albums were yet to be produced over the coming years. This would mean Big Machine would own the masters to her future music, but she would keep the copyright to her music if she wrote the songs.

After the release of her sixth studio album reputation, Swift and Big Machine apparently entered brief negotiations, but failed to establish a new deal for more albums of hers to be released through them. Shortly after, rumours began to spread around the industry that she wanted to reacquire ownership of her first six albums.

Joanna Levesque, knowing professionally as JoJo, found herself in a similar situation to Taylor. She re-recorded her first two albums after Blackground Records held her music hostage, essentially meaning her music was taken from her.

The music industry hasn't always been very fair to its artists, and Swift's notorious battle with her original label, Big Machine Records, was further escalated when her former producer Scooter Braun purchased her catalog in 2019 (via The New York Times). Because she switched labels, Taylor Swift actually owns only a handful of her albums, which has led her to embark on her ambitious plan to re-record the albums that she dropped while on Big Machine. Known as Taylor's Versions, Swift has reclaimed ownership of her earlier albums by re-recording them as full-length records now that she is with Universal Music Group.

Though many tried to make Swift's country pop image stick, 2012's Red represented the singer/songwriter's final push towards mainstream radio pop. Generally considered one of Taylor Swift's more naughty albums, she broadened her horizons in the songwriting process and stripped away the cutesy navet that dominated her first three records. Boisterous anthems like "I Knew You Were Trouble", "22", and "We Are Never Ever Getting Back Together" completely transformed her sound. She earned an Album of the Year nomination at the Grammy Awards, and it managed to crack seven times platinum (via RIAA) before her earlier albums.

If questions lingered about where Taylor Swift stood regarding country music after Red, the debut single from 1989 was a definitive answer. Pop anthems like "Shake It Off" and "Bad Blood" were certified radio juggernauts without a hint of the twang that had carried Swift for her first few albums. By 1989, Swift's personal life began dominating the discourse regarding her music, and her distinct songwriting style fueled the flames of celebrity gossip. Despite winning Album of the Year, 1989 divided critics, with some criticizing her overt attempts to be commercial (via Slant). Regardless, Swift had finally come into her own as the new Queen of Pop.

Next on the Taylor Swift albums in order is her first release following her departure from Big Machine Records, 2019's Lover showed off a Taylor Swift who could look backward for the first time. Reincorporating earlier influences, Lover was a step back from her rising pop queen status and showed a happier and healthier artist in general. Singles like "You Need To Calm Down" poked fun at her critics, but the album was intended to be a more subdued release compared to her previous few records. While previous albums had clear hip-hop and R&B influences, Lover showed Swift setting her sights on rock and indie.

Along with her much anticipated Taylor's Version records, Taylor Swift maintains the rights to all of her studio albums recorded since she jumped from Big Machine to Universal. Therefore, Lover, folklore, evermore, and Midnights were all made with Swift being fully in control of the rights and production, and her Taylor's Version albums are quickly reclaiming the past as well. Considering how quickly she has turned out her re-releases, it can be assumed that Swifties won't have to wait long until one of her other classic albums gets a modern redo.

Despite the now-infamous 2019 tweet in which she suggested to Taylor Swift that she re-record and re-release her old albums -- after Swift lost the rights to her masters when Scooter Braun purchased her former label, Big Machine Records -- Kelly Clarkson isn't taking any credit for the success of the Taylor's Version releases.

A source told ET on Friday that it's not true that Braun reached out to Clarkson's manager because of her comments about Swift re-recording her albums -- adding that Braun and Clarkson have since cleared the air about the misunderstanding.

Answer: Similarly to how , and in the album titles help guide us to understand the structure of the albums, , and are used to guide us to understand the structure of the songs. I discuss them in turn below.

Swift supplanted Barbara Streisand as the woman with the most No. 1 albums; Streisand has 11 and Swift now has 12. Swift has the third-most No. 1 albums of any artist, behind Jay-Z (14) and the Beatles (19).

Bush's record label, Fish People, has linked up with the label The state51 Conspiracy to produce new artwork designs of her albums, including Hounds Of Love. The records will be available to order from her website from December 1, which has also been newly updated alongside the announcement.

There will be new physical versions of all of Bush's albums, with some set to be pressed on mixed coloured vinyl to make each edition unique. The coloured vinyl versions of her first three albums (The Kick Inside, Lionheart and Never For Ever) will only be available from independent record stores in the US and via The state51 Conspiracy's own distribution. The others will be available via Bush's website, as well as independent record stores.

"It's very exciting to see the resurgence of appreciation for the physical presence of albums released on vinyl. It's how it's always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event. There's a special emotional connection that happens between the possessor of an album, the music and the artwork, when it exists in the real world. It's something we can treasure in a unique way." 006ab0faaa