Scavenger Hunt is a 1979 American comedy film with a large ensemble cast which includes Richard Benjamin, James Coco, Scatman Crothers, Ruth Gordon, Cloris Leachman, Cleavon Little, Roddy McDowall, Robert Morley, Richard Mulligan, Tony Randall, Dirk Benedict, Willie Aames, Stephanie Faracy, Stephen Furst and Richard Masur. The film was directed by Michael Schultz, and released by 20th Century Fox. It includes an appearance by Arnold Schwarzenegger, and features cameos by Meat Loaf and Vincent Price.

Milton Parker (Vincent Price), an eccentric game inventor, dies after losing a video game with his nurse (Carol Wayne). Parker's greedy and estranged relatives show up at his mansion for the reading of his will. Lawyer Charles Bernstein (Robert Morley) tells them the winner of a scavenger hunt will inherit the $200 million estate. The potential beneficiaries form five teams and get involved in various misadventures.


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Each group is given a list containing clues to acquire 100 items with various point values ranging from 5 to 100 points. The items are to be acquired by any means necessary, with the exception of being purchased. They are to be placed in five different pens on the grounds of the estate. The winner of the scavenger hunt will be the person or team to acquire the most points by 5 p.m. that day.

Dummittz' adventure has him trying unsuccessfully to steal a Rolls-Royce front grill and getting run over many times while trying to replicate an insurance scam he witnesses. A bridal shop security guard named Sam catches him attempting to steal a bridal dress. Sam joins the hunt. Together they steal a knight's suit of armor from a museum, with Marvin dressing up as a mummy and Sam putting on the armor. Sam, knocked unconscious, is stolen by the Mildred-Stuart-Georgie team.

Scavenger Hunt did not receive good reviews. The Chicago Tribune's Gene Siskel termed the film "excruciatingly dull", observing that "Coco and Little disconnect a toilet; Randall gets knocked down by a safe; Benjamin steals items from another team. Isn't that a scream? Are your sides splitting?"[2] Janet Maslin of The New York Times wrote, "When a movie's jokes are so noticeably without punch lines, only a mood of uproarious confusion can save the day. Mr. Schultz takes an orderly approach that only makes the movie more of a mess."[3]

People wrote that "An all-star cast [...] plays unsuccessfully for laughs".[4] TV Guide called the film "An all-star, all-stupid comedy attempt that proves, once again, no actor can triumph over bad material."[5]

Allmovie called it an "utterly wretched comedy".[6] DVD Talk opined that the film is "Not at all good, but almost fascinating for its cast and the wrongheadedness of its approach to comedy."[7] Blu-ray.com wrote, "It's a silly endeavor, but it's also exhausting to watch, with its inherent harmlessness evolving into a threat as the one-dimensional picture is stretched over nearly two hours of screen time."[8]

Treasure Hunt is a 1952 British comedy film directed by John Paddy Carstairs and starring Martita Hunt, Jimmy Edwards, Naunton Wayne and Athene Seyler.[1] It is based on the 1949 play Treasure Hunt by Molly Keane (writing as M.J. Farrell) and John Perry.

The film was shot at Teddington Studios in London, which had been for many years the base of the British subsidiary of Warner Brothers. It was the last film to be shot there, before it was later taken over as a television production facility. The film's sets were designed by the art director John Howell.

Britmovie called it a "Minor farce";[2] while Sky Movies wrote, "Producer Anatole de Grunwald adapted the stage play by M J Farrell and John Perry in an enjoyably straightforward way. Director John Paddy Cartairs handles the film with appropriate vitality, making the most of the basically conventional stage Irish characters. Martita Hunt and Athene Seyler stand out in a large cast, among whom are such familiar faces as Miles Malleson, Alfie Bass and Hammer Films regular Michael Ripper."[3]

The Radio Times Guide to Films gave the film 3/5 stars, writing: "Artist/novelist/screenwriter John Paddy Carstairs adapts MJ Farrell and John Perry's hit stage play, managing to capture much of the eccentric charm of the piece ... A first class cast is headed by Jimmy Edwards, here turning in another larger than life performance in a dual role."[6]

it turns out the old man that lives in this property is an old chauffeur for some kind of mob boss. he is struggling to pay his rent and his house is about to be sold off. the boy convinces him to try and save the house. this is where I get hazy somehow they embark on a treasure hunt to find lost mafia money.

