If you're specifically looking for the Century Gothic font then one option would be to use Adobe's hosted version of it in the following link tag. If you're looking to import other fonts then reference this link.

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Image Generator enables you to customize the background and font colors to makeyourtexts visually appealing. You can choose your preferred colors or utilize colorpalettes to achieve specific color harmonies. This allows you to adjust yourtextsto reflect the identity of your projects or brand.

First of all, there is no such thing as 0.1 pixels. A pixel is an undividable unit (except in some special cases). Some modern browsers do support sub-pixel rendering, especially for fonts, but this can lead to strange behaviour.

Second, you don't need to use a matrix transform just to enlarge the element. A simple transform: scale(1.8) will do the trick just fine and is much more readable. Even better would be just to enlarge your font-size.

Third, it's best to set line-height to em. This is a relative unit based on the elements or parents font-size. This makes sure your line-height changes proportionally to your font-size. Although using a unitless value is not wrong, and also relative, I find using em makes your code easier to read.

Fifth, for a font to work, it needs to be loaded to the computer of the person trying to load the font. So either it needs to be installed, or it has to be downloaded. Since you cannot guarantee every visitor of your site will have a certain font installed, you need to make sure it gets downloaded. There's two ways to include a font:

Sixth, it's always smart to include a few fallbacks in case your font doesn't load. In most cases when a font doesn't load on Windows, it defaults to Times New Roman and destroys a website completely. So it's smart to do something like: font-family: "Avant Garde Gothic", "Open Sans", Helvetica, Calibri, sans-serif;

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The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.

The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.

3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users.

5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.

The license for this font is the SIL OFL license. This license does not allow us to redistribute derivative versions of the font without wholesale name changes inside and out of the font. Until we figure out a reasonable method of delivering these to you and complying with the license, you will have to use the Webfont Generator yourself on these, renaming the fonts appropriately.

Dharma Type started in 2005 as a project to offer exclusive fonts designed by Ryoichi Tsunekawa for designers all over the world. The design style is wide-ranging - from retro and classic to experimental and futuristic, from formal to informal. The direction of the project is to fill the small niche of design demand. So far, Dharma Type released about a hundred Latin typefaces including Bebas Neue (free open source font), and many of their fonts have been featured in various publications and used in multiple media such as movie titles (e.g. La La Land), brand logos, and posters.

I am currently facing an issue with the "font-family" of the resulting document. When moving from the preview (as a web page) to the generated PDF the layout is correctly preserved, but the font-family ("Century Gothic") unfortunately is not.

Is there any "module-setup" (or parameter) that I am missing? I mean, at the moment I am just expecting UltimatePDF to keep the font inside the template. I am not explicitly passing it as some kind of property.

If you're embedding the font from an external party (e.g. Google Fonts or a CDN) then you will need to check the CSP (Content Security Policy) settings for your module, and make sure it allows embedding fonts from said external party. However, if that were the case, your browser wouldn't load the font when previewing. In any case, if you can host the font on your server as a resource, it would avoid any eventual CSP issues.

A typical desktop font EULA will allow you to install the font on your computer for use with authoring tools including word processors, design tools and other applications that permit font selection. Fonts can also be used for the creation of print documents, static images (JPEG, TIFF, PNG) and logos. The cost of a desktop font license is determined by the number of users who will have access to the font. View the desktop EULA for this family

Webfonts are licensed from Fonts.com for use on websites in accordance with the conditions of the CSS@font face declaration and are supported by all major browsers. When you've used all of your purchased pageviews, you can return to Fonts.com to purchase an incremental web font license to cover your future needs. Pageviews are valid for 1 years. Learn more about licenses for Web Fonts

Electronic Doc licensing allows the embedding of fonts in electronic publications, like eBooks, digital magazines and journals. At checkout, just specify the number of issues. Yet if the font is not embedded but used to create a static image, like the cover of an e-book, you will need a separate Desktop font license. Each Electronic Publishing license is valid for one year. This also covers format variations, and updated versions of publications that are issued free to already existing readers. However every new issue of an e-periodical is considered a separate, new publication, as are newly issued versions of existing publications. Learn more about licenses for Electronic Doc

Their primary font on presentations is Century Gothic. I have it on every other program on this machine, but not in Layout. I need to find a version of this font I can use in Layout, on a Mac. I believe it works fine on my PC at home.

Most Emigre fonts are available as part of your Creative Cloud subscription, which includes a single user desktop license and web font hosting as long as your subscription is active. If you require a multi user license, or prefer to self host web fonts, please continue with your purchase.

In fact, supported fonts vary based on the operating systems, including the current version a user has. So if you design a website with a font only supported by the newest version of Windows 10, most users will see something else.

Bodoni MT is a serif font, like Times New Roman, more suitable for paragraph text than headlines for most websites. Bodoni MT is available by default with Microsoft 10 and some older versions. Bodoni 72 is included with macOS Sierra and newer versions.

Cambria is an even softer serif font, with, in many cases, barely noticeable serifs even for capital letters. This gives it a more modern feel and also maintains a high level of readability on screens.

Courier New is a monospaced slab serif font, with much thinner regular text than most other serif and sans serif fonts. It has almost perfect coverage by both Microsoft and Apple on both computers and mobile devices.

Garamond is a serif font, inspired by typefaces made by the 16th-century Parisian engraver, Claude Garamond. It has softer, rounder edges than some of the more standard serif fonts, like Times New Roman. Modern versions of Microsoft and Apple OS include their own versions of the Garamond font.

If you used a template to build your website, your CSS is most likely located in a separate stylesheet. This is great because it means you can change the font for your whole site by editing just one file.

They are fully installable font files, able to be used in any software program for testing and comping purposes. They are not allowed to be used in a final project (whether personal or commercial) without purchasing a license.

An all caps family, switch between upper and lowercase for alternates. Choose lowercase for a classic, condensed look; choose uppercase for a little more character, including extended crossbars and sliced terminals. The individual styles are all based on the same structure, so they work well to mix and match with each other to best fit the occasion.

Some mathematical elements need to be typeset using fonts containing characters/symbols of a certain style; for example, it is customary to represent real numbers with a blackboard bold font (such as \(\mathbb{R}\)), or topological spaces with calligraphic font (such as (\(\mathcal{T}\)). This article shows how to use different font styles when typesetting mathematics, starting with the following example:

There are some font typefaces which support only a limited number of characters; these fonts usually denote some special sets. For instance, to display the R in blackboard bold typeface you can use \(\mathbb{R}\) to produce \(\mathbb{R}\). The following example shows calligraphic, fraktur and blackboard bold typefaces: 006ab0faaa

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