Candyman is a 1992 American gothic supernatural horror film, written and directed by Bernard Rose and starring Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons, and Vanessa E. Williams. Based on Clive Barker's short story "The Forbidden", the film follows a Chicago graduate student completing a thesis on urban legends and folklore, which leads her to the legend of the "Candyman", the ghost of an African-American artist and the son of a slave who was murdered in the late 19th century for his relationship with the daughter of a wealthy white man.

Candyman was theatrically released on October 16, 1992 by TriStar Pictures and PolyGram Filmed Entertainment. The film received generally positive reviews and grossed over $25 million in the US, where it was also regarded in some critical circles as a contemporary classic of horror cinema.[3] It was followed by three sequels: Candyman: Farewell to the Flesh (1995), Candyman: Day of the Dead (1999), and Candyman (2021), the latter set one year before the events of the third film.


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In September 2018, it was announced that Jordan Peele was in talks to produce a direct sequel to the 1992 film using his company, Monkeypaw Productions.[53] Todd stated in a 2018 interview with Nightmare on Film Street, "I'd rather have [Peele] do it, someone with intelligence who's going to be thoughtful and dig into the whole racial makeup of who Candyman is and why he existed in the first place."[54] In November 2018, it was confirmed that Peele would produce the film with Universal and MGM and will partner with Win Rosenfeld to co-produce the film while Nia DaCosta signed on as director.[55] The film serves as a sequel, taking place back in the new gentrified Cabrini-Green where the old housing projects development once stood in Chicago. Filming was due to commence in spring 2019.[56] In an interview with Entertainment Weekly, Todd spoke of Peele, stating: "I know he's a fan. I'm hoping I will appear in the film in some form of fashion. Wouldn't that make sense? But, it's Hollywood so I won't take it personally if for some reason it doesn't work out." He added, "If this new one is successful, it will shed light back on the original. I think the subject matter is more important than any individuals and I mean that."[57]

The film was first released in Japan on July 15, 1989, by the Toho-Towa and in the United States on August 21, 1992, by the Hemdale Film Corporation for the dub. It received mixed reviews and was a box-office bomb, earning $11.4 million on a $35 million budget. However, it sold well on home video and has since become a cult film.

The film was completed in 1988 and released in Japan in 1989 and in the United States in 1992, but failed at the box office. Fujioka took responsibility for the film and left TMS, giving up all rights to the company, and retired from the animation industry.[3][7]

On October 5, 2004, Little Nemo was released on DVD through Funimation (under the Our Time Family Entertainment name, and under license from TMS, which had regained North American rights to the film after Hemdale closed). All of the cuts that were made in the 1992 release were restored in this DVD, bringing the runtime of the film to the full 95 minutes, resulting in the DVD being released unrated instead. Once again, it is dub-only.

"8 1/2" is the best film ever made about filmmaking. It is told from the director's point of view, and its hero, Guido (Marcello Mastroianni), is clearly intended to represent Fellini. It begins with a nightmare of asphyxiation, and a memorable image in which Guido floats off into the sky, only to be yanked back to earth by a rope pulled by his associates, who are hectoring him to organize his plans for his next movie. Much of the film takes place at a spa near Rome, and at the enormous set Guido has constructed nearby for his next film, a science fiction epic he has lost all interest in.

Alien3 was released in the United States on May 22, 1992. The film debuted at number two of the box office, behind Lethal Weapon 3, with a Memorial Day weekend gross of $23.1 million. It screened in 2,227 theaters, for an average gross of $8,733 per theater.[23] The film was considered a flop in North America with a total of $55.4 million, although it did far better elsewhere, particularly in Europe, grossing a total of $104.3 million internationally[24] for a total of $159.7 million. As producer David Giler later said, "It ended up doing as well as the rest of [the Alien films], but it did it in different places."[14] It is the second highest earning Alien film, excluding the effect of inflation, and had the 28th highest domestic gross in 1992.[25]

Numerous officially licensed video games based on the film were produced. The first was developed by Probe Software and published in 1992 by Arena Entertainment, Virgin Games and LJN for multiple formats, including the SEGA Master System, SEGA Genesis/Mega Drive, Commodore 64, Amiga and Nintendo Entertainment System. Rather than being a faithful adaptation of the film, it took the form of a basic platform action game where the player controlled Ripley using the weapons from the film Aliens in a green-dark ambient environment. The following year, a Game Boy game was released, developed by B.I.T.S. studios, although it differed from the console game, being a top-down adventure game. A third game based on the film, again a side-scrolling action game, was also released on the Nintendo Entertainment System, while a more ambitious SNES version was also produced. SEGA developed an arcade shooter loosely based on the film's events, titled Alien3: The Gun. 17dc91bb1f

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