Always make sure to read the license for each font you use. Most of the fonts in the collection use the SIL Open Font License, v1.1. Some fonts use the Apache 2 license. The Ubuntu fonts use the Ubuntu Font License v1.0.

If you have any suggestions or ideas to improve the performance of font loading or expand the existing library, feel free to star and contribute to this repository. You can share your suggestions or ideas by creating an issue.


Download Font Alfa Slab One


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Which displayed correctly in the builder, but then displayed as a boring serif font when I viewed the page. Then I refreshed the builder and it changed to the boring serif as well. Is there a way to update the font for just the portfolio title (not all h1 tags across the site)?

We have in this post a phenomenal typeface that comes in the category of a high-quality slab-serif typeface family. This is Alfa Slab One Font and It is a contemporary take on the Six-lines Pica Egyptian made in 1921 by Robert Throne for the Thorowgood Foundry.

Initially, based on that model, This typeface had been created with big serifs, an extreme stem weight, more stem contrast, and gradual terminals with a single slab serif. It was designed by JM Sole and released by Google fonts.

This amazing font family comes in 6 weights that are regular, light, book, medium, extra light, and semibold. The most similar fonts are Beton Extra Bold, Vigor DT Black, and the Rio Grande NF. Available on our website for all your commercial and personal projects.

It has many stylish bold characters including uppercase, lowercase, numerals, general punctuations, stylistic alternates, symbols, updated icons, and many special characters that are a complete font package for a variety of designs.

It keeps amazing stylish bold characters and many other qualities that make it very suitable for any type of design and especially for headlines and titles. You can also utilize this font within an office and you can perform many office tasks with the use of this typeface such as quotations, Powerpoint presentations, website heading and footers, general reports, invoices, and so on.

This font family comprises a free online text generator tool that would be suitable for instant designs. It has many colors and lots of text effects that can perfectly convert your simple into colorful graphics.

You can get many similar fonts to this typeface like Maxxi Serif Bold Font, Holtwood One SC Font but the closest fonts are Beton Extra Bold, Poppins Font, Vigor DT Black, Elephant Font, and the Rio Grande NF.

This font belongs to the amazing slab-serif typeface family that comes in 6 weights. It is a contemporary take on the Six-lines Pica Egyptian made in 1921 by Robert Throne for the Thorowgood Foundry. It was designed by JM Sole.

Disclaimer: We are checking periodically that all the fonts which can be downloaded from FontPalace.com are either shareware, freeware or come under an open source license. All the fonts on this website are their authors' property, If no designer or license is mentioned that's because we don't have information, that doesn't mean it's free. If you find any fonts on our website that are not come under aforementioned types, please report copyright violation immediately.

Google Fonts collaborates with type designers, foundries and the design community worldwide to create a directory of open source fonts. The fonts are free to use, making beautiful type accessible to anyone for any project.

DescenderĀ 


This is the portion of the letter that goes below the baseline. Descender Line This is an invisible line that marks the lowest point of a descender in a font. Ascender This is part of the letter that extends above the mean line of a font.

Serif and sans serif fonts are like the yin and yang of fonts. These divide fonts into two different categories, each with their own unique characteristics that impact the feeling and style of the font. If a font is a serif font, it means that there are little feet at the ends of each character, while sans serif fonts are without these feet. Serif fonts were created first and tend to have a more traditional style to them, while sans serif fonts may be considered more modern.

While very different from each other, serif and sans serif fonts pair extremely well with each other. Their different attributes complement each other, rather than compete with each other. When pairing together, allow one font to take the spotlight and the other to take a back seat. Two fonts that are bold or have a loud look to them, do not pair well together. Pairing fonts is like a balancing act that gets more complicated with the more fonts you add to a design.

Libre Baskerville is a traditional font that has an elegant characteristic to it. Light and airy, this font pairs well with the bold and geometric modern font of Libre Baskerville. This is a great example of a serif and sans serif font that balances each other out, with League Spartan as the title font.

