I've developed a few of my own tricks to build the energy... But I'd love to hear what other techniques and tricks you guys have come up with for building energy within a song or what your other thoughts are around it.

What I'm talking about is building over the course of a song to reach that emotional crescendo and peak that comes late in a song. The part that just sounds HUGE and makes you want to scream the lyrics whenever it comes on the radio. I think part of my problem with recreating it is that I can't define it all that well. Its a "you'll know it when you hear it" thing.


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- Add more layers and/or instruments to increase the "size" of the song, both in terms of frequency space and sonic depth. This feels a little like cheating to me. Like... If I don't have a synth player live, why should I have one on my records? I know a LOT of people do that... but it's not what I want in my music.

- Adding dynamics to each part - playing a little stronger and firmer as the song goes on... I think this happens naturally within a band, but in a more sterile recording environment it's a little harder to replicate.

First things first. I have no internet at home and I waited 3 weeks for a oppertunity, when a new feedback tread starts so that I can get some feedback but that will not happen today... However; I have tried to put some more percusion into the song, speed up the tempo, more melody parts, and I don't know anymore what to do. Nothing seems to fit. I really like that song and I don't want to leave it unfinished but at the same time it makes me upset not being able to add some more energy to the song. What are you guys doing to add some more energy?

Q is an executive and investor in power and renewables, having led a range of investment and strategy efforts for GS Group, one of the largest diversified energy companies in the world, and a limited partner in ETV. He sits on the investment committee of Energy Transition Ventures in its Houston office and works closely with the GS Group corporate venture arms at GS Futures and GS Energy.

Q served as General Manager at GS Electric Power Solutions, a leading IPP. He helped drive the expansion of GS EPS into North American and international energy markets. Q led the minority investment in, and sits on the board of, the 972 MW Linden Cogen in NYISO, GS Group's first power plant investment in North America. Prior to GS EPS, as a GM of Biz Dev at GS Energy, Q led its majority investment in Incheon Total Energy, a 206MW CHP and district heating business, and its minority investment in the Baramulti Coal Mine in Kalimantan, Indonesia.

Q served as GM of Strategic Planning at GS Energy, overseeing strategies in LiB materials, mobility, and waste-to-energy including its LI battery cathode materials business for EVs, GSEM, the early studies of car-sharing and EV charging at the parking business of GS, GS Park 24, scale-up of WTE facility using plasma gasification, GS Platech, as well as leading its investment and R&D efforts in fuel cells and storage.

Q joined GS after roles in management consulting at Monitor Group, working on strategy for F500 customers from consumer products to energy storage. He began his career in M&A at Samsung Securities, before earning an MBA at Northwestern (Kellogg), holds his Bachelors from Yonsei Univ, and is a tournament level Kendo medalist.

"Energy" contains samples from "Eazy-Duz-It" by Eazy-E and Ridin Spinners by Three 6 Mafia. The song also samples the hook from the Hot Boys song I Need A Hot Girl, as well as the instrumental from the Original Concept song Knowledge Me.[1] Energy was produced by Boi-1da and OB O'Brien. According to WhoSampled the song samples the score of an episode of The O.C..[2] The very first sample is believed to be of Jamaican DJ Jah Walton, likely recorded at a sound clash contest.[3]

Ryan Dombal of Pitchfork gave the song a positive review and named it "best new track", stating "The song isn't aimed to any rappers or pop stars, not Kendrick Lamar, Big Sean or Tyga, but the song lines are dangerous."[4] Album Of The Year stated that the song became the most famous single to come out of If You're Reading This It's Too Late.[5]

The music video for "Energy" features Drake transformed into several notable celebrities, including: television personality Oprah Winfrey, during her famous interview with Tom Cruise; professional boxer Floyd Mayweather Jr.; singer Justin Bieber, from a Calvin Klein advertisement; singer Miley Cyrus, from her own music video for "Wrecking Ball"; former mayor of Toronto, Rob Ford, enjoying crack cocaine in an alley; entertainer Kanye West, during the filming of his own music video for "Bound 2"; United States President Barack Obama, during a presidential address; NBA player LeBron James; and O. J. Simpson, during the high speed car chase that led to his arrest. In each of these iterations, Drake mimes along with the song. Interspersed with these clips is monochromatic footage of Drake and his entourage; along with portraits of other caricatures. Bookending the video, a child version of Drake is seen in a field with other children, who act not unlike bullies towards him. At the end of the video, the young Drake stands solitary in the field, while another child (who has now been revealed to have Drake's adult face) points a toy gun at him.[7]

