Download Film Chasing Love Using Time Machine

For those who were around in the city during the time, the film will feel like a time machine, evoking memories both tragic and triumphant. But even though it does illustrate how much things have changed over the past 40-odd years, it also serves as a reminder that there's still much more to be done, especially at a time when LGBTQ are under renewed attack. The film also nicely conveys the story of Art and Pepe, both in terms of their love for each other and for the community that they have served, figuratively and literally, for so long. The result is a real charmer.

We all know and love the classic tale of Cinderella. This time around, Camila Cabello embodies the role of the distressed princess, taking viewers on a musical journey where she begins her quest for love and self-worth. You'll definitely recognize a few faces in this all-star cast!

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Based on the novel by Nicholas Sparks, The Notebook is one of the most cherished romance movies of all time. Allie (Rachel McAdams) and Noah's (Ryan Gosling) love story is challenged by war, class, and time before they finally get their happy ending.

Fast forward to November 11 2002, Mossy Grove, TN. The skies were so blue all day but I had a pit in my stomach when I seen the black clouds off in the distance. Poor Nana was at church that night along with a bunch of other family and my cousin Linda got up with her newborn to get a drink from the water fountain near the entrance. She looked up and saw the huge tornado coming across the parking lot. She ran and dove into the pews while the tornado moved and twisted the church off its foundation. Most of the congregation dove to the corner. That corner of the church was still there after it was over. We lost lives that night and in such a small county we felt every single loss, especially the small baby who didn't even get to start her life. Her papa was trying to rush her to safety from the mobile home they were in. Ironically, their mobile home wasn't touched but their truck was and both of them perished together. That town still bares the scars and the fear. All of us do really. I was once told we couldn't be hit by tornadoes because of the mountains. What a foolish thing to say, especially since Mossy Grove almost got hit again later but the skies showed mercy that day and settled down almost as if it took pity on us and our non-Walmart or McDonalds town. Lightening can and it will strike twice, three, four times in the same spot. The sad thing is most of us still aren't really prepared for another one. I'm working on a plan. That is the best thing to have here in Dixie Alley because the storms are getting worse. The April outbreak was a nightmare and I got stuck in a Food City that was about to close while there was another tornado warning for where I was. I was so froze in fear so my father drove to me just to let me follow him home. His truck was struck by lightening on his way. Anyway, stay prepared people and most importantly stay informed. I listen to the Weather Channel and am grateful. My 6 year old son is a meteorologist in the making. He loves weather as I do and can tell you how any storm happens, hurricanes.. tornados..floods..smart little feller he is.

In fact, I heard one expert, he said, "You're actually more free when it comes to biblical sexuality." First time I heard that I thought, "Free? Because freedom's doing whatever you want, sleeping with anybody, anytime, anywhere, isn't that person more free?" And the person said, "No, it's actually, you're free to love somebody and be loved. You know if the person gets pregnant, there's a committed, married relationship. There's no fear of sexually transmitted diseases. There's no fear of comparison. There's actually a freedom that is there."

We asked you to vote for your favourite all-time movie trilogies, and you answered in your thousands. Some of you plumped for pure three-somes, untinged by inconvenient further sequels; others specified which three films in a series you meant - and, where there's a coherent narrative to back you up, we've allowed it. So here, without further ado, are the greatest film trios for your enjoyment...

Anthony Hopkins' performance as Hannibal Lecter in The Silence of the Lambs is the shortest ever to win Best (leading) Actor at the Oscars. He's only onscreen for 16 minutes, but such is his domination of the film that you'd swear it was two or three times that. It's no wonder that studios kept trying to recapture that lightning in a bottle, recruiting cinema's best ever villain for a sequel and a prequel (there's another prequel, not starring Hopkins and not included here) which saw diminishing returns but which still benefitted from that uncanny, barely blinking performance. So why not settle down with a nice Chianti and enjoy the cannibal holocaust?

Weakest link? For perhaps the only time in history, we're going to argue that a Ridley Scott film is weaker than a Brett Ratner one. Hannibal suffers from the world's worst last act (in fairness, hamstrung by the source novel and improving slightly on it) whereas Red Dragon is a decent if unexceptional thriller.

