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Kill Bill: Volume 1 is a 2003 American martial arts film written and directed by Quentin Tarantino. It stars Uma Thurman as the Bride, a former assassin who swears revenge on a group of assassins (Lucy Liu, Michael Madsen, Daryl Hannah, and Vivica A. Fox) and their leader, Bill (David Carradine), who tried to kill her and her unborn child. Her journey takes her to Tokyo, where she battles the yakuza.

Tarantino conceived Kill Bill as an homage to the 1973 film Lady Snowblood, grindhouse cinema, martial arts films, samurai cinema, blaxploitation and spaghetti Westerns. It features an anime sequence by Production I.G. Volume 1 is the first of two Kill Bill films made in a single production. They were planned as a single release, which Tarantino split into two films to avoid having to cut scenes. Volume 2 was released six months later.

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Kill Bill was theatrically released in the United States on October 10, 2003. It received positive reviews and grossed over $180 million worldwide on a $30 million budget, achieving the highest-grossing opening weekend of a Tarantino film to that point.

The Bride falls into a coma. In the hospital, Elle Driver, one of the Deadly Vipers, prepares to assassinate her via lethal injection. Bill aborts the mission, considering it dishonorable to kill her while she is defenseless. The Bride awakens after four years and is horrified to discover she is no longer pregnant. She kills a man who intends to rape her and a hospital worker who has been selling her body while she was comatose. She takes the hospital worker's truck and gets herself back in shape, vowing to kill Bill and the other Deadly Vipers.

The Bride goes to the home of Vernita Green, a former Deadly Viper who now leads a normal suburban life. She and the Bride engage in a knife fight, which is interrupted when Vernita's young daughter arrives home. When Vernita tries to shoot the Bride with a pistol hidden in a box of cereal, the Bride throws a knife into her chest, killing her.

The Bride tracks O-Ren Ishii to a restaurant, where she amputates the arm of O-Ren's assistant, Sofie Fatale. The Bride defeats O-Ren's squad of elite fighters, the Crazy 88, and kills O-Ren's bodyguard, the schoolgirl Gogo Yubari. O-Ren and the Bride duel in the restaurant's Japanese garden. The Bride kills O-Ren by slicing off the top of her head. The Bride tortures Sofie for information about the other Deadly Vipers, and leaves her alive as a threat. Bill finds Sofie and asks her if the Bride knows that her own daughter is alive.

Quentin Tarantino and Thurman conceived the Bride character during the production of Tarantino's 1994 film Pulp Fiction; Kill Bill credits the story to "Q & U".[4] Tarantino spent a year and a half writing the script while he was living in New York City in 2000 and 2001, spending time with Thurman and her newborn daughter Maya.[4][5] Reuniting with the more mature Thurman, now a mother, influenced the way Tarantino wrote the Bride character. He didn't realize that her child could still be alive until the end of the writing process.[4]

Tarantino initially developed many of the Bride's characteristics for the character of Shosanna Dreyfus for his 2009 film Inglourious Basterds, which he worked on before Kill Bill. Originally, Dreyfus would be an assassin with a list of Nazis she would cross off as she killed. Tarantino later switched the character to the Bride and redeveloped Dreyfus.[6] Thurman cited Clint Eastwood's performance as Blondie in the 1966 film The Good, the Bad and the Ugly, as an inspiration. In her words, Eastwood "says almost nothing but somehow manages to portray a whole character".[7]

Tarantino originally wrote Bill for Warren Beatty, but as the character developed and the role required greater screen time and martial arts training, he rewrote it for David Carradine.[8] Beatty said he turned the role down, as he did not want to be away from his family while shooting in China.[9] Tarantino also considered Bruce Willis for the role of Bill.[10] Tarantino cast Daryl Hannah as Elle Driver after seeing her performance in the television film First Target. The physical similarities between Thurman and Hannah inspired how he wrote the rivalry between the characters.[11] Michelle Yeoh met with Tarantino for a role in the film.[12]

An early draft included a chapter set after the confrontation with Vernita in which the Bride has a gunfight with Gogo Yubari's vengeful sister Yuki. It was cut because it would have made the film overlong and added $1 million to the budget.[4] Another draft featured a scene in which the Bride's car is blown up by Elle.[4]

