Download Funk Brasil Mp3

You can hear them in the supermarket, from passing cars on the street, or when going out in the evening. It is impossible to avoid the harsh, tinny tones of funk on a vacation in Brazil. They are everywhere. But not only in Brazil, the music has reached the rest of the world and is deep-seated in the international musical mainstream. Not least, thanks to the famous singer Anitta from Rio de Janeiro, who has been creating her songs in the style of funk for years.What is funk?Funk had its beginnings in the early 1980s in the favelas of Rio de Janeiro. American Funk, whose origins can be found in Afro-American music, made its way to Brazil at this time. However, since hardly anyone understood the English lyrics, a special kind of funk developed in the suburbs of Rio de Janeiro, in Portuguese and with local rhythms.

The main focus of the debates are bailes, public parties in the central streets of the communities, where people dance until late into the night to funk that resounds from huge jukeboxes. The bailes have a strong inclusive function for the people living in the favelas. People from different neighborhoods come together to talk, dance, and have fun. This creates moments of connection. Negative aspects of the parties are drug abuse and clashes between rival gangs.

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This crime is reason for the police authorities to take repressive action against the bailes. There have been several attempts in Congress to ban them. So far without success. Critics see this approach as a suppression of suburban culture rather than the restoration of public safety. The problems that exist in the favelas would continue without funk, they say.Funk outside of the favelasFor tourists, but also for Brazilians who come from more affluent areas, it is difficult to take part in a baile funk. In order to still be able to get an impression of a baile, we recommend to take a look at the works of the photographer Vincent Rosenblatt. The photographer from Paris has had insight into the funk scene of Rio de Janeiro for more than ten years and has been able to capture numerous impressive moments at parties. Excerpts of his works can be found online. Of course, funk is just one of many music genres in Brazil.

Despite all of this, funk carioca is more popular than ever, and while radio play is still limited, the music has taken off on the internet. Festivals like Tomorrowland in Belgium have featured carioca funk artists, and the music has spread from Rio out across Brazil, mutating into different subgenres like brega funk, beat fino, and funk rave as it goes.

Brazilian funk (also known as funk carioca) has risen to become one of Brazil's most popular musical styles, gaining international recognition along the way. Despite being on the receiving end of deep-rooted prejudice, this genre birthed by Black artists is using platforms like YouTube and TikTok to give voice to its musical style.

Brazilian funk, a genre that originated in the 1980s, draws influences from hip-hop, North American funk, and rap subgenres such as Miami bass and gangsta rap. One of the scene's founding producers, DJ Marlboro, played a pivotal role in its early days by creating Portuguese versions of popular Miami bass songs. In 1989, he released the album Funk Brasil, which was responsible for igniting the growth of this formerly local music scene across the region.

Initially associated with violence and sex, funk began to gain wider acceptance when it went from the Bailes funk (parties where carioca funk is played) in the favelas of Rio to the parties of wealthy, upper-class citizens. To change the genre's narrative and expand its reach across social classes, the Brazilian Phonographic Industry started investing in funk artists with romantic themes. Hits like "Nosso Sonho" by Claudinho & Buchecha and "Me Leva" by Latino would help elevate these artists to stardom in Brazil. Still, despite its newfound success, funk continued to face ire in the 1990s.

The 21st century saw funk's domination of mainstream Brazilian media, with artists featured in soap opera soundtracks and inspiring new trends. Funk ostentao, a subgenre focused on showing off wealth, emerged in So Paulo in 2010 as a counterpart to Rio de Janeiro funk, which portrayed the reality of lower-income communities.

Around the same time, the advent of digital technologies made it possible for independent artists to enter the music market. YouTube gave voice to artists from musical genres, such as funk and brega, that the Brazilian entertainment industry had marginalized for years. The platform also played a significant role in launching and reinventing the music video format, with producer KondZilla leading the way. KondZilla, who in addition to founding both a record label and clothing line has also produced a Netflix series, proved instrumental in the success of funk artists such as MC Guim, MC Kevinho, MC Kekel, and Dani Russo.

