[BEST] Download Film Octopus

Octopus is a 2000 American made-for-television horror film produced by Nu Image that premiered on the USA Network on October 11, 2000. The film stars Jay Harrington, David Beecroft and Ricco Ross.

In October 1962, during the Cuban Missile Crisis, a Soviet submarine delivers barrels of nuclear material to Cuba, and has to outrun an American submarine. When one of the crewmen suggests that the submarine should slow down and identify itself, the captain shoots him. The submarine is hit by torpedoes and damaged, drowning the crew and releasing radioactive material into its nearby waters. It causes an octopus to grow into a monstrous size, attacking submarines and naval vehicles off Cuba's coasts.

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Director John Eyers was approached by David Varod, Danny Lerner and Boaz Davidson of Nu Image with a treatment for the film, followed by a screenplay being developed "pretty quickly" according to Eyers.[3] "My directional background has been in doing quite a bit of sci-fi, so it wasn't that much of a stretch."[3] The film was shot in Bulgaria with a 36 day shooting time and a $5 million budget.[3]

The octopus in the film was created through a combination of CGI, miniatures and animatronics.[3] One of the tentacles has a 30-foot section of animatronic arm while the CGI sequences were done with a greenscreen in Bulgaria.[3]

From contemporary reviews, Jerry Bokamper of the Dallas Morning News declared the film a "concomitant mess, an everything-and-the-kitchen-sink disaster.", suggesting that "If you want a sea monster movie that really sits up and barks, go back to the classics, such as The Beast From 20,000 Fathoms.[6]An anonymous reviewer from The Advocate-Messenger gave the film one star, stating it was a "cheesy monster flick" with "mediocre special effects, banal dialog and the predictable story line add up to a crash bore"[7]

My Octopus Teacher is a 2020 Netflix Original documentary film directed by Pippa Ehrlich and James Reed, which documents a year spent by filmmaker Craig Foster forging a relationship with a wild common octopus in a South African kelp forest. At the 93rd Academy Awards, it won the award for Best Documentary Feature.[2][3]

He started to document his experiences and, in time, met a curious young octopus that captured his attention. The film shows Foster's growing intimate relationship with the octopus as he follows her around for nearly a year. They form a bond where she plays with Foster and allows him into her world to see how she sleeps, lives, and eats. She frequently has to defend herself against pyjama sharks. In one attack upon her, the octopus loses an arm, and retreats to her den to recover, slowly regenerating the arm over three months. In a later shark attack, she shows an incredibly improved creativity to survive, including sticking on the shark's back. After mating with a male octopus and producing numerous eggs, she dies naturally while tending to her eggs. Later, a shark scavenges her dead body and carries it off.

Foster describes the effect of this mentorship-like relationship the octopus provided him, teaching him a lesson on the fragility of life and humanity's connection with nature.[8] This transfers to Foster creating a deeper bond with his son, Tom Foster, as his son develops as a diver and marine biology student.

In partnership with Sea Change Project, Off The Fence and ZDF Enterprises, My Octopus Teacher was executively produced by Ellen Windemuth. It was directed by Pippa Ehrlich and James Reed. Cinematography was directed by underwater cameraman Roger Horrocks with footage from Craig Foster and Roger Horrocks.[9][10] A smaller amount of underwater footage, not shown in the film, but filmed by the same pairing at the same location, had been shown previously on Blue Planet II, episode 5.[11]

My Octopus Teacher received critical acclaim. On review aggregation website Rotten Tomatoes, the film holds an approval rating of 95% based on 39 reviews, with an average rating of 8/10. The site's critics consensus reads "A heartwarming look at the way a meaningful bond can transcend just about any barrier, this documentary will leave you asking your friends to come and see My Octopus Teacher with you."[16] On Metacritic it has a weighted average score of 82% based on reviews from 5 critics.[17]

This documentary is meant to inspire hope, or at least I think it is. As a tale of man and nature, interspecies bonds and the miraculous intelligence of the octopus as a product of evolution, this film is meant to leave the viewer filled with wonder. Instead, I left quite disgusted.

We agree. The guy is weird. Having an intimate relationship w an Octopus is creepy. It was beautifully filmed and the closeups of the sea life is really awesome. Having an unnatural obsession with an Octopus and discussing it adnauseum is just plain kookie in our opinion.

