The total amount of memory or hard drive space required depends on the size ofaudio files you'll be editing. One minute of CD-quality audio requires 20megabytes of temporary storage.Editing a full CD requires a minimum of 1.5GB of storage and possible much morefor Undo storage.By default, GoldWaveuses memory for temporary storage. If you are working with large files,use Options | Storage to change the storage settingto "Hard drive" instead.
The following section gives instructions for installing GoldWave onyour system. Before installing GoldWave make sure that audio playback and recording devicesare installed and working in the Windows Control Panel.Close any opened instances of GoldWave before installing an update.
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To install GoldWave from a downloaded file, simply run the download. It prompts you toprovide a destination folder to install the program files. A desktop shortcutand Windows Start menu items are created automatically, if selected.New versions of GoldWave will beavailable from the web site goldwave.com
If GoldWave finds the settings file in the folder where it is installed, itloads and saves settings from that file and does not use thefile on the computer, provided the file can be written to. Note thatsome plug-ins may still use the settings file on the computer or maynot function correctly.
To choose an audio devices to use for playbackand recording,use the propertiesbutton on GoldWave's Control window or useOptions | Control Properties, then choosethe Device tab.Select appropriate devices from the drop down lists of installed playback andrecording devices.Use Sharedquality unless you require using specifichardware sampling rates.Use the Test buttons to make sure you can hear playback and thatrecording is working.
Older versions of GoldWave may have to be uninstalled for the correct version to be used.See Windows help for more information about default programs and file type associations.LicenseA license is an activation code that unlocks theevaluation version and removes all limits and reminder messages. ALifetime license never expires and works in future versions,giving you free upgrades. A One Year license expires after oneyear, then a new license is required to continue using the program. Internetaccess is not required (or used) for activation and the license is not tiedto a specific computer. All license information must be kept confidential.If a license becomes public, it will be revoked by GoldWave Inc. and willnot be replaced.
The following sections give information about GoldWave's userinterface, features, and menu structure. The first few sections providegeneral overviews, while subsequent sections provide details on menucommands.
Sound windows are created when you open a file. These windows containa waveform graph of the sound with a time axis near the bottom. For stereosounds, two separate graphs are shown. The top white graph is the leftchannel and the bottom red graph is the right channel (see Channels for othercolours). The selected part ofthe sound is highlighted with a blue background between two cyan markers. Initially the entire sound is selected.A vertical line with a left pointing triangle shows the current playbackposition within the sound. This line is theplayback marker.A cue point slotis located justbelow the graph. Cue points are shown as inverted yellow andblue triangles. Overlapping cue points are shown in slightly differentcolours. The window is divided into three rows. The top third is the selection area. Touching in this area sets the selection.See Editing Overview for details. The middle third is the view and zoom area. Touching orpinching in this area scrolls or zooms the waveform. See the View Menu Commands for details.The bottom third is the playback area. Touching in this area changes the playback position.You can configure some of the features of Sounds windowsusing the Options | Window on the menu.Use Options | Coloursto change the colour scheme.
The Control window interacts with your sound hardware. Itcontains buttons to play and record sounds as well as controls for volume,balance, and playback speed. Real-time visuals display audio datawhenever a sound is played or recorded. SeeControl Overview for more details.
Hi all. I'm seeking a decent MacOS alternative to Gold Wave on Windows for single-track audio editing. I'm a logic user, but I find editing audio that isn't music in Logic to be slow and laborious. I was a Gold Wave user under windows many years ago, and there are 2 features I really miss:
1) The ability to set a selection using left and right brackets without needless dialogue boxes for setting boundaries.
2) The ability to scrub (rewind and fast forward) with the F5 and F6 keys, like spinning a record by hand or manually controlling an open reel tape.
I have not found any other editor on the Mac that offers these features, particularly scrubbing that actually works properly. What am I missing? What are people using for simple single-file audio editing on the Mac?