Although it's too much of a stretch to call it Bergman's franchise, this early '60s troika are exquisite chamber pieces built around themes of sanity, madness and the wavering of religious faith, thus earning the right to be called a trilogy. Through A Glass Darkly charts a family's descent into madness on a remote island. Winter Light sees a pastor in a spiritual meltdown and might be the grimmest film Bergman ever made (and that's saying something). The Silence ticks all the art house boxes, depicting lesbianism, a troupe of dwarves, symbolism and Ingrid Thulin dying of tuberculosis; it was a surprise hit due its explicit (for the time) rumpy-pumpy scenes. Each film is marked by eerie settings, minimal dialogue, great Sven Nykvist photography and superb performances from Bergo's stock company. If you're feeling a bit down in the dumps, however, best stick with Glee.

From humble beginnings with funding gained by the director's willingness to undergo medical experimentation to a star-studded finale, Robert Rodriguez' Mariachi trilogy has - and we're willing to put our reputations on the line on this one - more weapons hidden in guitar cases than any other series on this list. Like Evil Dead, the second film is more or less a remake of the first, and the moment when the series really hits its stride, but all three of them are stylish and improbably entertaining, what with the two-handed gunfights and the Mexican stand-offs (of course) and the thousands of squibs popping on every side. It'll make you want to learn guitar, and then want to carve out the middle of the guitar and hide a couple of machine guns in there.

Weakest link? There's a little back-and-forth between the second and third films, but conventional wisdom has it that the second is just a smidge superior. Perhaps that's because the third film's tricksy time-jumping between past and present makes it overly complicated.

Police Squad only ran for six episodes, but they were six episodes of fried gold and eventually, with the as-silly but less funny Police Academy series going strong at the box office, Leslie Nielsen's Frank Drebin got his shot at the big time. And thank goodness for that. The first film is a treasury of silliness, crammed with one-liners, absurd visual gags and defiantly dead-pan performances. But then, it did still have the full Airplane! team of Abrams, Zucker and Abrams aboard. The two sequels, while not as packed with goodness, still provide at least 5 of your 5 recommended helpless giggles of the day. And in the words of Frank Drebin, "I like my sex the way I play basketball, one on one with as little dribbling as possible." Well you didn't expect him to say something relevant, did you?

The slasher film was pretty much dead and buried in 1996. But Wes Craven, who'd spun a post-modern but relatively little-seen twist on it for New Nightmare two years before, managed to single-handedly bring it back to life with this witty deconstruction of the whole genre. So this time our unstoppable killer (who always comes back for one last scare just when you think he - or she - is dead) faces victims who know how to survive a horror movie, who don't always run upstairs and who frequently fight back. The first sequel riffed on the cliches of Part IIs, while the less-successful but still original third instalment got really meta, visiting a sequel movie within the movie. Oooh, our heads are spinning!

When we talked to Pirates screenwriter Terry Rossio last year, he was rather irate that the philosophy and plot twists of the Disney series haven't garnered the sort of academic attention that, say, The Matrix did. And it's certainly true that these intricately structured adventures resemble operatic farces as much as they do traditional summer blockbusters. But in the end, the main reason we love them is because of someone originally conceived as a supporting character, the barmy, brilliant Captain Jack Sparrow. "You're the worst pirate I've ever heard of!"; "Ah, but you have heard of me!" Proof that a single great character can elevate a film, and indeed a series, to greatness.

The first Matrix film was one of those films, like Star Wars, that seems to change cinema overnight. As Keanu Reeves set out to save humanity from the machines, it spawned a million imitators, a thousand parodies and almost no equals. The sequels delved deep into philosophical themes, and while they're rarely considered the equal of the first instalment, there's no question that the Wachowskis swung for the fences - both in terms of action and theme. The second film's freeway chase scene, and the third film's attack on Zion, remain benchmarks for big action, and whether you like or loathe the Architect or the ending, the scale of the undertaking is still impressive. Or as the Architect would say, concordantly the eventuality of the enterprise is inexorably well ambitious. 006ab0faaa