The Good Dinosaur is a 2015 American animated adventure film[7] produced by Pixar Animation Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by Peter Sohn (in his feature directorial debut) and produced by Denise Ream, from a screenplay written by Meg LeFauve, who also wrote the film's story with Sohn, Bob Peterson, Kelsey Mann, and Erik Benson. It stars the voices of Raymond Ochoa, Jack Bright, Steve Zahn, Sam Elliott, Anna Paquin, A. J. Buckley, Jeffrey Wright, and Frances McDormand. The film explores an alternate history where non-avian dinosaurs never became extinct, following a young, timid Apatosaurus named Arlo (Ochoa), who meets an unlikely human friend named Spot (Bright) while traveling through a dangerous and mysterious landscape in order to return home, after being washed downriver.
Development of The Good Dinosaur began with Peterson and Sohn working on the film in 2009, when the former came up with the idea of exploring what dinosaurs represent in the present day and how they are represented in stereotypes. The project was officially announced in 2011, with the release date, plot, director and co-director, producer, and other small details being revealed. During its production, the team encountered various problems, which led to multiple story revisions, as well as changing directors and voice cast. To create a realistic background for the film, the team traveled to various American landscapes, which were later incorporated into the film. Arlo is designed to look distinct and relatable, in order to connect with audiences. In addition, the film pays homage to the Western genre in its themes, character representation, and western North American landscapes. Mychael and Jeff Danna composed the film's musical score, marking Pixar's first film to be scored by two composers.
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Millions of years later, Apatosaurus corn farmers Henry and Ida have three children: Libby, Buck, and Arlo. While his successful siblings are allowed to "make their mark" (a mud-print on the family's corn silo), Arlo's timid nature makes tasks difficult for him. Henry attempts to give Arlo a sense of purpose by putting him in charge of guarding their silo, and helps him set a trap. It captures a feral caveboy, but Arlo cannot bring himself to kill him, and sets him free. Disappointed and a little mad, Henry takes Arlo to track the caveboy into a ravine. Henry then saves Arlo from a flash flood before being killed by debris.
Without his father, Arlo shoulders more of the workload. He spots the same caveboy inside the silo; blaming the caveboy for his father's death, Arlo chases him into a river, where both are swept miles downstream. Arlo is knocked unconscious by a rock, and awakens to find himself deep in the wilderness. As he tries to return, his leg is caught by a boulder. The next day, Arlo wakes to find his leg has been freed by the caveboy digging out the dirt below Arlo's leg. The caveboy appears with food, and leads Arlo to a berry tree. The caveboy then fends off a large snake, amazing Arlo, and impressing Forrest Woodbush, a nearby eccentric Styracosaurus who wants to keep the boy. He forces Arlo to compete with him to give the boy a name he will respond to, and Arlo wins the game when he calls the boy "Spot". Arlo and Spot bond as Arlo laments his lost family, and Spot reveals that his own parents are both dead.
Later, when a storm strikes, Arlo runs away in fear and loses the riverbank he has been following home. The next morning, Arlo wakes to find Spot at his side. They are noticed by a band of pterodactyls, who appear to be conducting a rescue operation but turn out to be savagely carnivorous. When the pterodactyls try to eat Spot, Arlo and Spot flee; they encounter a Tyrannosaurus named Nash and his sister Ramsey, who both drive off the pterodactyls. Nash, Ramsey, and their father Butch have lost their herd of longhorns somewhere in the south, so Arlo offers Spot's help in sniffing them out. The group locates the herd, but Butch recognizes the work of cattle rustlers. Arlo and Spot lure the four rustler Velociraptors into the open, allowing Butch and his family to attack. After the rustlers have been driven off and telling stories at camp, Arlo joins the Tyrannosaurus in driving the cattle south. Later, he sees the familiar mountain peaks of his homeland in the distance, and leaves with Spot to return home.
Along the way, they encounter an adult feral caveman in the distance. Spot is intrigued, but Arlo dissuades him and they continue on. As another storm approaches, the pterodactyls return, attack, and carry Spot away. Arlo gets pushed off a cliff by one of the pterodactyls and becomes entangled in vines, being knocked unconscious as a rock hits his head. Arlo has a vision of his father freeing him and leading him home. Knowing it wasn't Spot's fault for what happened to his father, Arlo instead resolves to save Spot, making the vision of Henry proud of his son before it fades away. The vision invigorates Arlo with refound strength, as he frees himself from the vines and finds and attacks the pterodactyls, who have cornered Spot in the river. Arlo and Spot together plunge the pterodactyls into the water, where they are swept helplessly downstream. When a landslide causes a giant wave, Arlo leaps into the water to rescue Spot, and the two are swept away toward a waterfall. Arlo protects Spot as they go over the falls and rest up afterward.
