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Driving Miss Daisy is a 1989 American comedy-drama film directed by Bruce Beresford and written by Alfred Uhry, based on his 1987 play of the same name. The film stars Jessica Tandy, Morgan Freeman, and Dan Aykroyd. Freeman reprised his role from the original Off-Broadway production.

Driving Miss Daisy was a critical and commercial success upon its release and at the 62nd Academy Awards received nine nominations, and won four: Best Picture, Best Actress (for Tandy), Best Makeup, and Best Adapted Screenplay.[5] As of 2023[update], it is the most recent PG-rated film to have won Best Picture.

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The film explores racism against black people, which affects Hoke personally. The film also depicts antisemitism in the South. After her synagogue is bombed, Miss Daisy realizes that she is also a victim of prejudice. However, American society is undergoing radical changes, and Miss Daisy attends a dinner at which Dr. Martin Luther King Jr. gives a speech.

Driving Miss Daisy was given a limited release on December 15, 1989, earning $73,745 in three theaters. The film was given a wide release on January 26, 1990, earning $5,705,721 over its opening weekend in 895 theaters, becoming the number one film in the United States. It remained at number 1 the following week but was knocked off the top spot in its third weekend of wide release by Hard to Kill. It returned to number one the next weekend and remained there for a fourth week. The film ultimately grossed $106,593,296 in North America, and $39,200,000 in other territories, for a worldwide total of $145,793,296.[4] The film was released in the United Kingdom on February 23, 1990.[7]

Driving Miss Daisy was well received by critics, with particular emphasis on the screenplay and Freeman, Tandy, and Aykroyd's performances. The review aggregator Rotten Tomatoes gives the film a "Certified Fresh" 85% rating based on reviews from 104 critics, with an average score of 7.70/10. The website's critical consensus states: "While it's fueled in part by outdated stereotypes, Driving Miss Daisy takes audiences on a heartwarming journey with a pair of outstanding actors."[8] On Metacritic, which assigns a rating out of 100 based on reviews from mainstream critics, the film has a score of 81 based on 17 reviews, indicating "universal acclaim".[9] CinemaScore similarly reported that audiences gave the film a rare "A+" grade.[10]

Gene Siskel of the Chicago Tribune declared Driving Miss Daisy one of the best films of 1989.[11] Roger Ebert of the Chicago Sun-Times called it "a film of great love and patience" and wrote, "It is an immensely subtle film, in which hardly any of the most important information is carried in the dialogue and in which body language, tone of voice or the look in an eye can be the most important thing in a scene. After so many movies in which shallow and violent people deny their humanity and ours, what a lesson to see a film that looks into the heart."[12]

Peter Travers of Rolling Stone also gave the film a positive review, calling Tandy's performance "glorious" and opining, "This is Tandy's finest two hours onscreen in a film career that goes back to 1932."[13] The performances of Tandy and Freeman were also praised by Vincent Canby of The New York Times, who observed, "The two actors manage to be highly theatrical without breaking out of the realistic frame of the film."[14]

On the other hand, the film has been criticized for its handling of the issue of racism. Candice Russell of the South Florida Sun-Sentinel described Freeman's character as having a "toadying manner" which was "painful to see", and said that the film was ultimately "one scene after another of a pompous old lady issuing orders and a servant trying to comply by saying 'yassum.'"[15] The film's nomination for Best Picture at the Academy Awards over Spike Lee's Do the Right Thing was controversial. Lee later reflected on the controversial decision by saying that Driving Miss Daisy was "not being taught in film schools all across the world like Do the Right Thing is."[16][17]

The film's score was composed by Hans Zimmer, who won a BMI Film Music Award and was nominated for a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television for his work. The score was performed entirely by Zimmer, done electronically using samplers and synthesizers, and did not feature a single live instrument. There is a scene, however, in which the "Song to the Moon" from the opera Rusalka by Antonn Dvok is heard on a radio as sung by slovak sopranist Gabriela Beakov.

The film was also successful on home video.[38] It was released on DVD in the United States on April 30, 1997, and the special edition was released on February 4, 2003. The movie was first released on Blu-ray disc in Germany, and was finally released on Blu-ray in the United States in a special edition digibook in January 2013 by Warner Bros.

Daisy Duck is a cartoon character created by The Walt Disney Company. As the girlfriend of Donald Duck, she is an anthropomorphic white duck that has large eyelashes and ruffled tail feathers around her lowest region to suggest a skirt. She is often seen wearing a hair bow, blouse, and heeled shoes. Daisy was introduced in the short film Mr. Duck Steps Out (1940) and was incorporated into Donald's comic stories several months later. Carl Barks, the screenwriter and lead storyboard artist for the film, was inspired by the 1937 short, Don Donald, that featured a Latin character named Donna Duck, to revive the concept of a female counterpart for Donald.

