These shades typically fit inside of the window casing, or just outside, and they come in a variety of fabrics, colors, and weaves. Heavier fabrics will typically offer slightly better thermal performance, but roller and roman shades offer only a small amount of insulation and are most effective for privacy, room darkening, and blocking sunlight.
When drawn during cold weather, most conventional draperies can reduce heat loss from a warm room up to 10% and increase the thermal comfort of the home. Therefore, in winter, you should close all draperies at night, as well as draperies that don't receive sunlight during the day.
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Window films (applied to the glazing surface) help block against solar heat gain and protect against glare and ultraviolet exposure. They are best used in climates with long cooling seasons, because they also block the sun's heat in the winter.
Films typically have three layers: an adhesive layer that sits against the glass, a polyester film layer, and a scratch-resistant coating. You may also choose options such as tints, UV blockers, or thicker films that offer security. Low-e films are also emerging as an energy-saving option.
It includes the solar heat gain coefficient (SHGC) and visible transmittance (VT) of the window film, both numbers between 0 and 1. The lower the SHGC, the better the film is at blocking heat gain. The higher the VT, the more potential for daylighting. Read more about energy performance ratings.
Silver, mirror-like films typically are more effective than the colored, more transparent ones. More recently, there are solar control films that have a more neutral appearance and are effective at blocking near IR solar radiation in the summer. East- and west-facing windows, because of their greater potential for heat gain, can benefit more from these films. North-facing windows won't benefit from them, and south-facing windows may benefit somewhat, but the benefit could be offset by the reduction of heat from the winter sun.
There are also window films that have low-e coatings, which can also be effective in reducing winter heat loss and increasing thermal comfort of occupants. They also typically are effective at reducing near IR solar radiation.
Window films require extra care for cleaning. If they are primarily absorbing solar radiation (tinted films), they can damage insulated glazing unit (IGU) seals. Most window manufacturers will void their warranties if the film is installed on an IGU.
Shades are typically fabric or vinyl and the material may have openings that allow some visibility through the window. The larger the openings, the less protection from solar gain. They are usually manually operated, though some can be opened or closed with a crank inside the home.
If you are using a Pro level camera like a Canon F-1N then unless your going to be mucking about in -0F weather you should only need to take normal precautions for using a camera in cold. If you have a new wizz bang digital you may have some serious concerns with the operation of the camera at such temps.
If your using film at very cold temps film can become static charged and brittle so you need to wind on and rewind very very slowly to avoid any static bursts fogging the film or the film breaking off from the spools.
The Canon F-1N as a battery dependat camera requires that you manitian the battery at the operating temp which with this camera can be easily done by using a seperate battery pack using something like AA batteries kept in an inside pocket.
And as a precaution: when you return to your living quarters, keep the cold camera well insulated inside a bag so the "hot" moist home air will not condensate all inside and outside the cold camera. Let camera warm up very slowly over the course of a few hours/half a day inside the bag.
Same considerations for film as lenses. While out you'll want to make sure there's not a big differential between the film's temp and the cameras temp, high or low. And it bears repeating, film gets brittle in bitter cold and can tear when loading/winding.
All mechanical cameras generally have the least problems of any setup in the cold. The only issue with film as was mentioned is that really dry air increases the risk of a static charge developing on the film (I have never had it adversely effect my film, but I only have a couple of years of ameture film shooting under my belt with the coldest temp being about 10F one morning) and increased brittleness (fast film advance is not good).
The biggest issue I would think a mechanical camera would face other then film durabilty with truely abysmal temperatures (like -40F) would be that the temperature drops to low for the lubricant and the lubricant begins to harden. I don't know what the specs are on different cameras, but I think they are pretty low temp (well below 0F) for most mechanical cameras. I could pull out my OM-1's users manual to find out later if you would like. I think it is somewhere in the range of -80 to -40F (but I am pulling that out of my butt). Digital cameras of course have the issue of battery drain in really cold temps (and electronic film cameras do as well, it just isn't as pronounced).
