The Fall is a 2006 adventure fantasy film directed and co-written by Tarsem and starring Lee Pace, Catinca Untaru, and Justine Waddell. It is based on the screenplay of the 1981 Bulgarian film Yo Ho Ho by Valeri Petrov.[3] Its costume design is by Eiko Ishioka. The film was released in the UK and US in 2008, and earned $3.7 million worldwide.

In 1915 Los Angeles, stuntman Roy Walker is hospitalized, bedridden and paralyzed (possibly permanently) after jumping off a bridge for a stunt in his first film. He meets Alexandria, a young Romanian-born patient in the hospital who is recovering from a broken arm, and begins to tell her a story about her namesake, Alexander the Great. Alexandria is told she has to leave, but Roy promises to tell her an epic tale if she returns the next day.


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Roy talks Alexandria into stealing a bottle of morphine tablets locked in a fellow patient's cabinet, and then downs it all. He tells her she should leave after he takes them, but he knows she may not obey and may very well witness the death of the man she has come to view as her father. This does not come to pass, as the next morning Roy awakens from his sleep and realizes the pills were placebos and not actual morphine. Alexandria, desperate to help Roy, sneaks out of bed to the pharmacy. She climbs onto the cabinet but loses her footing, falls, and sustains a severe head injury. She receives surgery, after which she is visited by Roy, where he confesses his deception. He pleads with Alexandria to ask someone else to end the story, but she insists on hearing Roy's ending. Roy reluctantly begins the rest of the story.

With the story complete, Roy and Alexandria, along with the patients and staff of the hospital, watch a viewing of the finished film that Roy appeared in. With everyone laughing, only Roy's smile is broken in confusion when he sees that his jump has been edited out of the film.

Alexandria's arm eventually heals and she returns to the orange orchard where her family works. Her voice-over reveals that Roy has recovered and is now back at work again. As she talks, a montage of cuts from several of silent films' greatest and most dangerous stunts plays; she imagines all the stuntmen to be Roy.

The Fall is a self-reflexive film that deals primarily with the concept of storytelling. Roy Walker tells a story to Alexandria, who imagines it, but there is a discontinuity between what he describes and how she sees it. Each character brings their own life into their experiences of the story; Roy takes inspiration from the film that he was working on before his accident, and Alexandria populates his story with familiar sights from her own life. The intimidating X-Ray operator becomes an enemy soldier, the 'Indian' is seen by her as an immigrant co-worker from the orange groves, while Roy's dialogue makes it clear to the audience that he meant 'Indian' to mean a Native American man from the Western film he was involved in.[5]

The Fall is also grounded in the film's historical period. Roy took inspiration for his story's bandits from early 20th century news; the controversy over credit for Charles Darwin's ideas in On the Origin of Species between Darwin and Alfred Russel Wallace, as well as Ota Benga's imprisonment in the Louisiana Purchase Exposition in St. Louis, Missouri were prominent news stories around the time period of the film's setting.[6]

Tarsem Singh largely financed the film with his own funds, and paid members of the cast and crew on an equal basis rather than in more typical Hollywood fashion. The film was made over a period of four years and incorporates footage shot in 24 countries,[7] including India, Indonesia (Bali), Italy, France, Spain, Namibia, and China (PRC). Singh stressed the importance of on-location filming and lack of special effects, as he found that modern techniques would not age well in comparison. He only took advertising jobs in places that he wanted to do location scouting for, and flew cast members to shoot scenes for the film using the same crew as he did for commercials.[8] When shooting scenes of the blue city in Jodhpur, Singh provided locals with blue paint to refresh the paint on their houses.[9] This alternative to post-production effects resulted in the vibrant blue of the city in the film. Another location, the contemporary South African mental hospital which represents an early 20th-century Los Angeles hospital (the principal setting throughout the film) remained operational (in a separate wing) during filming.[10]

Lee Pace remained in a bed for most of the early filming at the director's suggestion, convincing most of the crew that he was in fact unable to walk.[11] The intention, Tarsem and Pace noted, was to maximize the realism of Roy's physical limitations in the eyes of Catinca Untaru, whose lines and reactions as the character Alexandria were largely unscripted. Alexandria's misinterpreting the letter E as the number 3 in a note written by Roy came about from an accidental misreading by the 6-year-old actress during filming, which the director adapted into a twist in the story. Tarsem had portions of the hospital scenes between Catinca and Pace filmed through small holes in the hospital bed curtains, maximizing their spontaneous interactions despite the presence of the film crew surrounding them.[10]

