I Spit on Your Grave is noted for its controversial depiction of extreme graphic violence, particularly the lengthy depictions of gang rape, that take up 30 minutes of its runtime. During its wider release, it was branded a "video nasty" in the United Kingdom, and was a target of censorship by film commissioning bodies.[3][4] Film critic Roger Ebert became one of the most notable detractors of I Spit on Your Grave, calling it "a vile bag of garbage".[5]
The film remains highly controversial to this day, even being considered to be one of the worst ever made. For some, it is this controversy which has led to it being deemed a cult classic.[6] Despite the controversy and overwhelmingly negative reviews, the performance of Keaton was praised by critics. In 2010, I Spit on Your Grave was included in Time magazine's "Top 10 Ridiculously Violent Movies".[7]
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Short story writer Jennifer Hills lives in Manhattan and rents an isolated cottage in Kent, Connecticut near the Housatonic River in the Litchfield County countryside to write her first novel. The arrival of the attractive and independent young woman attracts the attention of Johnny Stillman, the gas station manager, and Stanley Woods and Andy Chirensky, two unemployed men. Jennifer has her groceries delivered by Matthew Duncan, who is mildly mentally disabled. Matthew is friends with the other three men and reports back to them about the beautiful woman he met, claiming that he saw her breasts.
Stanley and Andy start cruising by the cottage in their boat and prowl around the house at night. One day, the two men attack Jennifer while she's on her boat. They drag her to shore and Johnny joins them. Jennifer realizes that they planned her abduction so Matthew can lose his virginity. She fights back, but the three men rip her bikini off and hold her. Matthew refuses to rape Jennifer out of respect and pity for her, so Johnny and Andy rape her instead. After she crawls back to her house, they attack her again. Matthew finally rapes her after drinking alcohol, but did not ejaculate because the others were watching. The other men ridicule her book and rip up the manuscript, and Stanley violently sexually assaults her. She passes out; Johnny realizes that she is a witness to their crimes and orders Matthew to go and murder her. Matthew cannot bring himself to stab her, so he dabs the knife in her blood and then returns to the other men, claiming that he has killed her.
In the following days, a traumatized Jennifer pieces both herself and her manuscript back together. She goes to church and asks for forgiveness for what she plans to do. The men learn that Jennifer has survived and beat Matthew up for deceiving them. Jennifer calls in a grocery order, knowing that Matthew will deliver it. He takes the groceries and a knife. At the cabin, Jennifer entices him to have sex with her under a tree. She then hangs him and drops his body into the lake.
At the gas station, Jennifer seductively directs Johnny to enter her car. She stops halfway to her house, points a gun at him, and orders him to remove all his clothing. Johnny insists that the rapes were all her fault because she enticed the men by parading around in revealing clothing. She pretends to believe this and invites him back to her cottage for a hot bath, where she gives him a handjob. When Johnny mentions that Matthew has been reported missing, Jennifer states that she killed him; as he nears orgasm, she takes the knife Matthew brought with him and severs Johnny's genitals. She leaves the bathroom, locks the door, and listens to opera music as Johnny screams, bleeding to death. After he dies, she dumps his body in the basement and burns his clothes in the fireplace.
Stanley and Andy learn that Johnny is missing and take their boat to Jennifer's cabin. Andy goes ashore with an axe. Jennifer swims out to the boat and pushes Stanley overboard. Andy tries to attack her but she escapes with the axe. Andy swims out to rescue Stanley, but Jennifer plunges the axe into Andy's back, killing him. Stanley moves towards the boat and grabs hold of the motor to climb aboard, begging Jennifer not to kill him. She repeats the order he made to her during the sexual assaults, "Suck it, bitch!", then starts the motor, disemboweling him with the propeller as she speeds away.