McManus, chief production officer at the Upper Midwest Film Office, was leading the outing. In addition to me, the tour participants were a dozen film industry professionals from across the country, in Duluth for the Catalyst Content Festival and the broader North Star Story Summit.
The Iron Range tour was the first of two bus tours McManus led during last week's festival, showcasing potential filming locations across the Northland. (The second tour, which took place the following day, focused on Duluth.)
"I'm your driver, and they call me MacGyver," said Larry Lyons, behind the wheel wearing a cap that said, "I might look like I'm listening to you, but in my head I'm riding my motorcycle." McManus explained how Lyons earned his nickname by fixing a smoke machine during the filming of a Target commercial.
As the bus headed north, McManus entertained us with anecdotes of working with stars like Woody Harrelson, who she said became a regular at La Cocina while filming "North Country" (it was the only Virginia bar he found that sold Guinness). She described taking the Hayes brothers, producers of "The Conjuring," to see Duluth's deserted Nopeming Sanitorium. "They were like kids in a candy shop!"
I struck up a conversation with my seatmate, Jeff Montgomery, production liaison with the Athens Film Office in Georgia. I was curious to know whether Georgia is seeing productions avoid the state due to conservative policies. Some Minnesotans, I explained, have hoped that being a blue state will prove a draw for filmmakers who lean that way politically.
Montgomery explained that while some filmmakers have been concerned about Georgia's policies, they've continued to flock to the state's generous incentives and well-established infrastructure, believing a boycott would most hurt the film professionals who've staked their livelihoods on the industry.
Minnesota doesn't offer anything on the magnitude of Georgia's incentives, which include a staggering $1.3 billion film credit that can lure huge productions. However, Montgomery did say the Northland's stackable incentives, which can cover up to three-quarters of local expenses, are "pretty incredible."
We dashed back to the bus, braving the weather ("This is violent!" "I got hail in my bra!") for a ride back to Duluth and a sample of buttery potica. As we drove past a cemetery, someone asked McManus if anyone famous was buried there.
Armer also shared his experiences working with Hallmark movies ("It can be a very Hallmark-y sort of area," he said about the Northland), and insights on how budget-conscious filmmakers hire stars for a single day and shoot several scenes to sprinkle throughout a feature.
Are you one of those people who waits as long as possible to turn on the heat when it starts to get cold outside? If so, window film can help you delay touching that thermostat even longer by helping your home retain warmth and maintain comfortable temperatures. Talk to a window film expert from Solar Tint today to find the best cold-weather window film solution for you.
I read through this whole thread and havnt seen anyone use anti-fog film. Like what can be used in dive goggles, motorcycle helmet visors, or on Vehicle mirros and stuff. Im going to get some, and see how it works. Ill let you all know.
Im not talkig about a liquid, I mean a film like an adhesive screen protector. There are anti-fog films that you can stick onto your car mirrors and whatnot that keeps them from freezing and fogging. I just ordered some for $5 from amazon, so Ill post pictures in a couple days if it works. I have used stuff like that inside motorcycle helmets and they work pretty good.
So here is my update. If you are suffering from condensation and frost on the outside of your ring doorbell, I found something that works. I attached before and after pictures and the product I used. Just get some anti-fog film from amazon. I ordered some film designed for rearview mirrors and cut a small square and put it on the outside of the lens. No more fog or condensation. I hope this helps. It was a pretty cheap and easy fix. Those of you with condensation on the inside of your lens should probably do a warranty claim. Maybe ring will take note, and start including something like what i used, it worked for me. Rain-x and dish soap did not help my situation.
All of these are weather-related issues that may appear to be technique problems, when in fact, the greater issue is inside the helmet, and not having the proper approach to handling changing conditions. With the summer evaluation period typically occurring in warm climates where weather is a non-issue, evaluators often are given an incomplete picture of how a kicker can perform in adverse conditions. And the undeniable fact is that for kickers who want to compete at the NFL level, they will have to compete in those conditions at some point throughout their career. ff782bc1db
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