These fonts are similar in style, both having thin strokes and a lightweight to them. While separately these two fonts have a lot in common, comparatively, Archivo Narrow is a much more geometric while Julius Sans has a smoother and delicate look to it. Both fonts are extremely versatile and easy to read.

Talk about an attention-getting, Open Sans Extra Bold is exactly as its name implies. The thick lines of this font work well with the light lines of Cooper Hewitt. In all caps, Cooper Hewitt provides a much modern look and can provide separation from headlines to body paragraphs.

Simple and versatile, Roboto Condensed is an easy to read font. Its simple nature makes it straightforward and able to pair well with most fonts. It can be used as a title or in a paragraph, and both provide a sophisticated style to the design. Play with bond and unbolded to differentiate between sections of your project and provide further entertainment for the eye.

A classic typeface, Cooper Hewitt is known for its curves and arches, which makes it a classic font. Simple yet a flare of personality, this font can be used in many different design projects and works well with many different font types. Versatile in nature, it pairs with itself nicely.

As the serif and sans serif versions of each other, these fonts organically work harmoniously together. This makes it like the yin and yang of fonts. Source Serif Pro works effectively as a headline as well as supporting text. Source Sans Pro provides a clean break from the detail in Source Serif Pro.

Simple lines work well for spotlight text and supporting text, making these two fonts versatile and a great combination. Raleway is an elegant sans serif that looks modern and sophisticated. Roboto Condensed offsets the wide letters of Raleway, creating a perfect balance.

When in Rome, use Cinzel. Inspired by the classical Roman style, this serif font uses characteristics of old inscriptions but with a contemporary flair to it. Quattrocento brings a delicate supporting classic font with wide and open letterforms. Together the combination brings a modern twist to traditional fonts.

With a touch of authenticity that a script font provides but the perfection of even lines and adequate space, Sacramento is a smooth spotlight font. In fact, this is the font that many wish their handwriting looked like, with its semi-connected lines that provide an effortless typeface. With Montserrat Light, this mixture is delicate and feminine. Montserrat Light allows the script font to take the spotlight, creating a beautiful contrast.

AD and AP need also a Fonts Manager. In your document with 2 lines of text, it's easy to find the missing one, but if you don't have APub, it's too much work to select each text object to check if the font is missing.

I messed some visual replacements due to the second dropdown list selecting the top of the list instead of the needed variant. The only way to get the original values I get on first opening of the document, was to reset the general rules for fonts replacement.

This Google font pair works for a multitude of scenarios, but where it really shines, in our humble opinion, at least, is in newsletters or blog articles. Abril Fatface allows for an imposing presence for your title and headings, which is contrasted by the more neutral but still elegant Lato.

Another classical pair of Google fonts, these two belong to the same font family and it shows. The differences between them are slight, but enough for a well-rounded design. Combining them offers a fresh look, ideal for pamphlets, commercial stickers, or posters.

Already a classic, Oswald & Old Standard TT may just be the best font pairing for scientific papers. They strike at the nostalgic core, as these fonts resemble old typewriting. Nevertheless, they are incredibly effective, especially for literature, history, or the overall humanitarian sciences.

Minion and Laudatio. These are not some spells from Harry Potter. They are actual fonts and are incredibly effective together. Their best use is, in our opinion, in design, especially in book cover design.

Rockwell Bold is that type of font that every headline, title, or website button likes. Coupled with Bembo, the end result is smooth, visually appealing, and highly professional. This is by far one of the best font pairings if you want to strike class.

One of the most famous font pairings out there, Helvetica and Garamond, well deserve their popularity. Their combination works great for a multitude of different projects. Photo albums, portfolio designs, apps and blog posts, this Google font pairing really covers them all.

This sans serif and serif typeface combination seems timeless. There is a unique quality about these two fonts that makes them work perfectly together. Stylish, modern, visually appealing, this font pairing is a real eye-catcher.

There is a certain beauty in combining classical features with more modern ones. Cinzel is that font reminiscent of old Roman inscriptions, whereas Fauna One strikes a contrast with a more contemporary finish. When combined, these two offer a unique reading experience for any blog enthusiast out there. ff782bc1db

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