As they near Arlo's home, the caveman and his entire family approach the two, who show great interest in Spot. With great reluctance, Arlo pushes Spot to join this new adoptive family, and the two of them share a tearful goodbye. Arlo finally arrives home to his mother and siblings, and makes his mark on the silo between those of his mother and father.
In 2009, when Bob Peterson came up with the idea about what the dinosaurs represent in the present day, Peterson and Peter Sohn started working on the film.[12] Its first release date of November 27, 2013, was first announced on June 20, 2011.[13] The film was announced as The Untitled Pixar Movie About Dinosaurs at the D23 Expo on August 21, 2011, which revealed the plot, director and co-director, producer, and other small details.[14] On April 24, 2012, Pixar officially revealed the film's title as The Good Dinosaur.[15]
The filmmakers wanted to explore what dinosaurs represent in the present day, and how they are represented in stereotypes. Peterson stated: "It's time to do a movie where you get to know the dinosaur, what it's really like to be a dinosaur and to be with a dinosaur." Peterson said that his inspiration of the film came from the World's Fair childhood visit where he gets impressed by "dinosaur animatronics." Sohn described the film's title as "deceptively simple", which "has more meaning than it seems".[16] He additionally explained: "Arlo has a lot of issues when he's born. He's fearful and he's weak and he's disconnected from the family because of these issues and he feels like he's not worthy, and so he finds a way to become worthy."[17]
In April 2012, Pixar announced that the film's release date had been shifted from November 27, 2013, to May 30, 2014,[15] with Walt Disney Animation Studios' Frozen taking its place.[18] On August 9, 2013, it was announced at the D23 Expo that Lucas Neff, John Lithgow, Frances McDormand, Neil Patrick Harris, Judy Greer, and Bill Hader had joined the cast of the film.[19]
By mid 2013, Peterson was removed from the film due to story problems.[20] Peterson, who could not solve the film's third act,[21] was absent from the D23 Expo where Sohn and producer Denise Ream presented footage from the film.[22][23] Peterson moved on to another project he developed at Pixar while Ream replaced producer John Walker, who left to work on Disney's own Tomorrowland.[24] John Lasseter, Lee Unkrich, Mark Andrews, and Sohn stepped in temporarily to work on various sections of the film.[20] In September 2013, The Good Dinosaur was pushed back from May 30, 2014, to November 25, 2015 (the scheduled release date for Pixar's Finding Dory).[25] According to Ream, the primary reason for the rescheduling was because "the story was not working, period, full stop, it just was not where it needed to be."[26] In November 2013, due to the delay, Pixar laid off 67 employees of its 1,200-person workforce,[21] following the closure of Pixar Canada a month before, when about 80 employees had been laid off, officially to refocus Pixar's efforts at its main headquarters.[27]
In August 2014, Lithgow revealed in an interview that the film had been dismantled and "completely reimagined" and that he was expected to rerecord his role in the next month while mentioning that McDormand was still part of the film.[28] In October 2014, Sohn was announced as the new director of the film.[29] In November 2014, it was reported that new elements had been added to the story, such as treating nature as the film's antagonist.[30]
In June 2015, it was announced that the majority of the cast had been revised.[8] Of the original cast, only McDormand retained her role in the film. It was revealed that Neff had been replaced by Raymond Ochoa, and Lithgow had been replaced by Jeffrey Wright.[8] Arlo's three siblings, to be voiced by Harris, Hader, and Greer had been cut down to a single brother named Buck, voiced by Marcus Scribner,[8] and later, a sister named Libby, voiced by Maleah Padilla.[17] It was also confirmed that the farmer aspect was still part of the film.[31]
The filmmakers wanted nature to be the antagonist for the main character Arlo. Ream noted "Nature can overcome anything, including a massive dinosaur." In order to achieve the needed realism, the film's team traveled to the American Northwest, spending time in Jackson Hole, Wyoming, Juntura, Oregon, and southern Montana. Production designer Harley Jessup stated that the film "has a fantastic variety of landscapes," which ranged "from the Jackson Valley and the Tetons to the amazing geysers and waterfalls in Yellowstone," as the filmmakers "studied the grasslands of Montana and the Red Desert" and used them to incorporate into the film. To use the landscapes that they had experienced, the filmmakers used data from the U.S. Geological Survey, and satellite images from Google Earth. The geographical data provided a foundation that the team then built on. According to supervising technical director Sanjay Bakshi, this gave Sohn "the freedom to shoot in any direction he wanted to make the world feel big and real." In addition, The Good Dinosaur features three-dimensional, volumetric clouds. In previous Pixar films, clouds have been "painted" onto the sets. Lighting cinematographer Sharon Calahan described the storm clouds "are almost like a villain in the film", and appeared "in almost every scene." Calahan also noted "These particular clouds can be rendered and we can light them, which we've never been able to properly do before."[32][33] 152ee80cbc
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