In 1983, Daisy was voiced by Patricia Parris in Mickey's Christmas Carol. Tony Anselmo voiced Daisy in Down and Out with Donald Duck (1987).[4] Daisy was then voiced by Kath Soucie throughout her first regular television series Quack Pack (1996). From 1997 to 1999, Daisy was voiced by Diane Michelle in the anthology film The Spirit of Mickey, the first season of Mickey Mouse Works, and other media and games at the time. Michelle alternated in the role with Tress MacNeille for Mickey's Once Upon a Christmas. In 1999, MacNeille took over as Daisy's full-time voice starting with the second season of Mickey Mouse Works. MacNeille has voiced Daisy in the television series House of Mouse, Mickey Mouse Clubhouse, Mickey Mouse, Mickey Mouse Mixed-Up Adventures, Legend of the Three Caballeros, DuckTales, and The Wonderful World of Mickey Mouse. MacNeille has also voiced Daisy in television specials, movies, and video games. Daisy was voiced by Russi Taylor in Fantasia 2000, although she has no lines other than a scream. In the second season of Mickey Mouse Funhouse, MacNeille was replaced by Debra Wilson as MacNeille was uninterested in continuing the series.[5] Wilson, the first African-American performer of Daisy, also voiced the character in the holiday special Mickey Saves Christmas.

Donna Duck made her sole animated appearance in the short film Don Donald (1937), directed by Ben Sharpsteen. It was the first installment of the Donald Duck film series and was also the first time Donald was shown with a love interest. In the story, Donald travels to Mexico to court a duck who is largely a female version of himself. She is portrayed with the same feisty temperament and as such was also voiced by Clarence Nash. At the end of the story, she spitefully abandons Donald in the desert after his car breaks down.

While Donna was not reused in film after her only appearance, she became an inspiration for the creation of Daisy. Donna appeared in early British Disney comics and was introduced in the American comic strip in 1951, as Daisy's unwitting rival for Donald's affections.[6]

Daisy debuted in theatrical animation and has appeared in a total of 15 films.[10] She appeared in 12 Donald Duck short films. These are, in order of release, Mr. Duck Steps Out (1940), Donald's Crime (1945), Cured Duck (1945), Donald's Double Trouble (1946), Dumb Bell of the Yukon, Sleepy Time Donald (1947), Donald's Dilemma, Donald's Dream Voice (1948), Crazy Over Daisy (1950), Donald's Diary (1954) & How to Have an Accident at Work (1959) as Donald's unnamed wife. She also made a brief cameo in the Mickey Mouse short film The Nifty Nineties (1941). After the classic shorts era, Daisy appeared in Mickey's Christmas Carol (1983) and Fantasia 2000 (1999) with another cameo in Who Framed Roger Rabbit (1988).

Daisy's speaking role again came 4 years later in Donald's Crime. While Daisy has a relatively small role in the film, her date with Donald is central to the plot and shows Donald's infatuation for her. Finding himself broke before the date; Donald steals money from his nephews, but afterward feels guilty. Donald imagines what Daisy might think of him knowing he stole money, and this leads him to reform in the end. Daisy was voiced in the film by actress Gloria Blondell, marking the first time Daisy had a "normal". The film also marked the first time Daisy appeared in an Academy Award nominated film (Best Animated Short).

Later that same year Daisy appeared again in Cured Duck (October 26, 1945).[11] The short starts simply enough. Donald visits Daisy at her house. She asks him to open a window. He keeps trying to pull it open and eventually goes into a rage. By the time Daisy returns to the room, Donald has wrecked it. She demonstrates that the locking mechanism was on and criticizes his temper. She refuses to date Donald again until he learns to manage his anger. She claims Donald does not see her losing her own temper. Donald agrees to her terms and follows the surreal method of mail ordering an "insult machine", a device constantly hurling verbal and physical insults at him. He endures the whole process until feeling able to stay calm throughout it. He visits Daisy again and this time calmly opens the window. But when Daisy shows her boyfriend her new hat, his reaction is uncontrollable laughter. Daisy goes into a rage of her own and the short ends by pointing out that Donald is not the only Duck in need of anger management training. There is a continuation regarding her temper in the Mickey Mouse Works short "Donald's Dinner Date" where she and Donald have a date in a restaurant wherein they both end up with a bad temper thanks to Goofy. ff782bc1db