However, early in my worship leading career, I found that I may not have understood all the details necessary to make a judgment call on that approach, and there was something else at work that made sense in the big picture.

Brendan Prout is a pastor in San Diego, CA, active in developing worship leaders locally and nationally. He has served in ministry leadership for over 25 years, and has a passion for training and inspiring others to grow in their gifts for the work of ministry they are called to.


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Author Brendan Prout's long-term goal is to continue raising up and training ministry leaders, providing them with the necessary tools to become effective communicators of the gospel and facilitators of worship from a Biblical perspective. He aims to lead a faith community that is oriented towards God, focusing on glorifying Him and expressing the love of Christ through practical actions.

Download this track from Akesse Brempong titled Bongo Worship. Akesse Brempong born as Phil Evans Akesse-Brempong is a young, gifted worship leader, songwriter, preacher, and gospel recording artiste.

Gabon is a Christian majority nation, with Islam being a minority faith. Due to the secular nature of the country's constitution, Muslims are free to proselytize and build places of worship in the country.

The Single Post Bongo encourages children to learn about sounds and rhythms. This outdoor musical instrument is a customer favorite and is a great, economical choice if you're starting your outdoor music area. Allow children to play the bongo drums with their hands and experience the joyful sounds of music. Includes In-Ground mounting, or inquire us about other mounting options.

A djembe is flexible in several ways: (1) it can be played by a person of any skill level; (2) it can be played in a way that mimics a drum set (with a "backbeat"), if one wants, but can also be played in other patterns, including more advanced ones; and (3) it can also be played loudly enough for most (all?) worship settings, and yet can be played quietly/subtly, too.

Other effective percussion includes - for me, in order of importance: shakers (egg shakers, rattles, "one shot" shakers); a tambourine (probably shouldn't be over-used); a cabasa (can be used like a shaker if one doesn't feel comfortable playing it with a hand cupped around the beads); claves (or even just sticks, like drum sticks, can be used to strike each other); a wood block (possibly mounted if a player wants to be able to use their other hand to play other percussion); a mounted cymbal. The cymbal can be played with various sticks and mallets to get different sounds (e.g., using a felt mallet can get the "swell" sound which can fit the beginning or end of a song). A person playing an instrument that takes two hands, like a djembe, can use their feet to play other things: foot tambourine (my new personal favorite), a hi-hat, a cowbell foot pedal (my Latin jazz geekiness coming out there - honestly, a cowbell is appropriate almost only in Latin worship music). Instructions on how to play any of these instruments can be found in brief YouTube videos, and, for those new to these instruments, those videos are probably worth checking.

For kids - what simple but helpful percussion would you recommend for a church to have on hand? (maybe even at the front of church to pick up and play when invited by the worship leader?)

Good question. I would shy away from instruments whose sounds overpower - like tambourine, woodblock, cowbell. Those instruments can literally give headaches (said the volunteer at his kids' school's music classes). I would possibly include something like bongos, because getting the proper sound - or, more important, volume - isn't so important if children are playing rhythm as a group. I think sticks and shakers would be good. Keep in mind that a dropped egg shaker can make for a serious mess of beads on the floor of your worship space. Small cymbals (a splash cymbal, finger cymbals) could work.

Drums in the Church (a DVD) that offers a hands-on guide to the effective and creative use of percussion instruments in the context of Christian worship services. This essential DVD covers fundamental rhythms and techniques for a wide range of musical styles.

The multiple award winning artiste, disclosed in an interview that in contrast to the perceptions of his fans as a charismatic, he was born and bred in the Church of Pentecost right through his Sunday school days at Ahensan in the Ashanti region, to his talent discovery days in Kumasi high school, then to the frontline ministrations at Kumasi P.I.W.C and eventually as the music director of several choirs both on and off KNUST campus during his university days before settling with Kaneshie P.I.W.C where he currently worships after relocating to Accra.

For two years, stoneworkers scaled scaffolding to clean and repair the Chapel’s exterior masonry while stained-glass specialists spruced up the windows, inside and out. On February 10, the newly restored Chapel, the third largest collegiate chapel in the world, made its debut at an ecumenical and interfaith rededication ceremony. Attendees were given smooth black stones, which Princeton’s new dean of religious life, Thomas Breidenthal, said symbolized the stones, glass, and wood “that make up the fabric of this great chapel,” the men and women who worship in it, and the living God — the “everlasting rock.” The beat of bongo drums, two colorful kites, and the singing of the Chapel Choir led the procession of campus religious leaders, students, and administrators into the building. Graduate student Nancy Khalek, her head covered in a white scarf, called the congregation to prayer with the opening chapter of the Koran. Campus religious leaders rededicated the chapel doors, the organ, the pulpit, and the stones, windows, and space. In his sermon, Breidenthal thanked people of all faiths for “claiming this holy place as their own.” “This edifice is unmistakably Christian,” he said, but “this chapel is meant to belong to all of us.” Built between 1925 and 1928, the University Chapel was designed by Ralph Adams Cram of Boston, a leading architect of the Gothic revival style. Students of the day dubbed it “Moby Dick, the White Whale,” a sobriquet that had lost its meaning after 70 years of grimy buildup and wear on the ornamental stonework. Masonry Preservation Group, the general contractor, employed as many as 30 stoneworkers at a time re-pointing, repairing, and cleaning the Pennsylvania sandstone with Indiana limestone trim and patching the sculptures under the arches. The stone was “black and gray,” says MPG’s Bob Kelly. “After we restored it, it brought it back close to its original luster.” Robin Bell, the forewoman for Femenella and Associates of Clinton, New Jersey, who restored and re-leaded the stained glass, got a chance to see up close the details of the 27 windows — the work of some of the nation’s best stained-glass artists — featuring scenes from the Bible, Dante’s Divine Comedy, and Milton’s Paradise Lost. “There’s so much hidden in each one,” says Bell, who supervised the removal of the stained-glass panels and their shipment to studios in France, Pennsylvania, Massachusetts, and New York, where they were cleaned and repaired. The two-year restoration of the masonry and windows cost $10 million, which included a $750,000 grant from the New Jersey Historic Trust. According to university officials, the stained-glass restoration was the largest project of its kind carried out in the U.S. in the last 25 years. Kathryn Federici Greenwood is PAW’s staff writer. PAW Online: For photographs of the two-year Chapel restoration project and a longer story on Breidenthal, go to PAWPLUS at www.princeton/edu/paw/plus.

For the church, rapid advancements in technology provide exciting possibilities for worship and communication, yet however helpful technology proves to be with communication, it also possesses a shadow side that overwhelms. The easy availability of news and information is a luxury of our time, but like all luxury it comes with a spiritual warning. Information overload can paralyze the will and dull the spirit.

"In an effort to enable churches and religious groups around the country to conduct traditional worship services on the eve of the New Year, I am pleased to announce... that curfew for Wednesday night... is hereby suspended," Sannoh said in a statement.

"All churches and religious organisations conducting worship services on New Year Eve are advised to abide by all existing Ebola preventive protocols as well as the regulations issued by the minister of health," the statement said. ff782bc1db

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