they find out that the chauffeur had saved the mob bosses life in a shooting. he gifted the car (i think the car was named princess) the chauffeur drove to him as gratitude for saving his life. the final clue is something along the lines of "when you step up to princess your treasure will be underfoot" the money is hidden in the side skirt of the car. they rush back to stop the sale of the house and they use the money to pay off the old mans debts

In this book, Aubrey Paris and Emily Black, hosts of the National Treasure Hunt podcast, set the record straight, taking a scene-by-scene approach to prove that the 2004 film National Treasure, like protagonist Benjamin Franklin Gates, is not crazy, but rather one step short. Their analyses unearth lesser-known stories from history while considering the ethics of character decisions, assessing comparisons with similar film franchises, interpreting key deleted scenes, and revealing behind-the-scenes secrets from filming. A book signing will follow the program.

I love treasure hunting movies. From National Treasure, to The Librarian, to The Mummy, I would classify this as my favorite genre. Treasure hunting movies are campy, fun, and often have excellent plot twists and character development that, as a whole, make the viewing experience incredibly positive.

Though tropes and character archetypes filled this movie, it still felt like a fun and fresh breath of air. It had all the beloved, campy adventure of a treasure hunting movie with the critical thinking skills required of a heist movie. In an era where movies either try to be edgy, remake past successes, or feel like a lifeless money grab, Red Notice refreshed audiences with a light, expertly-crafted character. It showed self-awareness without being too silly. It planned plots well without taking itself too seriously. Most importantly, audiences can invest in the three primary characters, even with little background on any of them, while appreciating others (several of whom are never even given names).

There are many different genres of film which range from drama to comedy, crime to mystery, farce to adventure and so much more. Two types of film genres that have withstood the test of time are westerns and treasure hunt movies. You can still find both types of movies produced today, even if the form has changed somewhat over the years.

It is said that England has Shakespeare and America has westerns. You can learn a considerable amount of American culture from watching westerns from the golden era as well as today. While there are relatively few westerns produced in the traditional setting of the old west, the form is still quite strong with modern action/adventure films that dominate the screen today.

A treasure hunt movie is more that people looking for treasure; it is really about the realization of dreams. What the characters in a treasure hunt film want to be when they find the prize offers a universal appeal. Just as people buy up lottery tickets when the grand prize reaches absurd amounts of money, so too can people relate to the characters in a treasure hunt film.

When the protagonists of a treasure hunt film get closer to their goal, the appeal of the movie gets stronger. The audience can imagine themselves on the quest that will fulfill their dreams of being rich. Or perhaps, discovering something that benefits the world. Whatever the goal, the appeal of the treasure hunt movie is that it taps into the universal desire to improve ourselves and benefit those around us.

There is also the air of mystery that often surrounds the treasure hunt film, even if the ultimate prize is identified. What else may be found, what obstacles will have to be overcome, and how it will change the characters are highly appealing aspects of this type of film.

Movie genres come and go much like fashion trends. But certain genres remain timeless because they appeal to the child in all of us. Westerns provide the importance placed on strong moral values that we want now while treasure hunt films tap into the imagination of what we might become. Whether inhabiting a traditional setting or used as part of other film genres, the western and treasure hunt will remain timeless and universally appealing genres.

The Zellners have been a force on the festival circuit dating back to the 2005 short film Flotsam/Jetsam, their first film to premiere at Sundance. Other notable shorts by the Zellners -- all of which have played at Sundance -- include the acclaimed Aftermath on Meadowlark Lane and Sasquatch Birth Journal 2.

Goliath, their first feature film, premiered at the 2008 Sundance Film Festival and was distributed theatrically by IFC Films, followed by KID-THING, a fable-like drama starring Sydney Aguirre and Susan Tyrell, which premiered at Sundance in 2012 and internationally at the 62nd Berlinale. KID-THING received a 2012 Gotham Award nomination and was distributed theatrically around the world and domestically in the US by Factory 25. ff782bc1db

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