[VERIFIED] Download Full Album Gigi

Gigi (pronounced [ii]) is an Indonesian rock band led by founder, Armand Maulana, and songwriter Dewa Budjana.[1] Formed in March 1994, the band has released fifteen studio albums. Other than their hit songs "11 Januari", "Nakal", and "My Facebook" which achieve moderate success in Indonesia, the band is known for their releases of religious compilation albums, international recognition and solo career of guitarist Dewa Budjana, and the audition of vocalist of Armand Maulana for INXS.

Armand Maulana already has an established musical career, being the lead singer of Next Band, and released his solo album "Kau Tetap Milikku". Aria Baron's career is also on the step-up since he joined and later quit Lost Angels (which later changed name to Boomerang) and Badai Band (which later changed name to /rif).[2] Thomas Ramdhan (bass) and Ronald Fristianto (drums) has known each other for a long time, and often invited the session players for Pay Burman (ex-Slank).

Download Full Album Gigi

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In 1994, Gigi released their first full length, "Angan", which expected to be sold around 100,000 copies.[2] The second album "Dunia" was released in 1995, with hit songs of "Janji" and "Nirwana". A year later, Baron later left the band[3] to continue his studies in United States.[4] In that same year, Ronald was suspicious about Thomas' addiction to substances, which soured their relationship.[2]

The band released their 3rd album "3/4" in 1996, which Thomas then left the band and went into rehabilitation.[3] Gigi then recruited Opet Alatas, former crew member to replace Thomas. Ronald then quit the band to pursue his career in "dr.pm", and was replaced by Budhy Haryono.

Wanting to continue the band, Armand and Budjana released the next album "2x2", which considered ambitious since involved Indra Lesmana, and Billy Sheehan (the bassist of Mr. Big) as session players, and with mixing and mastering process done in the United States.[2]

Since 2004, Gigi has continuously released side albums during Eid al-Fitr, which consisted of rearranged cover songs and new written songs. Starting with "Raihlah Kemenangan", as of 2023 the band has released eight spiritual albums, which considered separate from their studio releases. Armand said "In the past, we heard lot of Indonesian religious albums, especially Bimbo (artist)", and later said that Armand want to bring back the atmosphere of hearing religious songs during fasting period.[5]

Since Gigi's release of 2x2, guitarist Dewa Budjana has been internationally recognized,[7] and established as one of Indonesia's greatest guitarist of all time.[7][8] In Budjana's solo album "Mahandini", he recruited international well-known musicians such as Jordan Rudess (from Dream Theater, Liquid Tension Experiment), John Frusciante (from Red Hot Chili Peppers), Mohini Dey, and Marco Minnemann (from The Aristocrats). He also collaborated with grammy winning Vinnie Colaiuta and Antonio Sanchez, also world known musicians such as Peter Erskine, Jimmy Johnson, Joe Locke, Gary Husband, Jack DeJohnette, Tony Levin, Bob Mintzer and Guthrie Govan.

Gigi recorded two albums for the expatriate Ethiopian community, but it was her 2001 album, titled simply Gigi, that brought her widespread attention. She had been noticed by Palm Pictures owner Chris Blackwell, who had years earlier introduced reggae to the mainstream through his former label, Island Records. Blackwell and Gigi's producer (and later, husband) Bill Laswell, decided to use American jazz musicians (including Herbie Hancock, Wayne Shorter, Pharoah Sanders, and others) to accompany Gigi on the album.

The result was a fusion of contemporary and traditional sounds. The album was a critical success internationally and generated controversy in her home country for such a radical break with Ethiopian popular music.[4] This release was soon followed by Illuminated Audio, an ambient dub style remix of the album by Laswell.

2003 saw the release of Zion Roots, under the band name Abyssinia Infinite. Bill Laswell played guitar and keyboard (instead of his usual bass), and several of Gigi's family members contributed vocals. The album was a return to a mainly acoustic sound for Gigi, incorporating instruments such as the krar and the tabla.

