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Shattered is a 2022 American psychological thriller film directed by Luis Prieto and written by David Loughery. The film stars Cameron Monaghan, Frank Grillo, Lilly Krug, and John Malkovich.[1]

On the review aggregator website Rotten Tomatoes, 19% of 37 critics' reviews are positive, with an average rating of 3.9/10.[6] Metacritic, which uses a weighted average, assigned the film a score of 27 out of 100, based on 6 critics, indicating "generally unfavorable" reviews.[7]

Download Film Shattered (2022)

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Your gut tells you that the hero of "Shattered" is about to get into trouble when he goes to a supermarket after midnight and the only other customer is a gorgeous young woman, dripping wet from rain, who asks his advice on which wine to buy, accepts his offer of a lift home when her rideshare fails to materialize, and ends up having sex with him. This is a psychosexual thriller, a type of film in which naked bodies are a prelude to a body count.

Indeed, like the high-tech security devices supposedly protecting the hero's palatial mountain home, this film from director Luis Prieto ("Kidnap") and writer David Loughery ("Money Train," "Lakeview Terrace") is a machine that promises to fulfill certain functions. Unfortunately, the craftsmanship is lacking. That's not a knock against the look or sound of the movie, which is appropriately glossy, or the sex, which is pretty boisterous for a film made in the neo-Puritan early 21st century, or the violence, which is more spectacularly gruesome than non-horror films tend to allow. (One character looms before their prey bathed in blood like Carrie after the prom.)

But there's no getting around the fact that several of the lead performances are stiff to the point of amateurishness (at least until the plot gets cooking about halfway through, and everyone gets to suffer, sweat, bleed and scream). And the script manages to be too much and not enough, gesturing clumsily in the direction of what the critic Anne Billson calls the Preposterous Thriller, while at the same time shoehorning in bits of social critique about the haves and have-nots that make "Shattered" come off as the movie "Parasite" could have been, were it possible to repeatedly drop a film on its head.

A lot of the issues come back to the question of whether you're watching the kind of film that cares about believable psychology or one that could not care less. It handles the distress of Sky's roommate more sensitively than one might expect, but it also has the hero getting his leg broken with a tire iron during an attempted car break-in and then gives us zero indication of how that shocking crime might've affected the victim's psyche (for the most part, he acts as if it was an inconvenience).

Soon we realize we'll never figure out who Sky "really is" because there's nothing in her head but greed and evil. Kudos to the movie, kind of, for taking one more giant step into raw sleaze by bringing in character actor Frank Grillo (the film's other memorable performance) to play a preening, wiseass, thug-mastermind type. Grillo's smirky delivery, New York tough guy swagger, and retro-'50s pompadour read as an invocation of Mickey Rourke, the crown prince of screen debauchery in the late '80s and early '90s, and the star of Michael Cimino's remake of the home invasion thriller "The Desperate Hours," which the final third of the film sometimes resembles (along with both versions of "Funny Games").

We are honored to have been a part of the making of this complex thriller. It was so fun to host this incredible cast and crew! Hope you enjoyed these images from the set. In the above photo you can see John Malkovich, as Ronald, being filmed through the motel window!

In September 1998, Buzz Bissinger published an article in Vanity Fair about the Glass fiasco. Hollywood producer Craig Baumgarten and HBO executive Gaye Hirsch acquired the rights. They asked Billy Ray, then a journeyman screenwriter, to write a screenplay for a potential HBO film.

Penenberg and his editor, Kambiz Foroohar, had conference calls with Lane and Glass that turned increasingly adversarial as Glass was unable to produce supporting materials. Ray used recordings of those calls for the dialogue in the film.

Lane: Billy did a tremendous amount of good-faith effort to nail down particulars that would make the film have verisimilitude: what people like to wear to the office, what kind of photographs people had on their desks, where the couch was positioned in my living room at home, all those things that would lend credibility to individual shots.

I love mine. Super fun but tt has its quality flaws and probably wont out last film supplies. I am on my second one over 6 years and still going with this one. It is like a XA4 in medium format. The photos it can take are awesome.