Many critics stated that Drake uses this video to mock Justin Bieber, Miley Cyrus, Kanye West and many other celebrities in the video.[7] However, each usage of a notable person is timed to emphasize a certain lyric within the song. None of the personalities parodied in the footage have publicly responded to the video for "Energy".[citation needed] Pitchfork Media named "Energy" the 12th best music video of 2015.[8]

In Canada, "Energy" peaked at number 65 on the Billboard Canadian Hot 100.[9] In the United States, it is the highest-charting song from the album to date, reaching number 26 on the Billboard Hot 100, number 9 on the Billboard Hot R&B/Hip Hop Songs chart and number 5 on the Billboard Rap chart.[10] "Energy" also peaked at number 71 on the UK Singles Chart.[11]

"High Energy" is a song co-written and co-produced by Ian Levine and Fiachra Trench, and performed by American dance singer Evelyn Thomas. The song was very popular in dance clubs around the world and topped the American dance chart in September 1984. It also spent four weeks atop the singles chart in West Germany[3] and peaked at number 5 in the UK.[4] It became one of the earliest successful songs within the genre of music that has come to be known as hi-NRG. On the SoBe Music compilation album Gay Classics, Volume 1: Ridin' the Rainbow, the liner notes describe the song as "...engagingly captur[ing] the spirit of the genre through uplifting lyrics tightly fused with dazzling synth work".

I ordered your e-books, and I am absolutely loving them. I've only very recently started writing songs (I've written four...but all within the last week!), and the information you offer is incredibly useful. So, thank you!

I recently bought your collection of e-books on song writing, chord changes and creating harmonies and I would just like to let you know how pleased I am with them. They have very clearly answered so many of the things about music writing which I've never been able to really find a clear answer to before. My enthusiasm for song writing has just come back with a vengeance! Many thanks!

These tunes are similar to team building songs, motivational work songs, and songs about teamwork. You can also play this music as conference entertainment, during conference breakout sessions, and at virtual conferences.

Walking on Sunshine is one of the best work meeting songs. The song is bright and stimulating, and it is tough not to crack a smile when this tune plays. You would be hard-pressed to find a more energetic, crowd-pleasing song to kick off the festivities or revive the excitement mid-event.

Get Lucky blends a quick, electronic backing with smooth vocals to create a happy party song guaranteed to add fun to any meeting. Whether accompanying an entrance or backing the slideshow, Get Lucky can bring extra life into any meeting.

High Hopes is equal parts inspirational and optimistic. The song emphasizes the importance of believing in yourself even when the odds seem unbeatable, and the beat is a bop. If you play this at your next conference, then you are sure to lift spirits.

Dog Days are Over is one of the best work meeting songs for when times are tough. The song celebrates finding peace after enduring struggle and proclaims a change in luck. This ballad can be a way to recognize and revive the team after a period of hardship, and a reminder that better days lay ahead.

Woo Hoo is one of the most fun examples of music for virtual meetings. Most recognizable from a once-popular cell phone commercial and the movie Kill Bill, this short song is an immediate party. The title doubles as the only lyrics, and the instrumentals are fast and fun. This song is one of the best picks for spontaneous dance parties and is the instant antidote to Zoom fatigue or work fatigue.

Life is a Highway is a high-spirited song about adventure and persistence. The lyrics show that life can be a roller coaster, but the best way to face existence is with a can-do attitude. The music is made for toe-tapping, dancing, and humming along, and the perky melody practically begs folks to get on their feet.

Beautiful Day is the musical equivalent of a ray of sunshine. This song brims with possibility and positivity and is buoyed by a swelling instrumental harmony. This track helps attendees feel hopeful, mindful, and happy to be present.

All I Do Is Win is one of the best conference music openers. This jam inspires a winning mindset and gives listeners permission to brag about their accomplishments. This song is perfect for celebrating recent success and pumping up employees to achieve even greater goals. e24fc04721

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