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The Image service (glance) project provides a service where users can uploadand discover data assets that are meant to be used with other services.This currently includes images and metadata definitions.

We are capable of more. This is a clarion call to every person challenged by this culture-wide reckoning: To see more, we have to lose the blinders that have long and faithfully guided our vision. This will be uncomfortable. It begins with an acknowledgment of how dominant the male glance has been, and how the cosmetic analyses we deploy in response to femaleness bind us to surface and blind us to depth. And consign us, in consequence, to a culture defined by casually diagnostic (and artistically cataclysmic) dismissals.

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This article caught my eye, and I was intrigued because I'd never heard of either one of these shows. Before getting too deep into the article, I went in search of trailers for the two shows, and I have to say I don't agree at all with the premise set forth that these shows are similar, except in superficial ways. "Both shows appeared to belong to one genre but gestured at several others." Maybe, if I bothered to watch the shows, I could tell this. From the trailers, not at all. One appears to be a gritty drama. The other bills itself as a comedy (which didn't make me laugh even once). "Both used terrific actors to anchor a meandering, semi-disciplined style." The drama used two actors I'm very familiar with and impressed by. The un-funny comedy used two actors who look vaguely familiar, but I have no idea who they are. "Their reception was drastically different." And I have no problem believing that, whatsoever, after watching the two trailers. I feel as though a tiger is being compared to a hamster here. Perhaps each series deserves a good hard look, but if Doll and Em deserves my time, blame whoever put that trailer together, because it's given me no indication of its worth. Is this "the male glance"? Maybe it is. I am male. But this is how telvision and movies work. We don't often invest ourselves into a show without first getting some inkling that it's worthy of investing in.

This I just flat out disagree with. Women's stories are their own, and equally captivating and artistically lauded. The premise you seem to try and pick up and run with is that women's stories, or stories about women, are casually dismissed by 'the male glance' or gaze or what have you, and that critics are only responding to the fact that it's starring women or women created. That's a slippery slope to head down if we're being honest, because plenty of male writers don't make it, plenty of male dominated shows get trashed on, and plenty of art just doesn't make it (that happens to be created by men or women). If you set up this dichotomy as the only valid criticism (reality shows? really?) you are trying to set up a battle of the sexes where the spoils of artistic validation are being qualified by something not based on merit. 2351a5e196