On review aggregator Rotten Tomatoes, the film holds a 62% approval rating based on 113 reviews, with an average rating of 6.3/10. The website's critics consensus reads, "More visually elaborate than the fragmented story can sometimes support, The Fall walks the line between labor of love and filmmaker self-indulgence."[14] Metacritic, which uses a weighted average, assigned the film a score of 64 out of 100 based on 23 critics, indicating "generally favorable reviews".[15]

The film appeared on several critics' top ten lists of the best films of 2008.[19] Tasha Robinson of The A.V. Club named it the best film of 2008,[20] and Sean Axmaker of the Seattle Post-Intelligencer named it the 6th best film of 2008.[citation needed]

Fall is a 2022 survival thriller film directed and co-written by Scott Mann and Jonathan Frank. Starring Grace Caroline Currey, Virginia Gardner, Mason Gooding and Jeffrey Dean Morgan, the film follows two women who climb a 2,000-foot-tall (610 m) television broadcasting tower, before becoming stranded at the top.

Best friends Becky and Hunter are climbing a mountain with Becky's husband Dan, who loses his footing and falls to his death. A year later, Becky has given up climbing and become an alcoholic shut-in and contemplates suicide. She has estranged herself from her father, James, because he disapproved of her relationship with Dan. Just before the anniversary of Dan's death, Hunter invites Becky to climb the decommissioned 2,000-foot (610 m) B-67 TV Tower in the desert before it is demolished the following winter. Hunter tells Becky that she can scatter Dan's ashes from the top as a form of healing. A fearful Becky initially refuses before accepting, hoping to finally move on from Dan's death.

The next day, Hunter and Becky arrive and successfully climb a severely corroded ladder to a tiny platform at the top of the tower, where Becky scatters Dan's ashes. As the two begin their descent, however, the ladder breaks, stranding them several hundred feet above the next intact section and almost two thousand feet above the ground. Moreover, the backpack with their water and a small Quadcopter drone have fallen onto a communications dish, just beyond the reach of their rope.

As the night falls, Becky notices a tattoo on Hunter's ankle: "1-4-3", a numeric code Dan used to tell Becky that he loved her. Hunter tearfully admits to a four-month affair that ended shortly before Becky and Dan's wedding, but Becky is unmoved by her apologies. The next day, in penance, Hunter climbs to retrieve the backpack but nearly falls to her death. She injures her hands in the process, but successfully ties the rope to the bag, and Becky uses all of her remaining strength to pull both Hunter and the backpack up. Becky uses the tower's aviation obstruction lighting warning light to charge the drone and sends it to a nearby motel a few miles away with a written message for help, but it is struck by a truck and destroyed while flying over a road.

At night, Becky is delirious from the lack of food and water, but in a brief lucid moment, when she asks Hunter for her other shoe to pad it with her phone inside, Becky realizes Hunter had actually fallen onto one of the communication dishes when retrieving the backpack and was killed; Becky has been hallucinating her presence since then. The next day, Becky is awakened by a vulture gnawing at her wounded leg, and kills and eats it. Her strength partially restored, Becky climbs down to the dish where Hunter's body lies and types a text message to her father. She then puts the phone into Hunter's shoe for protection, shoves it into a hole in the corpse's abdomen, and pushes it off the tower. Hunter's body cushions the impact and the message transmits. Becky's father alerts emergency services, who then rush to the tower. She is rescued and reunited with her father.

Originally the film was intended as a short. According to director Scott Mann, the idea came to him while he was shooting Final Score at a stadium in the UK: "We were filming at height, and off camera we got into this interesting conversation about height and the fear of falling and how that's inside of all of us, really, and how that can be a great device for a movie." Fall was filmed in IMAX format in the Shadow Mountains in California's Mojave Desert. The look of the fictitious B67 tower in the film was inspired by the real KXTV/KOVR tower, a radio tower in Walnut Grove, California, which is 2,049 feet (625 m) high and one of the tallest structures in the world. According to director Scott Mann, the filmmakers considered green screen or digital sets, but ultimately opted for the real thing. They decided to build the upper portion of the tower on top of a mountain so that the actors would appear to be thousands of feet in the air, even though in real life they were never more than a hundred feet off the ground.[3] Currey and Gardner were offered stunt doubles, but they opted to perform their own stunts.[3][4] Filming was difficult, because often weather such as lightning and strong winds posed a challenge.[5][6] The film cost $3 million to produce.[7] 006ab0faaa

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