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After the birth of my first son in 2001, I became a certified empowerment coach through IPEC and combined fitness with empowerment, which led to workshops and speaking engagements. My focus turned to high school teens in need. To this day, I still teach my P.E.R.F.E.C.T. workshop for teens in the Juvenile system, combining fitness, journaling, empowerment, and poetry. I still offer workshops on healing, well-being, writing, and more.

Somewhat comparable to fellow bohemian poet Maxwell Bodenheim, many stories about his bohemian lifestyle circulated. Evans single-handedly founded and managed the Claire Marie press, intending to publish "New Books for Exotic Tastes". He stated its goals as thus, "Claire Marie believes there are in America seven hundred civilized people only. Claire Marie publishes books for civilized people only. Claire Marie's aim, it follows from the premises, is not even secondarily commercial."[2] Evans was an early admirer of Gertrude Stein. He first published her Tender Buttons in 1914.[3] Evans was also close to Wallace Stevens; it is said that the two planned to write a book of one-line poems together.[4]

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Evans, son of Jenkin Evans, was born at Cynhawdref, in the parish of Lledrod, Cardiganshire. He received his education at the grammar school of Ystrad Meurig, under the scholar and poet Edward Richard. He moved to Oxford, and entered Merton College in 1751 but left without graduating. He had conveyed a small freehold in Cardiganshire to his younger brother for 100, in order to support himself at the university.

From an early age he cultivated poetry, and he was soon noticed by Lewis Morris the antiquary. He diligently applied himself to the study of Welsh literature, and employed his leisure time in transcribing ancient Welsh manuscripts, for which purpose he visited most of the libraries in Wales. At one time he received small annuities from Sir Watkin Williams Wynn and Dr John Warren, when bishop of St David's, to enable him to pursue his research. His first publication was entitled Some Specimens of the Poetry of the Antient Welsh Bards, translated into English; with explanatory notes on the historical passages, and a short account of men and places mentioned by the Bards; in order to give the curious some idea of the tastes and sentiments of our Ancestors, and their manner of writing. London, 1764, reprinted at Llanidloes [1862]. This work gained for its author a high reputation as an antiquary and a critic, and furnished Gray with matter for some of his most beautiful poetry. In it is included a Latin treatise by Evans, De Bardis Dissertatio; in qua nonnulla qu ad eorum antiquitatem et munus respiciunt, et ad prcipuos qui in Cambria floruerunt, breviter discutiuntur.

In his adolesence, Walker Evans dreamed of becoming an author, a literary man of letters. He found out, however, early-on that he was better-suited to photography. But in the twilight of his years, he left the world his final chapter in the story of his life, this collection of Polaroids. These delicate, sardonic and bittersweet images more than fulfill his early aspirations, for all their visual prose and poetry.

Her poetry has been collected; I have a copy of a dissertation that is an edition of the poems. Here I found rows of fragments, little pieces of verse left over as it were, never worked up or placed into a large poem (or as epigraphs to her novels). The reader has to contextualize them him or herself. Here are two:

I started writing by choosing subject matter that I knew. My poetry is simple with usually one story line and theme. My poetic approach is to ensure to the audience, with simplicity, complete accessibility to the story. I tell stories with very uncomplicated language, without metaphor or multiple levels of meaning or abstraction; straight forward storytelling, taking a poem from beginning to end with a story in between.

He teaches two poetry workshops, Microcosm/Macrocosm and Experiments in Form & Collaboration, as well as two humanities electives, The Cave: Inquiry into the Origins of Art, Religion, and Philosophy and Crossing Cultures: Greece & Japan.

"Students have regularly spoken of the way my classes have stimulated their curiosity in aspects of culture, history, and art they hadn't encountered before. They have remarked on the ways projects and assignments have challenged them to synthesize their personal and professional skills and interests with aspects of reading, writing, and research. Many students in my poetry workshops have gone on to write, publish, and collaborate with other artists, bringing together their literary skills with their lives as composers, dancers, musicians, and actors."