I liked the documentary BUT he lies when he gave the idea of having a close and deep relationship with the octopus. He never saved the octopus. So it was just like another type of documentary. Like a bad publicity.

The film is directed by Pippa Ehrlich and James Reed, documenting a full year as filmmaker Craig Foster forges a relationship with a common octopus (what a silly name for an extraordinary creature; there is nothing common about any octopus) in a part of kelp forest in South Africa.

Stilt is working with the Animal Law and Policy Clinic to get octopuses protected under the Animal Welfare Act, which regulates the treatment of animals in research. She wondered about their exclusion from the 1966 federal law. Schnell said she expects movement in the U.S. sometime soon on the question of whether cephalopods are sentient, a significant hurdle for protection, based in part on recent research that shows octopuses respond to pain.

Yet more friends told me they loved the film. The ratings are high. Thinking I was the wiser, and that I knew why it had such power, how it had been so carefully written, shot and edited, I still wondered if I was missing something.

Netflix is offering subscribers the opportunity to host educational community screenings free-of-cost. To get the film you can either stream directly from Netflix or download in advance via the Netflix app on a mobile device.

If you do not have a Netflix account, you can sign up for a free 30-day trial in some regions.

Throughout the film, Scheel spouts off seemingly endless fascinating facts about octopuses and uses Heidi to demonstrate. For example, octopuses can change colors to match their surroundings. And because they have no skeleton, they can squeeze through small spaces and mold their body to fit in any shape.

This film is a remarkable, mind-expanding adventure that journeys with a team of scientists from the decks of high-tech exploration vessels to the dark and uncharted depths of Monterey Bay National Marine Sanctuary. Their mission: to collect crucial data from one of the rarest and deepest fertile octopus brooding colonies on the planet.

The programme features new cycles. Skate or Die! will explore skateboarding as a lifestyle and pop culture icon through two feature films from the 1980s and documentaries showing the development of the skating subculture. It's never too early to start watching genre cinema, so this year Octopus will also offer Omiorniczka, genre films for the youngest. The Turing Cycle, with films about artificial intelligence, will also be presented. These will be classics of cinema that anticipated and inspired fascinating artificial intelligence. From the iconic Metropolis to the iconic 2001: A Space Odyssey. Octopus could not exist without the gems of genre cinema from the lowest shelves of cassette rental presented by VHS HELL. This year's series will feature two films with live voiceovers improvising dialogue, and the theme will be action, testosterone and packed muscles combined with questionable haircuts.

For those unfamiliar, My Octopus Teacher is a documentary (currently available on Netflix) about a South African filmmaker who forms an unlikely friendship with an octopus while swimming in the kelp forest near his home.

It will come as a surprise to none of you that a nature documentary is mono-green. However, as I watched the film, I was struck by just how mono-green it is: philosophically, aesthetically, emotionally. I ran it through this popular color test and got results as such:

(By the way, that test works to an extent for films and books, not only for people and characters. When analyzing a movie, ask yourself: what is this film's philosophy? What themes does it emphasize? What is its mood?)

I'm going to outline why I think the film is so mono-green below; minor spoilers follow. The mono-greenness strikes me in part as the result deliberate choices by the filmmakers; if other colors had intruded (and they easily could have), the aesthetic would have been diluted, and the film would have suffered.

Towards the start of the film, the narrator (a dulcet-toned Craig Foster) reflects on how he was overworked and burned out. He needed to reconnect with the wilds he knew in his childhood to find himself again. Thus, he exchanges a black/white/blue focus for a green one. By refocusing on green, he rediscovers his passion for film-making, and his way of making the film takes on a green character both in means and in ends.

To make the film, Foster requires technology, but the film emphasizes how he minimizes the impact of that technology whenever possible. He chooses not to use scuba equipment or a wet suit because they would create barriers between him and the world he's trying to capture. He wants to be more like an "amphibious creature" relying on its natural abilities. He learns to hold his breath for long periods of time. His goal is always to adapt himself to his environment, rather than the other way around. This has green over blue all over it.

There is a reference to him reading scientific literature to learn more about the common octopus, but this is kept brief, and the emphasis is always on him learning from the animals around him rather than on him bringing academic knowledge to bear. The film minimizes scientific jargon and avoids presenting much information that Foster does not learn first hand. Green over blue. ff782bc1db