The inspiration for I Spit on Your Grave came from an encounter writer-director Meir Zarchi had in 1974 with a young woman who was raped and beaten by two men at a park in New York City.[10] The idea did not begin to fully develop until Yuri Haviv, the film's cinematographer, invited Zarchi to spend the weekend at a summer house he had rented in Kent, Connecticut which contains an extension of the Housatonic River nearby. Zarchi eventually chose to shoot in these locations because they provided a tranquil atmosphere for the film's antiheroine, Jennifer Hills.[10] He spent four months writing the screenplay, the bulk of which was written at his usual subway route to his office in Times Square and back home where his wife would then typewrite the handwritten pages in the evening. The typewriter his wife had used is seen in the film as the same one Jennifer uses to complete her manuscript.[10]
To cast the stars, Zarchi put up a casting call advertisement in Backstage magazine that sought one woman and four men in their 20s to star in a low-budget production. Camille Keaton was one of over 4,000 actresses who auditioned for the role of Jennifer.[10] Zarchi set up an interview for Keaton and found her to be an "experienced actress" as well as "beautiful and photogenic". After a series of auditions to test Keaton's suitability for the role, Zarchi was convinced that she could play it effectively.[10]
Zarchi was unable to find a distributor, so he distributed the film himself. Day of the Woman played a number of engagements in rural drive-in theaters, but only for brief runs each time, and Zarchi barely made back the money he had spent on advertising. In 1980, it was picked up for distribution by the Jerry Gross Organization. A condition of this re-release was that the distributors could change the title to anything they wished. It was at this time the film was retitled I Spit on Your Grave.[11] The movie did not have a theatrical release in the United Kingdom and was solely released on home video in that country.
The film did poorly at the box office but managed to have some success in videocassette sales. I Spit on Your Grave reached number 24 on Billboard's 1981 list of best-selling titles. The film stayed in the Billboard Video Cassette Top Forty for 14 consecutive weeks and won the number one best-selling video cassette award above more popular movies like Fiddler on the Roof, The Godfather Part II and Grease. By 1982, I Spit on Your Grave had been released on video six times in the United States due to high demand.[12] In a 1984 interview with Fangoria, Zarchi said, "I found out that of the millions of video machines in England, there's maybe one single house that has not seen I Spit on Your Grave." He claimed that by that point 20 million people worldwide had seen I Spit on Your Grave.[13]
The initial criticism was followed by reappraisals of the film. Michael Kaminski's 2007 article for the website Obsessed with Film, titled "Is I Spit on Your Grave Really A Misunderstood Feminist Film?" argues that, when understood within the context in which director Zarchi was inspired to make it, the movie may be equally appropriate to analyze as "feminist wish-fulfillment" and a vehicle of personal expression reacting to violence against women.[21]
A reappraisal was made by Carol J. Clover in the third chapter of her 1992 book Men, Women, and Chainsaws. Clover notes that she and others like her "appreciate, however grudgingly, the way in which [the movie's] brutal simplicity exposes a mainspring of popular culture." Clover further argues that the film's sympathies are entirely with Jennifer, that the male audience is meant to identify with her and not with the attackers, and that the point of the film is a masochistic identification with pain used to justify the bloody catharsis of revenge. Clover wrote that, in her opinion, the film owes a debt to Deliverance.[22] The British feminist Julie Bindel, who claimed to have been involved in pickets outside cinemas in Leeds when the film was released, has said that she was wrong about the film and that it is a feminist film.[23]
On review aggregator Rotten Tomatoes, I Spit on Your Grave holds an approval rating of 51%, based on 39 reviews, and an average rating of 5.4/10. Its consensus reads, "I Spit on Your Grave is as aggressively exploitative as its title suggests, although as a crude rejoinder to misogyny, it packs a certain amount of undeniable power."[24]
The film caused significant controversy and backlash for its graphic violence, particularly the rape scene, with feminists protesting the movie and people accusing the movie of glorifying rape. The Motion Picture Association of America tried to prevent the film's producers from using the R rating. After the association gave I Spit on Your Grave an R rating, the producer of the film added rape scenes, making it an X-rated movie. Ultimately an agreement was reached where the film removed any references or explicit shots referring to anal rape and the MPAA restored the original R rating.[25] In an interview with Fangoria, director Meir Zarchi said as a response to the backlash: .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}
"Frankly, I'm not concerned whether it receives bad press or not. It doesn't touch me one way or the other whatsoever. If you told me that the public does not like it and the critics like it, then there is something very, very bad about that. Who am I reaching? Three-hundred critics around the United States, or 2,000 around the world? It's really the public that counts, the 20 million who have seen the film around the globe."[13] 152ee80cbc
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