When Thurman became pregnant as shooting was ready to begin, Tarantino delayed the production, saying: "If Josef Von Sternberg is getting ready to make Morocco and Marlene Dietrich gets pregnant, he waits for Dietrich!"[8] Principal photography began in 2002.[13] Although the scenes are presented out of chronological order, the film was shot in sequence.[4] The choreographer Yuen Woo-Ping, whose previous credits include The Matrix, was the film's martial arts advisor.[14] The anime sequence, covering O-Ren Ishii's backstory, was directed by Kazuto Nakazawa and produced by Production I.G, which had produced films including Ghost in the Shell and Blood: The Last Vampire.[15] The combined production lasted 155 days and had a budget of $55 million.[16]

According to Tarantino, the most difficult part of making the film was "trying to take myself to a different place as a filmmaker and throw my hat in the ring with other great action directors", as opposed to the dialogue scenes he was known for.[4] The House of Blue Leaves sequence, in which the Bride battles dozens of yakuza soldiers, took eight weeks to film, six weeks over schedule. Tarantino wanted to create "one of the greatest, most exciting sequences in the history of cinema".[14] The crew eschewed computer-generated imagery in favor of practical effects used in 1970s Chinese cinema, particularly by the director Chang Cheh, including the use of fire extinguishers and condoms to create spurts and explosions of blood. Tarantino told his crew: "Let's pretend we're little kids and we're making a Super 8 movie in our back yard, and you don't have all this shit. How would you achieve this effect? Ingenuity is important here!"[14][17]

Near the end of filming, Thurman was injured in a crash while filming the scene in which she drives to Bill. According to Thurman, she was uncomfortable driving the car and asked a stunt driver to do it; Tarantino assured her that the car and road were safe. She lost control of the car and hit a tree, suffering a concussion and damage to her knees.[18]

Kill Bill was planned and filmed as a single film.[16] After editing began, the producer, Harvey Weinstein, who was known for pressuring filmmakers to shorten their films, suggested that Tarantino split the film in two.[16] This meant Tarantino did not have to cut scenes, such as the anime sequence. Tarantino told IGN: "I'm talking about scenes that are some of the best scenes in the movie, but in this hurdling pace where you're trying to tell only one story, that would have been the stuff that would have had to go. But to me, that's kind of what the movie was, are these little detours and these little grace notes."[4] The decision to split the film was announced in July 2003.[16]

As with Tarantino's previous films, Kill Bill features a diverse soundtrack; genres include country music and Spaghetti Western scores by Ennio Morricone. Bernard Herrmann's theme from the film Twisted Nerve is whistled by the menacing Elle Driver in the hospital scene. A brief, 15-second excerpt from the opening of the Ironside theme music by Quincy Jones is used as the Bride's revenge motif, which flares up with a red-tinged flashback whenever she is in the company of her next target.[20] Instrumental tracks from Japanese guitarist Tomoyasu Hotei figure prominently, and after the success of Kill Bill they were frequently used in American TV commercials and at sporting events. As the Bride enters "The House of Blue Leaves", Japanese rock group the 5,6,7,8's perform "I Walk Like Jayne Mansfield," "I'm Blue (The Gong-Gong Song)" and "Woo Hoo". The connection to Lady Snowblood is further established by the use of "The Flower of Carnage" the closing theme from that film. James Last's "The Lonely Shepherd" by pan flute virtuoso Gheorghe Zamfir plays over the closing credits. The theme from The Green Hornet plays when the Bride is flying to and arriving in Japan.[21]

Kill Bill was inspired by grindhouse films that played in cheap US theaters in the 1970s, including martial arts films, samurai cinema, blaxploitation films, and spaghetti westerns.[22] It pays homage to the Shaw Brothers Studio, known for its martial arts films, with the inclusion of the ShawScope logo in its opening titles[23] and the "crashing zoom", a fast zoom usually ending in a close-up commonly used in Shaw Brothers films.[23] The Kinji Fukasaku Battles Without Honor and Humanity series main soundtrack theme, particularly its reinterpretation in the 2000 remake, was utilized heavily by Tarantino.

The Bride's yellow tracksuit, helmet and motorcycle resemble those used by Bruce Lee in the 1972 martial arts film Game of Death.[24] The animated sequence pays homage to violent anime films such as Golgo 13: The Professional (1983) and Wicked City (1987)[25]

The Guardian wrote that Kill Bill's plot shares similarities with the 1973 Japanese film Lady Snowblood, in which a woman kills off the gang who murdered her family, and observed that like how Lady Snowblood used stills and illustration for "parts of the narrative that were too expensive to film", Kill Bill similarly used "Japanese-style animation to break up the narrative".[22] The plot also resembles the 1968 French film The Bride Wore Black, in which a bride seeks revenge on five gang members and strikes them off a list as she kills them.[26] e24fc04721