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After is a 2019 American romantic drama film directed by Jenny Gage, who co-wrote the screenplay with Susan McMartin, Tamara Chestna, and Tom Betterton, based on the 2014 novel of the same name by Anna Todd. It is the first installment in the After film series. The film stars Hero Fiennes Tiffin and Josephine Langford and follows a young woman who begins to romance a mysterious student during her first months of college. The cast includes Selma Blair, Inanna Sarkis, Shane Paul McGhie, Pia Mia, Khadijha Red Thunder, Dylan Arnold, Samuel Larsen, Jennifer Beals and Peter Gallagher in supporting roles.

Tessa Young begins her first year of college by moving into her dorm room with the help of her mother, Carol, and her boyfriend, Noah. During this process she meets her new roommate Steph and Steph's girlfriend Tristan. The day after, Tessa shares a brief encounter with Steph's friend, Hardin Scott.

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Noah surprises Tessa with a visit, and the two experience an evening together around a bonfire. In a game of 'suck and blow' at the bonfire party, Jace purposely fails in order to kiss Tessa, making Hardin jealous and leading to a physical confrontation. While Noah sleeps in Tessa's bed after the party, she leaves to check in on Hardin, who has destroyed the house in a drunken rage. She comforts him and they kiss.

A heartbroken Tessa returns home to reconcile with her mother and Noah, who both forgive her. In the weeks that follow, she cuts ties with Steph and her group of friends, eventually interviewing for an internship at Vance Publishing. Before Tessa leaves college at the end of the semester, her lecturer hands her an essay written by Hardin, in which he confesses his love for her; after reading it, Tessa returns to the lake to meet Hardin.

In 2014, Paramount Pictures acquired the rights to adapt After for film;[5][6] before the expiry of the company's rights to the film production in mid-2017, the project was headed by screenwriter Susan McMartin. Following this, CalMaple Media and Offspring Entertainment acquired the filming rights, with writer Tamara Chestna hired to rework McMartin's script, and director Jenny Gage overseeing the script's final revisions.[7][8] McMartin, Chestna, and Gage all received final script credit. CalMaple Media's Mark Canton and Courtney Solomon, Offspring Entertainment's Jennifer Gibgot, Wattpad's Aron Levitz, Meadow Williams of Diamond Film Productions and Dennis Pelino were all credited as producers on the film, alongside Todd herself. The film was financed by CalMaple, Voltage Pictures and Diamond Film Productions, with executive production by Swen Temmel, Nicolas Charier, Jonathan Deckter, David Dinerstein, Jason Resnick, Scott Karol, Ian Brereton, Eric Lehrman, Adam Shankman, Brian Pitt and Vassal Benford. Aviron Pictures distributed the film domestically, with Voltage Pictures handling foreign distribution.[9]

In July 2018, Telles announced her exit from the film due to scheduling conflicts. In the same month, Josephine Langford was announced to play Tessa Young. Todd would later state that once she saw Langford, she "knew right away that was Tessa."[10][11] Pia Mia was cast in the role of Tristan, a previously male character in the books.[12] Executive producer Swen Temmel was cast as Jace,[10] Shane Paul McGhie and Khadijha Red Thunder were added as Landon Gibson and Steph Jones respectively,[13] Samuel Larsen was set as Zed Evans, and Inanna Sarkis played Molly Samuels. Producer Meadow Williams was additionally cast as Professor Soto, another previously male character in the books.[14] On July 27, Peter Gallagher and Jennifer Beals were announced to play Ken Scott and Karen Gibson, Hardin's father and Landon's mother, respectively,[15] with Selma Blair announced for Carol Young, Tessa's mother, and Dylan Arnold announced for Noah Porter on July 30.[16]

Principal photography was due to begin in June 2018 in Boston, Massachusetts.[17] In early July, producer Jennifer Gibgot stated that shooting would begin on July 16, 2018, in Atlanta, Georgia shortly after Langford had been cast as Tessa.[18] Principal photography was mainly conducted at Emory University, and production was completed on August 24 of the same year.[19]