I always go back to Audacity. It is multitrack if you need it but shines as a single track editor. You can mark selections with brackets but not sure about the scrubbing. I've taught podcating courses with it and recently went to a radio station to teach a fellow audio production with adding music, using ducking and more. It's free and fully functional and will do what you are looking for.: I actually prefer it on mac.
Here's the link:
Thanks John. I have used audacity for many years for recording single-track audio but never figured out how to edit efficiently with it. Especially extremely small edits. For example, taking a "um" out of the middle of a phrase, removing an intake of breath, or removing a 'click' in the recording that lasts maybe a quarter of a second. Can you share any tips on efficient ways to make selections that small?
I've been playing with Amadeus. There seem to be quite a few keyboard shortcuts that aren't documented in the manual, in fact the section on editing in the documentation is very sparse. Do you have any tips for fine keyboard editing as above?
Good morning, Ashley. You can set what they call the zoom level which governs the increment at which the arrows move weather it's large or small blocks of audio. I tend to use shift and right arrow when wanting to move in smaller increments. It's amazingly effective and I believe is more accurate on the mac. When doing this in windows there seems to be a little latency and when you mark a spot it's not exactly where you marked it, so you need to be quick and catch it a tad before where you want it. Also, if you are close to the spot pressing one of the brackets brings up the dialog where you can actually change the time so you can move that quarter second more reliably.
Thanks John. I've edited this way in audacity and it does work. It's definitely not as efficient or accurate as other editors though in my experience. Maybe it takes practice, but I've found it takes a lot of work to remove something as simple as a short breath that lasts only half a second, and time is money.
Still trying to find a solution for this. I've been determinedly struggling with Audacity but I'm not getting very far. it's just not precise enough. I end up back in Logic, but it's just not very efficient for simple single-track editing. Does anyone have any other suggestions for alternatives, or tips for using audacity effectively?
That's honestly my opinion. I do professional producing and audio editing on a day to day bassist and Audacity never ever cut it for me. Reaper will get ya what you want, and need. It's a bit of a learning curve but it's got what you need and so much more. You can even adjust the zoom so you'll scrub faster or slower depending on what you want and or working with. You can either select by the curser or use left and right prackets. It's all up to you on how you wanna work. I'm honestly astounded that people are recommending Audacity for fluent audio editing as that's not what audacity is, at all! It's vary basic! My current work flow is this. Logic for making beats, audio engineering, tracking in studio and composing and reaper for pure audio editing and mastering. I'll track and do audio engineering with reaper too just honestly what mood I'm in on feeling on what daw I wanna use. I would not recommend doing complete audio editing with logic at all. I use to back in the day but when I found reaper and more efficient,, I through all that out the window.
Thanks for your insight. I think audacity is great for mouse users, but it's just not designed for efficient keyboard use. I can get by with it, in the sense that I can take out big obvious chunks of audio. But if I wanted to remove a "um" or "uhhh" from a line of speech, or a loud intake of breath, it's just not going to happen. I do have reaper and the accessibility plugin so I'll put the time into learning it. Any resources you'd recommend for the point of view of keyboard editing (scrubbing in particular), or could you outline a few basic key commands that you find work most efficiently to scrub, select and edit? Thanks!
On the website I just linked there should be some stuff on their that should get ya started. I think there is a complete keyboard shortcuts keymaps list with osara as well. If ya need any additional help, feel free to send me a mail or PM off here or what have ya. There is also a mailing list and a whatsapp group if ya have questions and someone more knowledgeable than I may be able to answer. I ain't gunna claim I know everything about reaper, I just learn the features I need for my everyday use hehehe.
I've been playing with Reaper over hte last few days. I've got to grips with it, but it's still nowhere near as efficient. The way it changes the playback speed of audio based on zoom level is infuriating, the audibility of scrubbing is poor, and I've found it quite unresponsive too with larger files. I think the search for a solution continues. 152ee80cbc
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