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American director Joshua Oppenheimer has received a MacArthur "genius" award and two Oscar nominations, one for each of two full-length documentaries on a harrowing subject: the continuing aftermath of the Indonesian massacre of 1965-1966, during which at least 1 million people, targeted as communists, died at the hands of the government and the military.
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The film is looking at the legacy of what happens when the perpetrators win, when they remain in power, when they are free in their positions of power to lie to themselves and to impose those lies on the whole society. This of course creates a regime of fear and silence for everyone in the society. It has been 50 years of silence and fear.
The film suggests that the victims are silent because they are powerless to take the perpetrators to task. By comparison, the perpetrators are seen boasting, laughing, about their killings. How do we make sense of that?
Adi questions Commander Amir Siahaan, one of the death squad leaders responsible for his brother's death during the Indonesian genocide. Courtesy of Drafthouse Films and Participant Media hide caption
The [perpetrators] have no problem boasting of the details of the killing, but they cannot confront the moral meaning of what they did. The boasting is their way of not confronting the real meaning. They have spent 50 years escaping from and outrunning the moral meaning. That's the dramatic engine of the first film, the perpetrator realizing gradually that what he did was wrong, and the floodgates of guilt opening.
The perpetrators have been telling themselves that it is acceptable to have dehumanized the victims. But when Adi comes to them, saying, I can forgive you if you can admit what you've done, they have to look at him as a human being. And when they do that, they then [must] see all their victims are human beings. So they panic, become defensive, deny, are full of justifications.
tag_hash_108To an observer, an Indonesian village might look beautiful, idyllic. You wouldn't notice the fear, the unresolved grief, the silence [about what happened] into which the people have been intimidated. The beauty of the landscape makes the violence, the killings, the intimidation and dehumanization much more painful.
I also wanted viewers [in The Look of Silence] to be able to register the wrinkles of Adi's mother's brow and the emotions behind Adi's calm face. And I wanted to show, and make the viewer feel, the dignity, the love, even the grace with which the family has been able to survive and live despite the regime, and despite the fact that they live in the most frightful situation.
Adi's father and mother are living in between time periods. They are living in the present but in dialogue with ghosts. Adi's mother is depicted almost as ethereal. Adi is seen [by his mother] almost as a re-incarnation of the murdered brother. And there is a chorus of crickets in the background, like a chorus of ghosts.
The film has been screened over 6,000 times around Indonesia by the government itself. At the same time, though, here we are heading to the Oscars, and the army has threatened to ban screenings and did manage to pressure the Indonesia film center to ban it. So we have this unusual situation where the film is first Indonesian production formally nominated for the Oscar, and it is being distributed by the Indonesian government, but it has also been banned by the government's film censorship board, which is associated with the army.
Never look directly at the sun during a solar eclipse (except during the very brief time the sun is in total eclipse; and even then, with caution). Looking directly at the sun can cause permanent damage to your eyes. After viewing a solar eclipse, seek treatment from an eye care professional if you or your child have any changes in vision that continue to get worse.
Consider your eye health when watching a solar eclipse. The only time that you can safely view a solar eclipse without special equipment is during the part of a solar eclipse when the moon completely covers the sun.
It is never safe to look at a partial solar eclipse without proper safety equipment or techniques. During the very brief time the sun is in total solar eclipse it is safe to look at it, but do so with caution. Even during the total solar eclipse, the total eclipse may last only a short period of time, and if you are looking towards the sun as the moon moves away from blocking the sun, you might get a solar burn on your retina which can cause permanent damage to your eyes. Talk with your eye care professional to determine the best viewing option for you. Here a few common ways to safely watch a solar eclipse:
This is the safest and most inexpensive way to watch a solar eclipse. This helps you avoid looking directly at the eclipse by using a projected image. This do-it-yourself project includes making a pinhole in a cardboard paper with the sun on one side and a piece of paper three feet away without obstruction to project the image on the other side. Keep in mind not to look through the pinhole at the sun.
Mylar filters: Aluminized mylar plastic sheets are available as eclipse vision glasses or can be cut and made into a viewing box. Do not use if there are any scratches or damage to the sheet.
Do NOT use unsafe filters: Unless specifically designed for viewing a solar eclipse, no filter is safe to use with any optical device (telescopes, binoculars, etc). All color film, black-and-white film that contains no silver, photographic negatives with images on them (x-rays and snapshots), smoked glass, sunglasses (single or multiple pairs), photographic neutral density filters and polarizing filters are unsafe filters to watch a solar eclipse. Also, solar filters designed for eyepieces that come with inexpensive telescopes are also unsafe. All of these items can increase your risk of damaging your eyes.
With the extreme intelligence of a Velociraptor, Indominus escaped from its exhibit and caused mayhem across Isla Nublar, though was ultimately stopped due to the combined efforts of the park's veteran Tyrannosaurus, a Velociraptor named Blue, and the park's resident Mosasaurus.[1]
Dragged beneath the waters to its death, the skeleton of Indominus was later discovered by a team of mercenaries sent to the island, who recovered a piece of a bone from the dead hybrid. Despite sustaining attack by the Tyrannosaurus combined with casualties by the Mosasaurus, the mercenaries received the material and brought to Dr. Wu, who used it during the creation of Indoraptor, which combined the Indominus genome with that of a Velociraptor. After the death of Indoraptor, the Indominus bone was crushed by the T. rex, preventing its use in the creation of more hybrids.[3]
InGen's first genetically modified hybrid dinosaur genus, Indominus rex (meaning "Fierce" or "Untamable King") is a massive theropod, estimated by Dr. Henry Wu to reach 50 feet long when fully grown. It has a sloped muzzle like Giganotosaurus and osteoderms down its back similar to abelisaurids such as Carnotaurus and Majungasaurus. Rows of spines or quills are also present on its neck. The arms are massive and very dexterous, due to the inclusion of Therizinosaurus gene. The base genome of Indominus is ghostly white with deep red eyes.
While it was intended to be a spectacular new attraction to increase guest numbers and corporate sponsorship, the Indominus rex also formed part of a secret program to create weaponized dinosaurs. The events in the 2015 Isla Nublar incident proved to be disastrous for the park with many guest casualties, as well as dinosaur losses and escapes as a result. It was raised in isolation (after killing its sibling) in its own paddock so that researchers could study it. Due to its synthetic origins, experts were still learning about Indominus rex's behavior, diet and natural habitat. Its ferocity and intelligence would make it the apex predator of its habitat.
Indominus rex is an incredibly aggressive and intelligent carnivore, with an extremely high intolerance for deviations from its comfort levels. Even in comparison to other large carnivores such as Tyrannosaurus, Indominus is an asocial animal which doesn't tolerate other members of its species in its enclosure (unless, however, Group Adaptation genes are applied before incubation). It is extremely territorial and aggressive, killing almost anything that enters its enclosure. Given its strength and intelligence, the Indominus is the only dinosaur capable of killing sauropods such as Brachiosaurus and Dreadnoughtus, although it does tolerate smaller carnivores such as Velociraptor.
To create the Indominus rex, the development team acquired the 3D model that was created for 2015's Jurassic World by Industrial Light & Magic, as well as audio files to make the most authentic representation of the hybrid.[4] To further differentiate it from other large carnivores, the development team gave Indominus rex the ability to kill large sauropods, as a reference to its film counterpart. 152ee80cbc
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