"I have always viewed my academic studies as raw material for my own artistic work as a poet and have approached teaching as an extension of my belief that academic exploration can feed artistic inspiration and vice versa. For example, my curriculum for The Cave: Inquiry into the Origins of Art, Religion, and Philosophy was a direct outgrowth of the three years of reading and research, as well as travel, I did writing a book of poetry on Werner Herzog's documentary The Cave of Forgotten Dreams. American poet Theodore Roethke said, 'A teacher is someone who conducts his education in public,' and I illustrate this principle in my teaching with passion and rigor. I believe in lifetime learning and following artistic impulses into in-depth reading and research."

These are wonderful poems. Kids really love the mystery and creativity of poetry. I would open a until but having as many books of poetry that I could find available with lots of post-its. Kids could lie on the floor or sit where they were comfortable and put signed post it notes on their favorite poems. Then they would share with their group or the whole class.

The College of Southern Maryland (CSM) invites the public to join in welcoming poets Daisy Zamora and George Evans as its Connections Literary Series guests March 18 for an afternoon of readings and discussion on Zoom. The 1 p.m. virtual event is free.

Daisy Zamora is the author of numerous poetry books in Spanish, a collection of political essays, and she edited the first comprehensive anthology of Nicaraguan women poets published in Latin America. Her latest poetry collection, La Violenta Espuma, was published in 2018 by Visor Libros (Spain). Her essays, articles, and translations have been widely published, and her poetry appears in anthologies in 30 languages, including the Oxford Book of Latin American Poetry. Bilingual collections of her work in England and the U.S. include The Violent Foam (Curbstone Press) and Riverbed of Memory (City Lights Books). She was a combatant for the Sandinista National Liberation Front during the Nicaraguan Revolution, and the voice of clandestine Radio Sandino. After the triumph of the revolution she became Vice Minister of Culture. She has given poetry readings and lectures throughout the world, including many venues in the U.S.

CSM Connections Literary Series: Daisy Zamora and George Evans. 1 p.m. March 18. Zoom. Daisy Zamora is the author of numerous poetry books in Spanish, a collection of political essays. George Evans is the author of poetry collections published in the U.S., UK and Latin America. RSVPs are required to access Zoom information. Free.

Michele Evans, a fifth-generation Washingtonian (D.C.), is a writer, high school English teacher, and adviser for her school's literary magazine, Unbound. Despite always wearing the color black, she exhibits a certain fondness for blueberries, blue hydrangeas, blues musicians, and Blue Mountain coffee. Named a semifinalist for the 2023 Airlie Prize from Airlie Press, Michele Evans has been published in Artemis Journal, Tangled Locks, The Write Launch, and elsewhere. Her poem "anticlea" won first place in the 2023 ASP Bulletin poetry contest sponsored by Alan Squire Publishing. You can find her at www.awordsmithie.com or @awordsmithie on Instagram.

In addition to her writing, Evans has taught seminars and workshops at many institutions, including London Metropolitan University, Kingston University, University of East London, Birkbeck University, Goldsmiths, and the City Literary Institute, and numerous international literary festivals. She has held two Royal Literary Fund fellowships at Queen Mary, University of London and has performed her work at venues worldwide. Evans currently serves as a Royal Literary Fund Advisory fellow and a poetry reviewer for the Irish Times. She lives in London with her daughter, Liadin.

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His first collection of poems, The Crown Ain't Worth Much, was released by Button Poetry in 2016. His first collection of essays, They Can't Kill Us Until They Kill Us, is forthcoming from Two Dollar Radio in winter 2017.

As a student at Williams College, Evans pored over modernist poets such as T.S. Eliot, Ezra Pound, and E.E. Cummings.[1] They were breaking down the conventional rules of poetry by collaging different languages; mixing registers of diction, from the traditionally poetic to the slang of the American street; and elevating the fragment over the whole. Behind much of this approach was the influence of earlier French Symbolist poets, such as Charles Baudelaire and Jules Laforgue. Evans said in that same interview with Leslie Katz:

Born (and shortly thereafter adopted) in southern New Jersey in 1965, I moved to California with my family in the mid-1970s, living in Vista, Huntington Beach, and Hillcrest before returning east in 1989 with my partner the poet Jennifer Moxley. I received my BA from the University of California at San Diego in 1988 and my PhD from Brown in 2000.

My research focuses on contemporary poetry and poetics, critical theory, modernism, and the avant-garde. At present I am at work on a book-length project tentatively titled "The Poetics of Phonotextuality: Timbre, Text, and Technology in Recorded Poetry." 2351a5e196