Download Film Hey Sinamika [HOT]

Hey! Sinamika (Template:Translation) is a 2022 Indian Tamil-language romantic comedy film written by Madhan Karky and directed by Brinda in her directorial debut. The title of the film was taken from a song in O Kadhal Kanmani. Produced by Jio Studios and Global One Studios, the film stars Dulquer Salmaan, Aditi Rao Hydari and Kajal Aggarwal. Featuring music composed by Govind Vasantha and cinematography by Preetha Jayaraman, the venture began production in March 2021. This film was dubbed in Telugu & Malayalam and was released on the same date with the Tamil version.

In January 2020, it was reported that Jio Studios had signed dance choreographer Brinda to make her directorial debut through a romantic comedy film featuring Dulquer Salmaan, Aditi Rao Hydari and Kajal Aggarwal in the lead roles.[2][3] Titled Hey Sinamika, as inspired from a song from Mani Ratnam's O Kadhal Kanmani (2015), the film was launched at an event in Chennai during mid-March 2020. Madhan Karky was credited as the film's story, screenplay, dialogues and lyric writer, while Govind Vasantha and Preetha Jayaraman were announced as the film's music composer and cinematographer, respectively.[4][5]

Download Film Hey Sinamika

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The shoot commenced in Chennai after the launch ceremony, with filmmakers K. Bhagyaraj and Mani Ratnam being guest directors for the first shot. Actresses Suhasini and Khushbu, close friends of Brinda, also participated in the first shot by handling the clapperboard.[6] The film's shoot continued in Chennai with Salmaan and Hydari throughout March 2020 until it was stopped as a result of the COVID-19 pandemic in India.[7][8] The shoot of the film recommenced in early November 2020, with Kajal Aggarwal joining the set after her wedding.[9] The shoot of the film was completed in Chennai during late December 2020.[10][11]

The songs of the film is composed by Govind Vasantha.Hey! SinamikaArtistGovind VasanthaReleased2022 (2022)Recorded2021LengthTemplate:DurationLabelSony Music SouthPreceded byWriterPreceded year2021Followed byPadavettuFollowed by year number2022MiscellaneousTemplate:SinglesTemplate:Tracklist

Hey Sinamika was released to theatres on 3 March 2022.[12] The film was originally planned to release on 12 February 2021 as Valentine's Day special, but was postponed due to ongoing Covid-19 Pandemic in India. The next time, The film was scheduled to be released in July 2021 but was again delayed due to its shooting works. The next time, The film fixed its release date as December 2021 but was again postponed.[13] Then the film was scheduled to release on 25 February 2022, but again got postponed for the same reason.[14]

The film opened to mixed reviews, but eventually garnered momentum in a week's time, however couldn't perform upto the mark set on bench.[15] The Telugu dubbed version of this film underperformed at the box office, almost all the shows got cancelled by the end of first day of the release. [16]

In this post we analysed the film and therefore it contains spoilers. Make sure you have watched the movie. If not, check our movie introduction to discover the story, other curiosities and watch the trailer.

Dulquer Salman is quite subdued in the film but makes it up in the last half an hour. The film belongs to Aditi Rao as she has the best role and performs superbly. Not only does she look beautiful but the way she showcases emotions like jealousy, frustration, and love was good to see.

The film is filled with so many drawbacks that everything cannot be put up here. Firstly, the basic plot chosen by Vrinda is horrible and showcases nothing new. A top-notch actor like Dulquer Salman is pushed aside and is lost in translation. In so many scenes, he sleepwalks in his role and one wonders as to why he even chose this film.

The basic drawback of the film is there is no bonding between the couple. The film starts on a weird note and why Dulquer behaves in such a way with his wife is not established properly leaving the audience clueless.

She showcases nothing new and right from the beginning, her narration lacks clarity and basic emotion for the audience to connect. Even after having seasoned stars like Dulquer and Kajal, the film looks so dull and outdated.

Salmaan is self-assured as the garrulous hubby but comes across as endearing rather than annoying with his non-stop chatter. Hydari as the supposedly long-suffering wife and Aggarwal as the complex therapist are both adequate in their respective roles. But what we are left with is a film making a plea for male chauvinism to not be entirely lost in a storm of feminism. Somehow, it feels unlikely that was the intended message of the female choreographer-turned-filmmaker Brinda Master.

In her directorial debut, Brinda goes after eye-candy visuals and cheesy storytelling. Every step in the story is exaggerated, and this melodrama fails miserably in evoking sympathy towards any of the characters. The fights and demands look ridiculously silly. This cliched scripting trope of delaying a conversation so that the movie can be two and a half hours long is visible here too. And to achieve that, we have some pointless humor and even a rap song featuring Dulquer Salmaan where he is bringing a revolution in Pondycheri. Preetha Jayaraman is helping Brinda in making the movie look like a glossy ad film. If chopping off unnecessary scenes is considered good editing, then Radha Sridhar has done a terrible job. I felt bad for Govind Vasantha when I heard the song based on Fish Rock.

The shooting of Hey Sinamika had commenced in March 2020 and the makers had reportedly planned to complete the shoot in a single schedule. But since lockdown was imposed in the wake of coronavirus outbreak, shooting of several films had to be stalled considering the safety of the cast and crew. Then after months, the makers were permitted to resume the shooting of films by adhering to the safety guidelines issued by the government. The shooting of Hey Sinamika had resumed after a gap of almost seven months. Confirmed! Kajal Aggarwal and Dulquer Salmaan to Share Screen Space in a Tamil Film (Watch Video).

#JIO STUDIOS VENTURES INTO #TAMIL FILMS... Filming of #Tamil film #HeySinamika - starring #DulquerSalmaan, #KajalAggarwal and #AditiRaoHydari - was completed on 26 Dec 2020... Choreographer Brinda turns director with this film. pic.twitter.com/Akq5pNBTw7

The film marks the debut of popular choreographer Brinda, a national award winner who has composed dances for films in multiple languages. The plot tracks the journey of a couple and the roller coaster ride their relationship takes when the dissatisfied wife wants out of it. While the film has great look and style, it could have done with a stronger content.

Sadly, this film is bent on painting Yaazhan as a perfect man, while Mouna is shown as a fool for not appreciating his love unconditionally. This film squanders the opportunity to be an intimate movie about relationships and the importance of maintaining a healthy space between couples. Instead, it settles on complaining: why all girls are like this only ya?

The story of the complicated love triangle is written by famous Tamil lyricist Madhan Karky, and it stars Dulquer Salmaan, Aditi Rao Hydari and Kajal Aggarwal. The film is directed by choreographer-turned-director Brinda and the music is composed by Govind Vasantha.

Every character in the film is well-defined, yet the reasoning for their behaviours is still a mystery. For instance, Mauna hates Yaazhan for being clingy and talkative and she is ready to go to any length to divorce him, but she suddenly wants him back when Malarvizhi is half way through her assignment that Mauna herself had requested.

While the answer to why Mauna hates her husband has been clearly established, there aren't enough reasons presented as to why she wants him back. The storyline then gets predictable, with Malarvizhi developing feelings for Yaazhan and the film falls under the typical template of how the two women start fighting over a man. What happens next? Who will Yaazhan choose at the end? You will have to watch the movie to know it.

Though the screenplay tries to repeatedly make you feel lost, the aesthetic beauty of the shots in the film pull you back to sit through it. The colour palettes used are a treat to the eyes. Kudos to cinematographer Preetha Jayaraman, art directors SS Moorthy and Senthil Raghavan, costume designers Archa Mehta and Khushbu Banerjee for this visual treat. 17dc91bb1f