After premiered at The Grove in Los Angeles on April 8, 2019,[20] and was released in the United States on April 12, 2019, by Aviron Pictures.[21] The film was released in Latin America on April 10, 2019, by Diamond Films, ahead of its North American release.[22]

On Rotten Tomatoes, the film holds an approval rating of 18% based on 39 reviews, with an average rating of 3.6/10. The site's critical consensus reads, "Tepid and tired, After's fun flourishes are let down by its generic story."[26] The film has a weighted average of 30 out of 100 on Metacritic, based on eight critics, indicating "generally unfavorable reviews."[27] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while those at PostTrak gave it 2.5 out of 5 stars.[24]

Critics found the screenplay at fault, with Owen Gleiberman of Variety writing that After was an "innocuous teen pulp soap opera that flirts with 'danger' but, in fact, keeps surprising you with how mild and safe and predictable it turns out to be."[28] John Fink of The Film Stage echoed this sentiment, commenting that "the talented cast is burdened by a dead on arrival screenplay that waters down what could have been an intoxicating tale of first love," though he noted the film was "beautifully shot" and "occasionally aesthetically pleasing."[29]

On August 24, 2022, it was announced that a fourth sequel titled After Everything has finished filming. Langford and Fiennes Tiffin are both set to reprise their roles. The fifth and final installment in the After film series, it will be the only film to not be based on a book in the series.[35]

Shadow detail begins to decay from the instant the exposure is finished, due to re-combination of freed electrons within the silver halide crystal lattice. The longer you store film after development the lower its effective speed becomes.

Of course, it takes a long time for the latent image to degrade completely, but there will be a noticeable loss of quality after 6 months or so at room temperature. Then you have to figure in the cost of cold storage. Running a fridge or freezer for 6 months when it's full of film isn't cost free.

The "chemicals" do not set. Exposure causes a change in the electronic state of silver halide crystals. As said above, that change is reversible and will decay over time. The latent image in film is just as electronic as a digital camera's CMOS sensor image.

"Once you have exposed your film, paper, or display material, it is important to minimize changes in the latent (unprocessed) image. For consistent results, process the film, paper, or display material promptly after exposure. This is particularly important with professional color films, because they are optimized for processing soon after exposure. Storage at a low temperature after exposure will retard latent-image changes. You can keep exposed, unprocessed film in a refrigerator for a few days when necessary. Put the film in a sealed container, and allow the unopened container to reach room temperature before removing the film for processing."

Having said all that, I disagree with this urgency to process. With properly-stored, in-date, consumer Agfa 200 C-41 film, I doubt you will notice any difference processing immediately or in a few months' time.

Here are the results of running my film accidentally through the new airport CT carry on scanners: (The following files are all straight unedited Noritsu film scans from the FindLab). First impressions: the color seemed to handle MUCH better, but the Trix400 black and white below is more noticeable in effects.

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Purpose: To evaluate changes in the tear film lipid layer thickness (LLT) after cataract surgery and the effects of cataract surgery on dry eye syndrome (DES) and meibomian gland dysfunction (MGD).

Methods: LLT measurements obtained using the LipiView interferometer, tear break-up time (TBUT) measurements, Schirmer's tests, Oxford staining scores, lid margin and meibomian gland findings, and the Ocular Surface Disease Index (OSDI) questionnaire scores were evaluated before and one and three months after cataract surgery.

Results: Forty-three eyes (43 patients) were included. LLT was significantly thinner one month after surgery than at baseline (P = 0.004). TBUT was significantly shorter at both one (P < 0.001) and three (P < 0.001) months after surgery than at baseline. OSDI scores were significantly higher (P < 0.001) and the meibum quality was significantly poorer (P = 0.001) at one month after surgery than at baseline. TBUT was significantly and positively correlated with LLT (r = 0.29, P < 0.001), while the OSDI (r = -0.38, P < 0.001) and Oxford staining (r = -0.30, P = 0.001) scores and the meibum quality (r = -0.21, P = 0.01) were significantly and negatively correlated with LLT. e24fc04721