If anything, Shattered Glass is a significant treatise that the onus of a bad performance should not primarily be laid at the feet of the actor. This is a tenet of film criticism, to point out which actor had a good performance and which ones were bad, but the quality of the performance is almost always blamed on or feted to the actor without regard to the role they were given or the tutelage they received. This singular praise is not just regarding actors and performances, though, as the criticism of all aspects of a film are usually chocked up to the department heads. This is logical thinking in a microscopic sense, but this kind of criticism neglects to acknowledge the collaborative effort of filmmaking. This is the equivalent of taking a losing basketball team and blaming every single failure on the players or the head coach, opposed to acknowledging the collective effort of the organization or the leadership of the front office.

Madison is a mathematician turned statistician based out of Columbus, OH. He fell back in love with film years ago while living in Charleston, SC and hasn't looked back since. In early 2019 he started a website about film photography.

The Shattered Horizon is a series of photographs which hopes to provide a glimpse into a place that only exists within the dimension of time. The body of work showcases a series of multiple exposures onto expired film using a camera originally designed as a toy, the Holga 120N. The series explores the dimension of time and how that can influence representations of real world places.

32 pages, A5 full colour

150GSM interior with 200GSM cover

recycled paper stock, saddle stitched

Steve is heralded in the climbing world for his minimalist approach to climbing, and our filming style echoed this sparsity. We set our intentions on creating a visual poem, a short film sculpted to its ethereal essence.

Aspen photographer and cinematographer Tyler Stableford has won numerous photo and filmmaking awards from Communication Arts, PDN, American Photo and The International Photography Awards, among others. He and his staff volunteer to shoot at least one week per year for nonprofits, and he is an active member of 1% For The Planet.

I'm using a pentax me super, and I just brought it a few months ago. I was down to my third film, the camera was fully functioning perfectly.

Aside from having to use great force to open the back the camera, the mirror is position upwards when I guess it should be down, my friend tried to put it back to place and the mirror is cracked and I want to know if it's worth repairing, or getting a new one. I don't want to waste a whole film to see if the pictures would come out fine and I really don't want to throw away the camera.

12:49PM, 25 August 2012 PST(permalink)

If the back door is sticking, the foam light seals might need to be replaced or the locking mechanism serviced. Not a big deal as you seem to know. However, if the foam needs to be replaced, this could be the reason why the mirror got stuck to begin with. Decaying old foam gets sticky and can catch and hold the mirror when it flips up.

When a mirror gets stuck in the up position, if you are not a repair tech, you should not touch it. It should have been sent to the shop at that point. Even if the foam just needed/needs to be replaced, there are other more complex reasons for a mirror to get stuck and it's better addressed by a professional at that poin.

Are you saying that the mirror is cracked but flipping up and down as it should again? Is the foam strip above the mirror crumbly or squishy to the touch? If so, you will need to first replace the foam then decide if you want to replace the mirror or not. The mirror will need to be replaced by a professional and you may as well get them to do the foam at that point too, unless you can save money by doing it yourself as it's not difficult.

All the flipping mirror in an SLR does is allow you to see through the lens to focus. It being cracked has nothing at all to do with how your film comes out because it flips up and out of the way of the film at the moment of exposure. However, it could make your focusing less accurate. And over time the cracking could drop bits of glass into your camera which would be bad. So it needs to be resolved but you could probably finish out your roll if you'd like.

Don't ever throw away classic cameras. Even if they're broken. Keep them for parts or give them to someone else who can use them. You can even sell them for parts and use the earnings to buy film!

ME Super's are pretty cheap and repair cost will probably outweigh the cost of another camera. If you buy one off eBay or Craigslist you will have another unserviced camera with no known history that will likely incur another issue at some point. Getting your camera repaired will give you a 6 month warranty in many cases and you'll know its history which helps a lot. If you do want to buy a new one, get it at KEH.com or other reputable shop.

Good luck!

ages ago(permalink)

The mirror would often get stuck and it would take long for me to place it back down as I'm not so educated in these cameras. I had just received it so I'm new to everything. But somehow the mirror would go back down, sometimes i'd have to place it myself and i feel like i shouldn't be.

The focus is a bit inaccurate, and weird grainy looking. I did finish the film and managed to get it out and I tried to reload the camera i just couldn't, somehow I couldn't take any pictures, the lever wouldn't push back.

I want to keep the camera and buy another one but I do want to sell it and use the earnings for films. The foam I think should be replaced and I'm looking for a good shop to fix the camera and have professionals evaluate it because the mirror is totaled and I don't know how it will effect the images.

I just went to the KEH website and it's absolutely great! I should have know about the site a long time ago I wouldn't be wasting time on ebay. But thanks you so so so much all of this really helped. :)