Bookended by Existence and Exist, two short cuts that thematically and sonically tie the LP together better than I was expecting but that leave little left in the memory the album really begins with track two, Crying. A slow burning 5 minute track that has the bass barely audible in the mix, in almost complete opposition to what has become industry standard in the genre. The track instead is fronted by unrelenting snares and a brilliantly hopeless vocal take that finally explodes with a minute to go into a whirlwind of screeches wails and chants.

The band go on to experiment with varying degrees of success, though never really putting a foot considerably wrong. Stars Will Leave Their Stage is a great example of this, with its futuristic feel mixing fine with Murder Capitals more traditional sound but never rising up much higher than commendable on the bands part. Belonging occupies a similar bunker in the albums no mans land, again commendable and certainly listenable, but perhaps not something to put on repeat. That being said I think a lot can be said about this album being more than the sum of its parts overall. Much like the debut, the Murder Capital have proven they know how to make an LP and experience in the face of the ever-dominant proceedings of the playlist generation.

The ten-track album includes 8 original songs written by Gigi and the GG Vibes. The album is now available to stream on all major streaming platforms. You can also explore the playlist below to check out all the songs with lyrics on the ABS-CBN Star Music YouTube.

"When I Have Fears', featuring the band's earliest songs, was written in a period of intense grief and carried with it a strong narrative that defined the band's first years. For "Gigi's Recovery', McGovern says he struggled with no constant themes immediately coming to him. "Coming out of that was strange, because there was no inciting incident at the time. There was nothing to say like, "Okay, well, it's all going to be about this'. It seems ridiculous to write about anything. I felt like an impostor writing about love, because I wasn't experiencing it. I felt like my memory blurred to my past, so trying to pull from the early years felt jaded." In the end, life was happening to and around the band, whether they consciously noticed it or not, with the "malaise" of the pandemic and "being torn away from each other and put back together" making them "do this very introspective work on ourselves," with avenues beginning to open up for new music.

"At the beginning of writing the album, we had absolutely no idea what we were going to do other than we were going to evolve," McGovern adds. "We had a tongue-in-cheek mantra: "The evolution will not be compromised'. There was a silent promise that it was met."

At last night's London gig, the first hints at this evolution were shared, with new single "A Thousand Lives' an atmospheric highlight that tones down the band's signature rage to reveal layers of greater texture and depth. Elsewhere, "The Stars Will Leave Their Stage' was the most striking newbie, an off-kilter track hinting at a more electronic direction and driven by huge stabs of piano, while closer "Ethel' sent the show off in a searing blast of noise.

In creating "Gigi's Recovery', McGovern says, the band saw the record as a house. "Each room would be built and remain stable, and then we could begin to furnish it and decorate it, and really understand the layout of the halls. We want people to explore all the rooms and still feel like they're in the same home." From the first few doors opened, it looks like a peek into a fascinating new era.

They now feel like a mature and sophisticated band that have honed their craft beyond their years with motorik grooves, and heavy guitars weaving between, whirling surrealist loops and discordant rhythms that echo the narrative of the lyrics. If the first album was about the nature of death, then the second appears to be more about life, hope and love, whilst acknowledging the ephemerality of existence the soundscape echoing the ebb and flow of life itself; the production and energy going from, loud to soft, light to dark, intensity to natural flow.

This is the track that seems to truly reflect the more mature attitude of the band; the crux of the album. It feels uneasy to bring a child into the darkness the band have created, however the swells and bursting chord progression reveals that it is a place of safety.

This album is a multifaceted masterpiece sculpted by a band that have truly found their sound. Let it wash over you, let it take you from darkness into light. Feel the oscillating soundscapes and poetic introspection. Enjoy the surreal depths; swim in its brooding, fierce, tender and euphoric waters and feel like you are listening to a landmark record; one that is likely be cherished by future generations and will ripple in the subconscious long after the last track has faded, continuing to exist indefinitely.

Collaboration with Pink Floyd:

Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

"The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" (1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album. e24fc04721