In 2022, the Brazilian music market generated an estimated annual revenue of 2.5 billion reais (USD 489 million), according to IFPI's 2023 Global Music Report. This was a 15.4% growth compared to the previous year, placing Brazil among the top ten music industry markets and displaying the power of funk among other local genres on a global scale.

TikTok has served as one of Brazil's leading apps for music promotion, and funk is quickly becoming one of the most popular musical styles on the platform. This digitization has allowed for the expansion of artist fan bases to rural regions, specifically in areas away from the urban centers where the genre emerged.

Internationally, the platform is also fueling several subgenres of Brazilian funk, with one of the most popular being funk automotive. Characterized by strong beats with intense bass frequencies, the genre was created specifically to be appreciated and consumed using car sound systems. The track "Automotivo Bibi Fogosa" by Bibi Babydoll and DJ Brunim XM is just one example of automotive funk that went viral on TikTok, where it now dominates the platform's charts in numerous countries including Germany, Spain, and the Netherlands.

Another subgenre of Brazilian funk funding success on TikTok is tamborzo, or big beat. Drawing elements from the early days of funk, the track "T Ok" by Dennis Dj and Kevin O Chris went viral on TikTok and occupied the top 5 on Spotify in countries including France, Ireland, Morocco, and Portugal. The track also proved monumental for both artists, helping Dennis Dj climb 180 spots and Kevin O Chris 323 spots in the Chartmetric Artist Rankings.

In the realm of music, particularly within the sphere of Brazilian funk, the landscape has historically been predominantly male-centric, which has sometimes resulted in an unwelcoming environment for female artists. As a result, female funk pioneers like Anitta and Ludmilla sought to direct their careers toward the pop segment first. This allowed them to expand their audience while avoiding the prejudices suffered from funk's association with drug practices.

For example, Anitta originally launched herself in 2011 as MC Anitta, but let go of the honorific the following year to steer her career towards pop fans, as the term MC ("Master of Ceremony") is commonly used by rap and hip-hop artists, specifically those in Brazilian funk. The same decision was then made by Ludmilla, who appeared in the market first as MC Beyonc in 2012, but later changed her stage name due to trademark registration issues. Even the singer Lexa, who debuted in 2013 as MC Lexa, waived the term MC to adopt a more pop-oriented appearance.

Due to their audience tactics, these three women in funk are often not recognized as Brazilian funk performers, despite their prominence in the scene's market. That being said, Anitta is just one of the many women who are striving to reconnect with their funk roots. Her June 2023 single, "Funk Rave," currently exceeds 30k posts on TikTok, 17 million Spotify streams, and 14.5 million YouTube views on the track's music video following its release.

There is great potential for Brazilian funk artists to develop global careers. Collaborative productions with international artists will continue to be an excellent tool to promote Brazilian funk and its artists beyond the borders of Brazil. Releasing songs in other languages, especially English and Spanish, is an additional step artists can take to achieve more wide-reaching success, as Portuguese can be an obstacle to the dissemination of Brazilian funk songs in the global market. Thanks to its urban musical style, fans of genres such as rap and reggaeton can easily identify with and enjoy Brazilian funk.

These parties do exist and some participants in them most certainly consume drugs. But this is also true for many other parties, raves and nightclubs. Drug consumption does not define funk music, which is one of the most diverse styles in the Brazilian music scene today.

As journalist Thiago Cardim, writing for Judao, one of the leading arts and culture websites in Brazil, explained, funk is not that different from other musical styles known and loved all over the world. Just like American rap or Mexican narcocorrido, Brazilian funk also has a mainstream version and more controversial sub-genres.

Many music genres faced prejudice in their early years, but we need to understand that the campaign against funk in Brazil is something more sinister than a harmless conservative reaction to a new music style. It is yet another manifestation of racism against poor, black Brazilians living in the favelas of Rio de Janeiro.

O funk, assim como outros gneros musicais, possui elementos controversos. O principal ponto de debate, de certo, so as letras. Porm, elas no so a nica razo das divergncias quanto este gnero musical. Aqui, separamos as principais polmicas do funk. e24fc04721