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Aykroyd wrote the script, intending to star alongside Eddie Murphy and his close friend and fellow Saturday Night Live (SNL) alumnus John Belushi, before Belushi's accidental death in March 1982.[1][8] Aykroyd recalled writing one of Belushi's lines when producer and talent agent Bernie Brillstein called to inform him of Belushi's death.[8] He turned to another former SNL castmate, Bill Murray, who agreed to join without an explicit agreement, which is how he often worked.[8] Aykroyd pitched his concept to Brillstein as three men who chase ghosts and included a sketch of the Marshmallow Man character he had imagined. He likened the Ghostbusters to pest-control workers, saying that "calling a Ghostbuster was just like getting rats removed".[10] Aykroyd believed Ivan Reitman was the logical choice to direct, based on his successes with films such as Animal House (1978) and Stripes (1981).[8] Reitman was aware of the film's outline while Belushi was still a prospective cast member; this version took place in the future with many groups of intergalactic ghostbusters, and felt it "would have cost something like $200 million to make".[10][b] Aykroyd's original 70- to 80-page script treatment was more serious in tone and intended to be scary.[8][10]

In the script, Aykroyd described the Ghostbusters clothing and vehicle as bearing a no symbol with a ghost trapped in it, crediting the Viking with the original concept.[65][66] The final design fell to Gross, who had volunteered to serve as art director. As the logo would be required for props and sets, it needed to be finalized quickly, and Gross worked with Boss Film artist and creature design consultant Brent Boates who drew the final concept, and R/GA animated the logo for the film's opening. According to Gross, two versions of the logo exist, with one having "ghostbusters" written across the diagonal part of the sign. Gross did not like how it looked and flipped the diagonal bar to read top left to bottom right instead, but they later removed the wording. According to Gross, this is the correct version of the sign that was used throughout Europe. The bottom left to top right version was used in the United States as that was the design of the No symbol there.[65]

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The plot, such as it is, involves an epidemic of psychic nuisance reports in Manhattan. Murray, Ramis, and Aykroyd, defrocked parapsychologists whose university experiments have been exposed as pure boondoggle, create a company named Ghostbusters and offer to speed to the rescue like a supernatural version of the Orkin man. Business is bad until Sigourney Weaver notices that the eggs in her kitchen are frying themselves. Her next-door neighbor, Rick Moranis, notices horrifying monsters in the apartment hallways. They both apparently live in a building that serves as a conduit to the next world. The ghostbusters ride to the rescue, armed with nuclear-powered backpacks. There is a lot of talk about arcane details of psychic lore (most of which the ghostbusters are inventing on the spot), and then an earthshaking showdown between good and evil, during which Manhattan is menaced by a monster that is twenty stories high, and about which I cannot say one more word without spoiling the movie's best visual moment.

After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator. 2351a5e196