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Jance Rubinchik: You always get a more believable performance on the day when you have something real that the actors can play against. For us, and for J.A., it was really important for him that there was a sense of realism in the film. It was really important for him to try to shoot things practical whenever he could.
David Vickery: So what we had was a practical Indoraptor head down to the shoulders. We had an Indoraptor arm and leg as well. We built non animatronic, full scale versions of dinosaurs that were very straightforward foam sculpts that we would leave in in cells and cages in the backgrounds just to try and fill things in.
David Vickery: The Indoraptor arm rig could be puppeteered by somebody or mounted onto a pole if we needed further reach. And we had a flexing claw for the moment when Claire gets it snapped through her leg and then they had a rig which we could put on a dolly or we could lie down on the floor.
Often the puppet would give us the sort of subtleties of the interactions with foliage on the floor or with branches, for example. It would give you a subtle sense of interaction of your digital dinosaur for free. We still have to do a lot of work to integrate and have the set interact with Indo.
Jance Rubinchik: The first thing I did was just jump in and started doing some animation tests with Indo. I looked at some animal reference and even looked at some reference of people with Tourette syndrome to just see some of the uncontrollable ticks that they have, to reference something that felt sort of unnatural in the way that Indo moved.
We ended up having to lengthen them just a bit so that Indo still looked creepy and cool and scary when he was on all fours. That extra length in the arms just gave us the ability to do more with Indo. That was definitely something we sort of keyed into. It was a fine balance with that, because sometimes, Indo would start to feel a bit too anthropomorphic. Too human like. And we would have that back a bit. J.A. was sort of adamant that it still felt like an animal.
Bea Millan-Windorski is a participant in the Young Professionals Program at the East-West Center in Washington. She is a rising senior at the University of Wisconsin-Madison majoring in History and International Security with certificates in Southeast Asian Studies and Political Science.
Sarah Pratt is a participant in the Young Professionals Program at the East-West Center in Washington. She is a graduate student at the Fletcher School at Tufts University, where she is focusing on Comparative & Regional Studies and Human Security & Humanitarian Affairs.
One must have to find & understand their nucleus to perform greatness within.Yes Indian soil has the potential to lead global humanity towards more humane evolution. We are trying to inter-bond Indian soil to the global sky through INDO GLOBAL International Film Festival.
IGIFF is the annual international film festival, Currently We are performing as an online film festival, which aims is to empower the filmmakers from all over the world with more confidence, courage & consciousness. As we are located in the Mumbai, Asia's Biggest Films' Hub, Bollywood.
Our vibrant team is always willing to enrich saga of global filmmakers towards more and more aliveness. So we certify the filmmakers' work with highest possible reviews and ratings. Our bespoke certification for Winners bestrew the film's achievement globally.
With humbleness, We strongly believe through scientific,artistic & spiritual practices that our Indian land of spirituality can be or will always ready to become the backbone for existence and non-existence of universe.
We believe filmmakers live a full life - they create alive moments, work, travel, shoot and watch & make films. Currently We have kept this film festival online, cause we wish to support more and more filmmakers to lead their dream-weaver's journey into reality of success and alive life. However we have a vision to strategize a physical screening event in a near future.
All the filmmakers are most welcome to send their films and beautiful work to Indo Global International Film Festival, We will surely try our best and our winning certification would add more value into your prosperous work to achieve more awards and recognition in the whole world.
Indo Global Fest where World meets to Indian Soil of Creativity, Compassion & Consciousness...
IGIFF is open for feature films and short films of fiction, narrative, live, animation, documentary, experimental, multimedia, as well as video-art, video clips, music, screenplays, narrative, commercial & social; national and international with all genres.
IGIFF is the short form for Indo Global International Film Festival.
All cinematographic works must have been completed after January 1, 2009.
Responsible for the film: Any natural or legal person of any nationality can participate.
Number of films per representative: each artist can submit an unlimited number of films.
The registration of films to the Festival takes place through all portals where we have officially listed our festival. We must receive confirmation of participation through one of these platforms, which includes an online link. The participant must ensure that the password does not change until the Festival ends.
The director or producer who holds the rights must register the film before our deadlines mentioned on portals where we have listed our festival for submission.
We accept films with all Languages with English subtitles. even silent films are most welcome.
Our judges' decision is and will be final decision about the films selection or non-selection. No arguements further will be entertained. We are and will not give any feedback of your film or submitted project and no clarification willbe given by our side about non-selection of submitted films. Hope you all will understand this.
IGIFF is now an online film festival with online screening restricted to our judges only. We don't screen any film at physical location or not online for public. As this is our initiave to support global filmmakers with more recognitions.
Indo Global International Film Festival considers a feature film when the film lasts more than 50 minutes.
Indo Global International Film Festival considers a short film when the film up to a maximum of 50 minutes. Our Jury's decision about each and every film's selection or rejection is the final decision, there is no scope for any argument.
The competitive sections are as follows:
A- International Competition for Feature Films (All or Any Genre):
-Narrative Feature Films
-Experimental Feature Films
-Documentary Feature Films
-Animation Feature Films
-LGBT Feature Films
B- International competition for short films (All or Any Genre):
-Narrative Short Films
-Experimental short films
-Documentary short films
-Animation short films
-LGBT short films
C.- Other:
-Art Video
-Music Video
-Screenplays
-Film Posters
-Story, - and all other categries listed on our filmfreeway listing page.
FEES
The fees for the submissions are mentioned on protal where filmmakers will submit the films.
Curator-ship: The Pre-Selection Committee will be made up of IGIFF members, who will carry out their work according to the parameters of quality and creativity previously set by the Festival Management, to choose the OFFICIAL SELECTION OF THE FESTIVAL.
Official Selection: The responsible for the selected film will be notified via email.
Jury: A qualified jury will evaluate the films of the OFFICIAL SELECTION to choose the winners for each category.
As we are the Online Film Festival, So we don;t do the projection of films.
During the celebration of the festival, if we needed, we the organization reserves the right to exhibit the selected films in as many public sessions as it deems convenient, at no cost to the festival.
We only publish winners list (film names) on our website and keep it on the website for 15 days or if needed more. As this is our social initiative to support more and more filmmakers from all across the globe. 152ee80cbc
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